Tag Archives: purple

Cottonwood Tree, Sandstone Canyon Walls

Cottonwood Tree, Sandstone Canyon Walls - A cottonwood tree set against the afternoon colors of shaded sandstone walls of Zion Canyon, Utah
A cottonwood tree set against the afternoon colors of shaded sandstone walls of Zion Canyon, Utah

Cottonwood Tree, Sandstone Canyon Walls. Zion National Park, Utah. October 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A cottonwood tree set against the afternoon colors of shaded sandstone walls of Zion Canyon, Utah

I photographed this tree, still too soon to have fall colors, in front of the huge sandstone cliffs above the Temple of Sinawava feature at the upper end of Zion Canyon in Zion National Park. These trees grow here along the banks of the Virgin River, which makes some rather abrupt twists and turns in this portion of the canyon and flows right up against the canyon walls.

I should probably write something about the colors in this photograph. I actually held this one back for some time on account of the colors – which could easily be seen to be due to overly enthusiastic post-processing on my part. That’s not the case, but there have been a few other photographs that I have made that have evoked such responses, and sometimes I’d rather not have to explain. However, in this case I will explain! :-) The entire scene is in shadow, as the very tall cliffs are along the west rim of the canyon and completely block sun from this spot for a good portion of the day. The cliff face is extensively covered with a sort of “varnish” that is commonly seen on such walls, though it is much more extensive than usual here. This material normally is quite dark, black even, and is more reflective than natural sandstone. When it is in the shade it tends to reflect the blue tones of the sky – and that is where the intense coloration of this cliff comes from.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Lupine, Sierra Nevada

Lupine, Sierra Nevada
Lupine, Sierra Nevada

Lupine, Sierra Nevada. Yosemite National Park, California. May 4, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A thick patch of spring lupine flowers high in the foothills of the Sierra Nevada Range, California.

We had time for only a one-day trip to Yosemite, timed to coincide with the peak of the dogwood bloom season in the Valley. We left very early – way before dawn – with a plan of arriving in the Valley not too long after the sun came up. (This time of year, arriving by dawn in the Valley would require a 2:00 a.m. start time – and, in some ways, the Valley itself isn’t so much a dawn photography subject.) After we entered the park on highway 120 I started looking for some dogwood trees that often blossom a bit later – since the light was good here it would make more sense to stop and shoot that to keep driving to arrive further on when the light wasn’t as good.

We saw a couple of trees thick with flowers, and quickly turned around to drive back to them. We spent some time photographing these trees and then moved on. (Unlike in a typical year, there was no snow at the junction with the still-closed Tioga Pass Road, and areas that would usually be full of run-off water seemed largely dry.) The area, burned twice in recent years, along the road as it descends toward the Valley is often a good place to find wildflowers. I wasn’t expecting too much in this drought year, and for the most part I was right – but at a turn-off we suddenly came upon a very large patch of beautiful lupines and stopped to photograph. I’m crazy about shooting into the light, so I got down low and photographed these flowers with the light coming from almost directly behind.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sunset Virga

Sunset Virga
Sunset Virga

Sunset Virga. San Joaquin Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Falling virga drifts below sunset clouds of an incoming late-autumn Pacific storm front

First off, the word “virga” refers to streaks or columns of precipitation that fall from clouds but do not make it to the ground. Virga can often create beautiful, delicate, and gossamer atmospheric effects, especially when the light is just right. In this case the condition was back and top-lit by low sunset light flowing upwards toward the base of high clouds from an incoming winter Pacific storm front.

This evening was (yet another) of those on which earlier unpromising conditions exploded with color right at the end of the day. We had spent the morning photographing birds (mostly geese) at a Central Valley wildlife refuge, taken a short lunch break, and then returned to the refuge for late afternoon and evening photography. The geese were wonderful and we made a lot of photographs, but it seemed like the light was going to “die” before sunset as those high clouds began to drift in from the west. That’s OK, as there are ways to photograph in that more subdue light, but I think we may have been mildly disappointed that the clouds appeared to preclude special sunset colors. So we went about our business of photographing birds, not thinking too much about the sky. Speaking for myself, though, at some point I began to notice a bit of color in the clouds behind the birds. I stopped for a moment and looked to the east (where the sunset colors first are seen before the sweep across the sky toward the setting sun) and noticed that some color was developing. In short order, the underside of the clouds began to light up, and right at sunset we were treated to an absolutely brilliant display of intense color to the west. Since I was shooting with a long telephoto I decided to try a few detail shots of small sections of the sky. If you look very carefully, you might be able to spot a jetliner heading into the sunset.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ross’s Geese, Evening Fly-Out

Ross's Geese, Evening Fly-Out
Ross’s Geese, Evening Fly-Out

Ross’s Geese, Evening Fly-Out. San Joaquin Valley, California. January 1, 2013. © Copyright 2012 G Dan Mitchell – all rights reserved.

Ross’s geese take flight in sunset light above California’s Central Valley

So much of this sort of photography is almost entirely not under the control of the photographer. For example, in this shot it just happened that the foreground group of Ross’s geese lifted off from the nearby pond as the further groups that had left earlier lined up beyond them. The lovely formation of the front group was entirely determined, as far as I can tell, by the geese and not by me! Of all the sky conditions that I had encountered on this day, it was fortuitous that the flock lifted off in the direction of this color gradient and then rose to the right height to be in front of it as they ascended. And it was especially gracious of them to lift off as the last golden hour sun hit them from the west, and on a side where I could see it.

So what does the photographer get to take credit for in cases like these? There are, of course, choices about when and where to park oneself to increase the odds that something interesting will happen in front of the lens. And there is the matter of instincts of various sorts, without which it would be very difficult (or should I say, even more unlikely) to have the camera pointed the right direction at the right time and to click the shutter button at an opportune moment. Exposures must be reasonably close to right, which is a trickier thing than some think. And then there is some combination of recognizing luck when it comes your way, intuitively recognizing and tracking what is happening, and being able to follow the birds and instantly recognize when an interesting visual pattern occurs.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.