Tag Archives: plants

Winter Plants, Fog, and Bird

Winter Plants, fog, and Bird
“Winter Plants, Fog, and Bird” — A solitary bird perches in wetland plants on foggy winter morning.

Winter is the time of fog and migratory birds in California’s Central Valley. But once again and all too soon, we are approaching the end of that season. Orchards are blooming and temperatures are rising, and in a week or two the migratory geese will be on their way north again. The thick tule fogs will give way to the clearer skies of spring.

This photograph comes from a visit to the Valley back in January, on a day I chose precisely because it was going to be foggy. It turns out that I got too much of what I was looking for — the fog never cleared, and in the murk I could not find many of the birds I came for. Instead, I photographed the quiet and mysterious landscape.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Dormant Wetlands Plants

Dormant Wetlands Plants
“Dormant Wetlands Plants” — Dormant and dried wetlands plants reflected in the still water of a quiet pond.

My first “real” visit of the season to my favorite migratory bird photography location did not go as planned. (Actually, I did stop briefly a month ago and a half earlier, but things were still slow back then.) I was hoping for luminous tule fog and lots of geese and sandhill cranes. Instead I got thick gray elevated overcast and fewer birds than expected. Ah, well, it happens… and when it does I look for something else to photograph.

This is one of the “something else” photographs. This area is full of shallow seasonal ponds, and when they fill the summer’s plants still emerge from the still water and make fascinating reflections. For this subject the very soft light from the overcast worked well and revealed a more of the plants’ details.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Coastal Cascade

Coastal Cascade
“Coastal Cascade” — A Big Sur creek forms a small waterfall just before it reaches the Pacific Ocean on a foggy morning.

We were on the upper Big Sur coast on this June morning, photographing large surf along with sea stacks and steep cliffs. I first worked that subject from some distance using long lenses, then moved right down to the edge of the water for intimate landscape/seascape images. Eventually I decided to head back up and away from the immediate coast, and as I walked I came across this little cascade.

I thought that the angle of the falling water below the little gully was interesting, and I like the back light an rim light on the edges of the rocks. The combination of thin fog and ocean spray added a muted quality to the atmosphere. The biggest challenge here was that the primary subject, the falling water, was in shadow, and this muted its brightness a bit.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Afternoon Light

Afternoon Light
“Afternoon Light” — Storms build as late afternoon light shines on a Sierra ridge, across the water from a rocky bluff and a patch of snow.

In the backcountry I usually spend the first and last few hours of the day photographing. In the morning I’m up before sunrise and not back in camp for hours. I head out again hours before sunset and usually keep at it until it is nearly dark. I made this photograph near the start of one of those afternoon sessions, as shadows lengthened and clouds from nearby storms added drama to the landscape.

The parallel forms of the very close and very distant ridges caught my attention, along with the beautiful green color of the inclined meadow on the other side of the lake. Technically this was a fairly difficult exposure, due to the difference between the brilliant white of sunlit clouds and the deep shadows in the left foreground exceeded that capabilities of my (or just about any) camera.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.