Tag Archives: point

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Sea Stacks and Surf

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Sea Stacks and Surf
“Sea Stacks and Surf” — Sea stacks in morning light along the rugged Big Sur coastline.

Way back in June I met up with my friends Franka Gabler and David Hoffman to photograph the upper Big Sur area of the California coast. They were there to see an exhibit of photographs by John Sexton and Anne Larsen, so I did the 90 minute drive down to Big Sur to meet them. After some confusion about who was where — and no cell service to sort it out — I finally figured out that they were on the bluffs above this area where Soberanes Creek enters the Pacific Ocean.

This is a particularly rugged section of the Big Sur coast. While it doesn’t feature the high cliffs that make other areas essentially inaccessible, here there are rugged rocky headlands and many sea stacks, especially in the shallow bay between the Soberanes Creek and Soberanes Point.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Morning Light, Big Sur Coast

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Morning Light, Big Sur Coast
“Morning Light, Big Sur Coast” — Morning light, haze, and surf along the Big Sur Coast.

After a period of travel (Portugal, Spain, Belgium, NYC this time) it is always great to get back to photographing the natural world here in California. This week I heard that a couple of friends were in the Carmel area, less than an hour-and-a-half away, so we decided to meet up for some morning photography along the Big Sur coast. There’s no cell service where we were going, so we agreed to some coordinates on Google maps and set an early arrival time. I showed up, but couldn’t find them, so I made some photographs while waiting…

…including this one of the surf, morning light, and thin fog. As I photographed I noticed a couple of figures moving out onto the headland at the far right. I don’t usually include people in my landscape photography, but I’m not against it either, so I changed the framing a bit to incorporate them. It was only later in the evening, at home and working on photographs at my computer, that I zoomed in on the figures and realized that they are Franka and Dave, the friends I was searching for! (We did eventually connect, by the way.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Gullies in Soft Light

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Gullies in Soft Light, Death Valley
“Gullies in Soft Light” — Eroded gullies and ridges in soft light, Zabriskie Point.

These badlands formations, where soft layers have been eroded by water, can be difficult to photograph. Those difficulties can lead to ethical questions for photographers. The issue is that the range of colors and luminosity in these formations is very limited — the color is basically a light tan and the difference between the light and dark areas is small, at least in soft light. One choice is to enhance that contrast and coloration during the post-processing phase, and that can create some impressive images… though this can depart radically from the actual appearance of the landscape. Here I decided to go with the low contrast and soft colors instead.

To repeat a story I’ve previously related, almost by accident I ended up here to photograph a subject that ultimately did not develop as I had hoped. So I turned my attention to other things nearby, including these formations. I photographed them rather early, before the direct sunlight arrived. This meant that the contrast was even more subdued, as the soft light was from the early morning open sky — directional, but only subtly so.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Desert, Photographs: England, Photographs: Nature, Photographs: Southern California

Base of the Red Cliffs

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Base of the Red Cliffs. Death Valley
“Base of the Red Cliffs” — Gullies, folds, strata, and morning shadows at the base of the Red Cliffs.

The title says “Red Cliffs,” but you might be thinking, “They don’t look very red to me!” In more neutral light the formations in the upper part of the photograph, and even more so the formations above the margins of the photograph, do have the familiar red rock quality — though it would be fair to say that they are as much brown as red. But in this stark early morning light, just after sunrise, the colors are warmed so much that they are more yellow or orange.

In many ways the geology of Death Valley produces a blank canvas for photographers who want to work with varied light. For the most part, Death Valley’s colors are subtle. The lighter portions of the formations in this photograph are a sort of muted tan in midday light. But as with so many other subjects here, this muted, neutral quality allows them to pick up the colors of sunrise/sunset, twilight, colorful clouds, and reflections from nearby formations.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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