Tag Archives: print

Marsh and Trees, San Joaquin Valley

Marsh and Trees, San Joaquin Valley
Marsh and Trees, San Joaquin Valley

Marsh and Trees, San Joaquin Valley. Central Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Scattered trees grow in the marshland of the San Joaquin Valley, California

This photograph comes from a trip to California’s Central Valley on New Years Day with a group of friends – and I can’t imagine a better way to start a new year then by meeting up with friends in the pre-dawn darkness to begin a day photographing the migratory birds and generally hanging out with good people!

For me, photographing these marvelous birds turns out to be about more than the birds themselves, as remarkable as they are as a visual subject. There is a whole range of sensory associations that come to mind when I think of these winter visits to the marshlands to photograph the geese and cranes and other birds. The sound of thousands of geese never ceases to (literally) make me smile when I first hear it, and the sound of the cranes, especially when it comes from overhead or float through the fog, is evocative. The cold and damp and frequently foggy atmosphere is part of it, as is the long drive through the pre-dawn darkness (sometimes alone) and then arriving to find friends waiting. And the landscape itself draws me, which surprises me given how much it contrasts with the wilder landscapes of mountains and deserts and coastline. Often when I’m photographing birds, I interrupt that work to photograph this landscape, which is what I did here. I lined up a few trees, side-lit by the slightly fog-softened light, against the blue haze of clearing tule fog.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trillium Flower and Leaves

Trillium Flower and Leaves
Trillium Flower and Leaves

Trillium Flower and Leaves. Coast Redwood Forest, California. March 24, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A single trillium flower grows in the redwood forest of Muir Woods National Monument

I was brought up mostly in the San Francisco Bay Area. (I like to describe myself as a “virtual native” of California, since I’ve lived here since I was four years old.) When I was a child my parents would often – or so it seemed to me – bundle us into the family car for day trips to many of the nearby areas where I photograph on day trips today: Point Lobos, Pinnacles National Monument (now National Park), San Francisco, Big Basin State Park. One of the main attractions of Big Basin is the presence of coast redwood trees. I suppose that because I’ve always known trees this large that they don’t shock me the way that they do visitors who haven’t seen them before – but every once in a while I realize just how remarkable their size is.

However, with all of my youthful visits to redwood forests, it seems odd to admit that I never saw the trillium flowers there until I was much older. In retrospect, I’m pretty certain that visiting such places was a warm weather event in my family – and trillium blossoms appear at a time of the year when things are still distinctly wet and chilly. Now I try to see them every late winter and early spring, and to photograph them if possible. With this goal, I made a one day trip to the redwoods of Marin County north of San Francisco last week, making sure to arrive very early, before the hordes of tourist buses would arrive from nearby San Francisco. I managed to get a couple of hours in the deep early morning shade of the redwood forest to photograph these flowers before the sun and the other visitors arrived, making photography less appealing. Those who may not have seen the plant in the wild might be surprised at its form. Beneath the three trios of leaves/flowers that you see in this photograph, the whole affair is supported on a single long and bare step that rises vertically from the forest floor. The flowers, which can range in color from pure white through pink to a sort of dark and dusty burgundy, don’t last long, and if you aren’t there during the short interval when they blossom you might not notice them at all.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Monterey Cypress Trunks

Monterey Cypress Trunks
Monterey Cypress Trunks

Monterey Cypress Trunks. Point Lobos State Reserve, California. January 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The trunks of Monterey Cypress trees along the north shore of Point Lobos State Reserve, California

In mid-January I made my first trip back to Point Lobos in quite a few months. This is a place that I know well, having visited since my parents took me when I was a child. I’ve photographed all over the park – though I certainly have not done everything there that can be done, and I’ll continue to photograph the place. On this visit I went without any real preconceived ideas about what I wanted to shoot. Often when I go to such a place I have at least some such ideas – perhaps I’m thinking about wildlife, or maybe I want to photograph in fog, or there might be a forecast of high surf. But this time? I think I just wanted to go there and be in the old familiar landscape of sun and waves and birds and all the rest.

I arrived early, just after the park opened, and when I drove it there were few others there yet. (Point Lobos can become very busy later in the day as tourists from the popular Monterey and Carmel areas show up.) More or less by chance I ended up down at iconic Weston Beach, where I stopped when I saw some arrangements of shoreline boulders that seemed to present some possibilities and because the early morning light was glancing off of sea stacks and islands to the south. I shot here for perhaps a couple of hours and then decided to head back over the Whalers Cove, where I can sometimes photograph interesting birds. When I didn’t see the birds there that I hoped for, I decided to shoulder my gear and take the trail along the dramatic north shore, hoping for some soft light. This little scene caught my attention along the trail, at first because of the interesting back-light, but I soon saw a lot more potential here, especially with the trees tilting at wild angles.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Slot Canyon Walls

Slot Canyon Walls - The sculpted walls of a narrow and curving slot canyon, Zion National Park
The sculpted walls of a narrow and curving slot canyon, Zion National Park

Slot Canyon Walls. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The sculpted walls of a narrow and curving slot canyon, Zion National Park

On the first non-travel day of my most recent Utah visit, since we were passing through Zion National Park on our way to points beyond, we decided to spend the better part of the day shooting there. For a few reasons, including that it was a bit early for fall color there, we chose to not go to Zion Canyon, but to instead spend the time along the Mount Carmel Highway that cuts through the park from west to east. Our object was to photograph the wide range of interesting subjects found there: sandstone of all shapes, textures, and colors; trees, both evergreen and those with fall foliage, and more.

We ended up spending most of the day along this route. An observer might have wondered a bit about us. We would drive slowly along the road in one direction, frequently slowing down and pulling over, looking around a bit, then either getting back on the road or piling out and heading off in various directions – either up into rocks or down into a wash or canyon. Eventually we worked our way to one end of the road’s passage through the park… and we turned around and headed back. We did this loop several times. Why? First, things that you might miss while driving one direction become easier to see when you head the other way. Second, and perhaps most important, light is not a static thing. It changes in may ways – intensity, color, angle, direction, what it strikes and what it misses – as the day goes on, so while the <i>landscape</i> might have been, arguably, “the same,” the <i>lightscape</i> was in constant flux. I made this photograph in a short section of slot canyon, contriving to find a point of view from which almost nothing but the twisting and overlapping forms of the rocks would be visible, along with just a bit of foliage.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.