Tag Archives: print

Island, Coastal Bluffs, and Distant Shore

Island, Coastal Bluffs, and Distant Shore - A steep and rocky island backed by coastal bluffs and a distant shoreline, northern California coast, Mendocino County
A steep and rocky island backed by coastal bluffs and a distant shoreline, northern California coast, Mendocino County

Island, Coastal Bluffs, and Distant Shore. Mendocino County Coastline, California. August 29, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A steep and rocky island backed by coastal bluffs and a distant shoreline, northern California coast, Mendocino County.

The last time I passed by this section of the California coast highway in Mendocino County, I also stopped to photograph this scene – but was less happy with the result. This section of the coastline, like much of the meeting between California and the Pacific Ocean, consists largely of high coastal bluffs, interspersed with the steep canyons where creeks and rivers meet the ocean, with many rocky islands ranging from tiny to huge. The two-peaked island in this large cove fits more into the huge category and it is backed by two fingers of land where the high bluffs extend toward the ocean. In the far distance, a section of curving coastline is barely visible through the haze.

Recently someone asked me about how I decide whether a photograph will be black and white rather than color. I admitted – and it turns out that many feel the same – that often I am not certain when I make the exposure. Roughly speaking, the black and white photographs come about in perhaps three ways. Sometimes I like the subject but the color rendition just isn’t working the way I had hoped, so I try it in black and white and “discover” that I like it that way in post. On other occasions, at the time of exposure I sort of wonder if it might work in black and white and I make mental note to try it that way in post. In the third case, I “know” (with only a small amount of doubt) that the image is going to end up in black and white and I shoot the scene with that in mind. This is one of those photographs – I was almost certain that it would end up in black and white as I stood high on a bluff next to highway 1 making the exposure.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Plants, Granite, Morning Light

Plants, Granite, Morning Light - A few sparse plants grow in thin cracks in granite slabs, Yosemite National Park.
A few sparse plants grow in thin cracks in granite slabs, Yosemite National Park.

Plants, Granite, Morning Light. Yosemite National Park, California. August 12, 2011. © Copyright 2012 G Dan Mitchell – all rights reserved.

A few sparse plants grow in thin cracks in granite slabs, Yosemite National Park.

Portions of the Sierra high country in Yosemite have been heavily glaciated. The evidence is widespread and familiar in all of its variations: domes, U-shaped canyons, remnant glacial ice-fields and a few vestigial glaciers, glacial erratics everywhere, a terrain crossed with the remains of lateral, medial, and terminal moraines. And it places, such as this area along Tioga Pass Road, there are huge expanses of granite slabs, sloping and rounded nearly solid rock broken by cracks and dikes and surrounded by the debris of gradual erosion.

Lots of things managed to live on and in these slabs. The tiniest cracks collect sand, then dust and gravel, and soon small plants spring up and even wildflowers. In some places – including the more distant ridge in this photograph – large trees manage to sustain themselves by growing entirely in these cracks. In this photograph I juxtaposed the nearby small plants crowing in a couple of shallow cracks with the receding sequence of rolling dome-like ridges with shattered rock and a few trees, some of which catch the early morning sun, with details softened by the (perhaps unusual, for landscape photography) use of a small aperture to minimize depth of field.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

People Hurrying, Grand Central Station

People Hurrying, Grand Central Station - People hurrying along a ramp in Grand Central Station, New York
People hurrying along a ramp in Grand Central Station, New York

People Hurrying, Grand Central Station. New York, New York. August 19, 2011. © Copyright 2012 G Dan Mitchell – all rights reserved.

People hurrying along a ramp in Grand Central Station, New York

During our last trip to New York City, in August of 2011, at one point we ended up wandering in to Grand Central Station, perhaps just “because,” though now I don’t remember for sure. This is an iconic Manhattan location, for sure, and the central hall is quite a place, with its conjunction of contemporary hurry and its connections to history as seen in its architecture.

I did not have a tripod, nor did I really want to be burdened with one while moving around Manhattan on foot and by subway, so I shot handheld in the low light. Here I was looking down at a long ramp between two levels of the building, where I could photograph people as they walked past – and I made this photograph just as the group of women passed through the pool of light from the overhead lighting.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fog and Blue Sky, Drakes Bay

Fog and Blue Sky, Drakes Bay - Fog intrudes on blue sky over Drakes Bay, Point Reyes National Seashore
Fog intrudes on blue sky over Drakes Bay, Point Reyes National Seashore

Fog and Blue Sky, Drakes Bay. Point Reyes National Seashore, California. August 18, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fog intrudes on blue sky over Drakes Bay, Point Reyes National Seashore.

One more “minimal seascape” from my mid-August visit to Point Reyes National Seashore – a short visit of mostly an afternoon, on which I headed to Limantour looking for sun along the coast. That’s not quite what I found – but you can never be sure what the weather will do along this section of the Pacific coastline. Descending on the final bit of road to the beach, it was apparent that I was going to be dealing with fog. This photograph is looking more or less southwest, but straight to the west and to the northwest things were already completely socked in. After making this photograph I finished the drive to Limantour and then took a walk out toward some of the nearby estuaries – and that entire walk was under fog and in cold wind.

I have been doing a series of minimal seascape photographs for some time now, making a few more images of this type whenever I happen to be near the coast and conditions are right. These photographs are a bit trickier than they might appear. It almost looks like I could just point that camera out toward the ocean and make them – and, in fact, when I started this it almost seemed like it might be that easy. Before long I figured out that if I worked that way I would end up with… photos that looked like I just pointed the camera out toward the ocean. So I look for scenes, usually involving some sort of clouds, fog, or mist and often some interesting lighting that seem to create, for the most part, nice stable images that may have a bit more going on in them if you have time to look closely, and which also usually might evoke some sense of the calm and stability of the sea. Here I was mostly interested in the clouds, but I decided to anchor the sky to just a thin strip of water, darker blue but also partly obscured by the lower edge of the fog bank. I aimed toward a boundary area between the blue sky and the thicker fog, and captured an area of transition where both sky and fog are in play. Believe it or not, there was a fair amount of work to be done in post, including getting the right amounts of contrast and pushing the brightest parts of the clouds just far enough to create a feeling of light, but not so far as to look fake.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.