Tag Archives: point

Rocks and Surf, Weston Beach

Rocks and Surf, Weston Beach
Rocks and Surf, Weston Beach

Rocks and Surf, Weston Beach. Point Lobos State Reserve, California. January 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A long exposure photograph of shoreline rocks and surf at Weston Beach, Point Lobos State Reserve

I had been a while since I had photographed along the California coast south of Monterey, but I finally made it back down there on this mid-January morning, ending up at the Point Lobos State Reserve. This is a location I shoot frequently since it is barely more than an hour from my home, and I’ve gone there since I was a kid. Today was perhaps not the ideal day to photograph there – it was (literally) freezing cold in the morning and then the skies were almost completely clear. Clear skies are not my favorite for photography. I much prefer some fog or clouds. In this photograph I dealt with that by pointing the camera down and placing the horizon very close to the top of the frame.

Arriving at the reserve, I first headed down to the familiar location of Weston Beach. (I still cannot quite figure out which this place is called a “beach” – rocky slabs slope down to the water and the closest thing to sand is a bit of rocky gravel. But I digress…) When I arrived, the early morning sun was almost back-lighting the islands and sea stacks to the south of here, so I walked back up the road a bit to find higher ground to shoot in that direction. While shooting from there I saw that it could be interesting to shoot below this trail and much closer to the water, using a very wide-angle lens and perhaps a 9-stop neutral density filter to extend the exposure. Rather than hoping the fence to get to the likely spot 20 feet away, I was a “good soldier” and I walked back a hundred yards or so, took the “official” trail down to the “beach,” and then worked my way back to the rocky spot that I had spotted from above. I lined up some shoreline rocks and a crack that allowed a bit of surf to come in closer, positioned the horizon very close to the upper edge of the frame, added that 9-stop neutral density filter, and made several long exposures that would allow the surf to become flat and almost misty. Usually I might not want the very harsh light on the rocks, but here I like the way it contrasts with the smooth and filmy quality of the water.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sunset, Chessman Point, Cedar Breaks

Sunset, Chessman Point, Cedar Breaks
S”Sunset, Chessman Point, Cedar Breaks” — unset light at Chessman Point, Cedar Breaks National Monument

This was my first visit to Cedar Breaks National Monument in Utah. On my previous trip though Utah we had driven past the roads leading to Cedar Breaks and – doing what one does while driving these days! – we looked it up on the iPhone, and it sounded quite interesting. The descriptions suggested a high elevation bowl with Bryce Canyon-like features that would be open to the west and sunset light. With this in mind, we decided to end our cross-Nevada drive with an overnight at Brian Head, the seasonally dormant ski area where rooms were both relatively inexpensive and quite nice! After checking in we drove on up the road to the National Monument.

The terrain is very interesting and very “not California” to this Sierra Nevada guy. On one side of the ridge is a gently rolling high terrain of alternative forest and meadows, just the sort of place to find lots of deer in the evening and an altogether quiet and peaceful sort of place. On the other side of the ridge, however, things are quite different. The mountain simply drops away to the west, with brightly colored and complex fluted canyons of red rock and soil. Far below and in the distance we could see large groves of aspen trees. A strong wind was blowing up the west-side canyons, but I managed to stabilize things enough to make a few photographs of this spectacular terrain in near-dusk light.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Half Dome, Dusk

Half Dome, Dusk - Half Dome and lone tree at dusk, from Olmsted Point, Yosemite National Park.
Half Dome and lone tree at dusk, from Olmsted Point, Yosemite National Park.

Half Dome, Dusk. Yosemite National Park, California. September 16, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Half Dome and lone tree at dusk, from Olmsted Point, Yosemite National Park.

Last week I was making the long drive back over the Tioga Pass Road from the “east side” following a short pack trip up into McGee Canyon. After catching an early dinner in Mammoth, I headed north and then up over the pass, crossing into Yosemite about an hour before sunset. I figured that this would give me one more chance to do a quick bit of photography before calling it quits and focusing on the drive back to the Bay Area. Since I had spent some time earlier in the week shooting in the Dana Fork meadows and in Tuolumne Meadows itself, I decided to continue on and just see where I might end up a half hour or so before sunset.

It turns out that the “where” ended up being Olmsted Point – not exactly an original place to shoot, but what the heck! In the back of my mind, of course, was the possibility of shooting the classic “back side” view of Half Dome if the evening light proved interesting enough. So one of the first things I did was scope out the precise spot where I wanted to shoot that subject a bit later. Then I turned my attention elsewhere. It turns out that there are quite a few other interesting things to photograph here: the trees across the road on the large glaciated dome, the trees below the parking area, sparse trees growing along ridge tops all around, side light from the setting sun, and much more. So while waiting to see how that Half Dome thing might develop, I shot a bunch of other subjects, all the while watching the evolving light down towards The Valley. At first it didn’t seem all that interesting. The light was a bit flat, perhaps due to cloud cover to the west, and the potentially interesting overhead clouds had a bit of a strange color cast. However, I suspected that after the sun set that there might be some interesting glow on the face from the west, and that the clouds still might pick up some interesting color. And, in fact, this photograph was made when the sun was no longer shining directly on Half Dome – instead it was illuminated to that “after glow” of the sunset as the very last sun began to color the streaming clouds beyond.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Point Arena Lighthouse

Point Arena Lighthouse - The Point Arena Lighthouse stands atop rugged coastal bluffs along the northern California coast.
The Point Arena Lighthouse stands atop rugged coastal bluffs along the northern California coast.

Point Arena Lighthouse. Northern California. August 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The Point Arena Lighthouse stands atop rugged coastal bluffs along the northern California coast.

I have only visited the Point Arena Lighthouse one other time. This is symptomatic of the fact that I have overlooked the far northern coast of California. I suppose I’ve been too busy with the Sierra and other areas in this state full of visual riches, but since “discovering” the northern coastal areas I have become much more interested in photographing there.

This visit was during the middle of the day and the sky was almost completely clear – not exactly stirring conditions for photographing such a scene. So I spent some time looking at locations and angles and possible composition, at least partly with an eye to returning yet again but during a time of more interesting lighting – this location might be spectacular in the right late day light, and dawn isn’t out of the question.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.