Detail of Staten Island Ferry as it approaches the dock.
I’m afraid that there isn’t a lot to write about this photograph. It is an orange fence. On a boat! I was wandering around on the Staten Island Ferry looking for subjects other than the New York skyline here I photographed the railing as the vessel was very close to the terminal at the Staten Island end of the run.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Muted light on the surface of the Pacific Ocean and rocks along the Big Sur coastline as evening fog moves in.
Having a couple of free hours late in the day, we ended up driving down the upper section of the Big Sur coastline below Monterey, to the area around the Rocky Creek and Bixby Bridges. (Though we stopped a bit short of the latter.) The light was alternately gray and murky, soft and misty, and sharp and bright – the fog was lurking near the coast, and depending upon which bend we drove around it covered the coast highway and the inland hills or it ended just off the coast.
This kind of coastal light creates some of the most transitory and ephemeral effects of all the subjects I shoot, similar perhaps to shooting the clouds of a dissipating winter storm among the aretes and spires of Sierra peaks. The variables in play are numerous: the point of the fog line off the shore or inland, whether or not the fog is thin enough to allow a bit of light so shine directly through, the appearing and disappearing pools of offshore light where the clouds thin, and the motion of the sea itself. Often I’ll spot what looks like absolutely gorgeous light, stop, grab gear and set up… and then look up to see that it is gone. Or that it is appearing in some other location where there was nothing a moment ago.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Exterior detail of the One Maritime Plaza building, San Francisco.
This photograph focuses on details of the exterior frame of Maritime Plaza Building, in the general area of the financial district and not far from the Embarcadero and San Francisco’s waterfront. I photographed in “interesting” light – the weather provided a combination of high clouds, lower clouds that were dropping sprinkles of rain, and incoming ocean fog. Oddly, even with tall these sources of atmospheric opacity, there was still some light. Some came through the clouds, while some came from nearby areas that were a bit more clear.
As I have been doing a bit more recently, I chose to shoot towards a corner of the building, allowing the darker side on the right to seem to recede a bit. Meanwhile, the strongest ambient light fell on the “front” of the building facing to the left. I chose a black and white rendition of this photograph partly because, frankly, there wasn’t much interesting color in this subject, but also because I felt that black and white abstracted the image a bit more.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A lamp-post in front of the Embarcadero Center and Maritime Plaza buildings, San Francisco.
The buildings in this photograph are in the financial district of San Francisco, very close to the Embarcadero, the roadway that travels along the waterfront where all of the old shipping piers are located. The taller building to the left is part of the Embarcadero Center, a major landmark along the waterfront, and the darker building occupying much of the rest of the frame is the Maritime Plaza Building, one that I’m less familiar with. The lamp-post is… a lamp post.
This summer, while my wife has been involved in an ongoing musical event in The City, I’ve been taking advantage of this to spend more time that usual wandering around the downtown area and making photographs. I have a number of general ideas in mind for photographs, but one thread has been to shoot the large forms of these buildings at odd angles, often with fog or bright sky above. Recently I was thinking about some of the factors that attract me to shooting here. One is, obviously, that this is where the large urban downtown closest to me is located – it is an hour drive away and I can get there by public transit in not much more time than that. It occurred to me yesterday that San Francisco is perhaps the most likely place to find “interesting” weather this time of year here in otherwise mostly blue-sky-boring California – between full sun and dense fog, there are a lot of visually interesting conditions to be found here… occasionally all at once!
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
