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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Mountains, Pre-Dawn Haze

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Desert Mountains, Pre-Dawn Haze
Desert Mountains, Pre-Dawn Haze

Desert Mountains, Pre-Dawn Haze. Death Valley National Park, California. April 7, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Desert mountain ridges in pre-dawn “blue hour” light rise above Death Valley and recede to highest peaks in the distance

On this April 2013 visit to Death Valley I encountered some very challenging light situations. What you hope for on an early morning like this is beautiful, colorful dawn light, perhaps preceded by a warm pre-dawn glow and followed by bright morning light. But when it came to beautiful early morning light – and evening light, too – I got precious little of it this time. On two mornings a thin overcast and atmospheric haze pretty much killed the dawn light. On one other morning I got some light, but still had to deal with the haze. The clouds were with me on a couple of the evenings, too. I have sort of learned to pretty much go with this flow and accept that difficult light as the balance in the universe that gave me, and will give me again, astonishingly beautiful light.

However, even in such light I try to see what I can find to shoot, and sometimes it provokes me to see things that I might otherwise have overlooked completely. On this morning I was up well before dawn and I headed off to a specific location that I had scouted earlier. I had two possible sorts of photographs in mind for this spot. One involved the view back down and across the main valley, and the other was planned around the arrival of first light on these rugged and stratified hills along the west side of the valley. I got to my spot, was relieved to find that the air was fairly still, and I settled in to wait for the dawn… which never quite came. It was so murky and the light was blocked by so many clouds to the east that I wasn’t even really quite certain when dawn occurred. Things got lighter… but remained hazy. I made this photograph at a moment when, on a clearer morning, these hills might have begun to assume a warm colored glow from light in the eastern sky. But this time it was all blue. The hazy sky was blue, and the mountains were as well. Since the conditions were somewhat unusual, I went ahead and made some exposures. When I first looked at the results I wasn’t very thrilled. But as I looked at them more, especially at very large sizes, I began to appreciate the softer and lower-contrast lighting and the way that details in the formations of the mountains actually become quite visible.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Sea Stacks and Coastal Bluffs, Northern California

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Sea Stacks and Coastal Bluffs, Northern California - Haze obscures sea stacks and bluffs along the rugged Pacific Ocean coastline of Northern California
Haze obscures sea stacks and bluffs along the rugged Pacific Ocean coastline of Northern California

Sea Stacks and Coastal Bluffs, Northern California. Mendocino Coast, California. October 30, 2011. © Copyright 2012 G Dan Mitchell – all rights reserved.

Haze obscures sea stacks and bluffs along the rugged Pacific Ocean coastline of Northern California.

I made this photograph almost a year ago, from just about the same location as a more recent photograph of this scene that I posted a month or so ago. The location is along the Mendocino County coastline of northern California, a rugged and beautiful section of the state. Here the coast highway travels very close to the water along high bluffs that overlook the Pacific, and this particular cove holds this two-peaked island or sea stack and is backed by receding coastal bluffs that extend out into the water. In the far distance the shoreline to the south curves gently back towards the west, creating a large and very shallow bay.

The personality of this land and seascape changes constantly. On a (rare) completely clear day, the view to the farther shoreline might be easier to make out, but on the many foggy days the foreground scene could well be completely obscured. On this morning, most of the fog had cleared back from the coast, leaving a softly hazy atmosphere that amplified the effects of distance, and the surf was creating low clouds of spray along the coastline.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Rock Garden, Atmospheric Haze, Morning

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Rock Garden, Atmospheric Haze, Morning - Black and white photograph of a rock garden of sandstone towers in morning light, backed by atmospheric haze and barely visible La Salle Mountains, Arches National Park
Black and white photograph of a rock garden of sandstone towers in morning light, backed by atmospheric haze and barely visible La Salle Mountains, Arches National Park

Rock Garden, Atmospheric Haze, Morning. Arches National Park, Utah. April 7, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Black and white photograph of a rock garden of sandstone towers in morning light, backed by atmospheric haze and barely visible La Salle Mountains, Arches National Park.

So far, each time I’ve thought I was hitting the end of the photographs from my early April weeklong trip to Utah, I come up with another one… and another… and another. I still have a few more waiting to be posted, but those are photographs that I had already worked up but held off posting for one reason or another. This one, however, may be the final one to actually emerge from the collection of exposures from the trip. (But I make no promises! There is one more that features some reflected light inside alcoves in sandstone that still may work.)

This photographed ended up in black and white for several reasons. I was sort of leaning that direction when I made the exposure, since the color components of the scene were both difficult to work with and a bit less than exciting. In addition, I like the way that black and white can sometimes abstract the shapes of things, perhaps taking them a few degrees further from their “real” nature. I had stopped alongside the road between the Windows Area and Wall Street as I begin my exit from Arches National Park on my last morning of shooting there. There was a lot of haze, especially when looking into the light, as this photograph does. The backlit haze is thick enough that the snow- and forest-covered La Salle Mountains, which actually fill the upper part of the frame, all almost impossible to see, and the foreground features gradually lose contrast as they progress away from the camera. However, because the light is in front of the camera and coming from just out of the right side of the frame, the edges of the rock towers gain a bit of extra definition against that hazy background.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Eureka Dunes and Last Chance Range, Morning

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Eureka Dunes and Last Chance Range, Morning - Morning light on the Eureka Dunes and the hills of the Last Chance Range, Death Valley National Park.
Morning light on the Eureka Dunes and the hills of the Last Chance Range, Death Valley National Park.

Eureka Dunes and Last Chance Range, Morning. Death Valley National Park, California. January 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light on the Eureka Dunes and the hills of the Last Chance Range, Death Valley National Park.

While I love – who doesn’t? – the golden hour light on the desert dunes and hills and valleys, I also like to seek out the subtler and more “atmospheric” effects that are often frequently seen in this terrain. I had spent the (very cold!) night alone out here in Eureka Valley. I woke up fairly early, though with the sun having to rise past the ridge of the Last Chance Range, the light did not come early. I soon packed up my camp – which largely meant rearranging stuff in my vehicle – and before long started the drive out toward Lone Pine and my trip back home over Tioga Pass.

But first I planned to stop just a ways away from the camping area so that I could use a long lens to photograph the dunes against the background of the higher surrounding peaks. By the time I did this it was after 9:00 a.m. and the early morning golden hour light was long gone, replaced by the soft and hazy bluish light that is more typical during daylight hours. However, the sun was still low enough to glance across the dunes at a fairly low angle and to backlight the dunes and the mountains behind them. The idea here was to juxtapose some of the different textures, lines, curves, and angles of this landscape – the curving forms of the dunes near the bottom of the frame, the sharply delineated sunlit ridges of the upper dunes, the faint view of jagged and stratified rocks in the low peaks beyond them, the further ridge inclining the opposite direction from the dunes, and the much fainter texture of the huge valley in the distance.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.