Tag Archives: quiet

Forest and Meadow, Evening

Forest and Meadow, Evening
“Forest and Meadow, Evening” — Soft evening light on backcountry forest and meadows, Sierra Nevada.

One of the attractions of the Sierra backcountry is deep quiet, something that gets lost in all the attention paid to spectacular peaks, wild sunrises and sunsets, flowing water, and more. From the photographic perspective, this may partly be because it is easier to reflect those powerful subjects in a photograph — quiet photographs don’t demand our attention in the same way. This is one of the quiet photographs.

We were camped very close to this scene for about a week on a backcountry trip. Like virtually all photographers, we started our work at the beginning of our stay by heading out to photograph those peaks, wildflower-filled meadows, spectacular skies, and streams cascading over rocks and through meadows. But as we settled into the quiet daily routines of the backcountry we began to notice other things — like this scene with a few trees and bit of rocky meadow in the soft evening light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winter Cloudscape

Winter Cloudscape
“Winter Cloudscape” — Clouds and their reflections produce a minimalist landscape on a foggy winter morning in Central California.

Recently I went back and reviewed photographs from the winter migratory bird season, a time when I head to California’s Central Valley as frequently as possible. The birds are the trigger for this annual focus, but my interests go well beyond the wildlife. I’m fascinated by the flat, wide-open landscape, the immense sky, the long views, and the fantastic tule fogs. “Normal” people steer clear on foggy days out there, but that’s my cue to head to the Valley!

This morning began with fairly thick fog. But as is common, it began to clear shortly after sunrise. This is a slow process. The fog may thin in one area but remain impenetrable nearby, or after clearing it may drift back again. Because tule fog isn’t very deep, the sky above is often visible before the surrounding land. That’s the case here, as the soft overhead winter clouds are visible against a blue sky, even as the horizon is obscured by fog. One thing that seems magical about these scenes is that almost nothing is solid and tangible — it is a vague landscape of mist, clouds, and reflections.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Evening, Aspen Grove

Autumn Evening, Aspen Grove
Quiet light in a grove of autumn aspen trees in the Eastern Sierra Nevada.

Autumn Evening, Aspen Grove. © Copyright 2023 G Dan Mitchell.

Quiet light in a grove of autumn aspen trees in the Eastern Sierra Nevada.

These “evening”quiet light” aspen scenes really appeal to me. While the colors can be extremely intense in full daylight, especially when the trees are back-lit, the soft light lowers the contrast level and allows the details in the shadows to emerge and the leaf colors to be a bit more true. (We have to scale back the exposure quite a bit to avoid blowing out the red channel in digital photographs of colorful leaves in full sun.) The whole atmosphere changes at these times, too. It is often cool and quiet and still.

How to compose such photographs is an interesting question. To some extent, I work pretty subjectively in this regard, just looking at the scene and thinking about balance and primary subject and then doing a bit of quiet analysis and “edge patrol.” But “when I know, I know.” Here I was looking for the even spread of trunks across the scene, but I also like the little “mountain” of yellow leaves in the foreground… and the visually dissonant presence of the small, green conifer adds just a bit of tension.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Grove, Evening

Autumn Grove
Autumn in a quiet evening aspen grove in the Eastern Sierra Nevada.

Autumn Grove. © Copyright 2023 G Dan Mitchell.

Autumn in a quiet evening aspen grove in the Eastern Sierra Nevada.

It is easy to focus on the largest and most impressive elements of the Sierra Nevada landscape — I know that I often do. The range is full of rugged peaks, deep valleys, forests draped across miles of terrain, and more. But eventually, if you spend enough time in this landscape, it becomes apparent that there are things to see (and photograph) almost everywhere… and not just in the iconic places. If you asked me where this photograph was made, I could tell you the precise location — but why? There are countless equivalent scenes all over the range!

The photograph illustrates another principle of photographing such subjects: sometimes “bad light” is actually good light. I made the photograph after the sun had set behind the surrounding tall mountains, as the day’s light was quickly fading. But I love photographing trees — especially autumn aspen trees — in this marginal and soft light. The harsh highlights and shadows are gone and gentle light suffuses the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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