Tag Archives: range

Spring Flow

Spring Flow
“Spring Flow” — Rushing spring water and reflections, Merced River.

For a place made of stone, the Sierra Nevada can be a surprising transitory subject. Summer is brief, and wildflowers bloom and are soon gone. Color comes to aspens in the fall and is gone weeks later. Spring is the time of rushing water in the Sierra, from the high country to the lowlands. The water rises as the snow melts, creeks and rivers fill to their banks, and waterfalls appear. I photographed this minor torrent along the Merced River as it passes through Yosemite Valley.

Every landscape photographer I know has tried his or her hand at photographing the moving water this way. No matter what other marvelous landscape features are around, eventually we come back to the water and try to do something with the ever-changing colors and shapes of water. This is that “what the camera sees” sorts of photography, since our eyes cannot see the river this way, and these shapes and colors change too quickly without the camera to grab and hold them.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Dunes, Sandstorm, Distant Mountains

Dunes, Sandstorm, Distant Mountains
Distant mountains are barely visible beyond sandstorm clouds and desert dunes.

Dunes, Sandstorm, Distant Mountains. © Copyright 2013 G Dan Mitchell – all rights reserved.

Distant mountains are barely visible beyond sandstorm clouds and desert dunes.

This was not the most intense sandstorm I have experienced and photographed — I have some interesting stories about those! — but it was a pretty good one. Driving down the east side of Death Valley near the turnoff to Beatty, the winds were whipping up dust and sand to the west over the valley, blotting out the view of the great flats beyond the dunes and almost obscuring the more distant Cottonwood mountains.

I employed some of my typical strategies for photography in sandstorm conditions. While I will, on occasion, venture into the thick of the storm, dealing with the winds and blowing dust while trying to make photographs is something that you mostly want to avoid. (Going against that imperative can sometimes produce good photography, but it can also destroy equipment. Be careful!) Here I worked from the fringe of the strong winds and blowing sand, photographing into and across the maelstrom with a very long lens.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Two Shores, Autumn Light

Two Shores, Autumn Light
Autumn light and atmosphere above water and California mountains.

Two Shores, Autumn Light. © Copyright 2020 G Dan Mitchell – all rights reserved.

Autumn light and atmosphere above water and California mountains.

Have I mentioned that I like atmospheric haze? Light coming from straight in front of the camera position? Reflections? The large landscape? Strong contrasts between light and dark? Well, I do.

I made this photograph while driving back from an early morning visit to California’s Central Valley. I’ve probably passed this location hundreds of times, and while I always look I rarely stop. I have mixed feelings about the place. On one hand it provides some monumental vistas and at times — such as spring, when the hills are emerald green — the scene is beautiful. On the other hand, it is a reservoir, formed by damming a lovely and, some would have argued, historic valley. (I have a long history with this place. I recall traveling across the now-submerged valley with my father in the pre-reservoir days when we took trips to Yosemite.) This time the light and atmosphere caught my attention, and I had to find a way to reverse course and get back to this overlook to make a few exposures.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Alpine Lake in Shadow

Alpine Lake in Shadow
Rocky terrain around a awilderness alpine lake in shadow, Kings Canyon National Park.

Alpine Lake in Shadow. © Copyright 2013 G Dan Mitchell – all rights reserved.

Rocky terrain around a wilderness alpine lake in shadow, Kings Canyon National Park.

I photographed this scene in a sort of light that I might not typically use for such a subject. This lake lies in a basin beneath some very tall and rugged peaks, and it loses its sunlight well before sunset as the shadows of those peaks stretch over the landscape. The softness of the light here is what you get it and kind of light, where the illumination comes from the diffused blue dome of the sky.

Of all the variations of Sierra Nevada terrain, places like this hold a special attraction for me. Near timberline, they mark the transition from the familiar forested country to the wild and rugged high places. The softening effect of vegetation is still here, but the views are open and rocks are everywhere. It is a landscape of possibilities, chief among them the potential to follow any line of passage that you can see.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.