Tag Archives: refuge

Sunrise, Fog, Marsh

Happy Thanksgiving 2013!

Sunrise, Fog, Marsh
Sunrise, Fog, Marsh

Sunrise, Fog, Marsh. San Joaquin Valley, California. November 24, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Autumn sun rises through fog about California Central Valley marshland

I wanted to photograph migratory birds at sunrise in the San Joaquin Valley, so I was on the road from the San Francisco Bay Area shortly after 4:00 AM. As I drove it seemed like it might be a perfectly clear day, but on the last few miles of my drive I hit fog – thick enough fog to slow my progress considerably. I regard this as good news when I’m photographing birds out here, as drifting fog and mist makes for interesting conditions for photography, far more than clear skies.

I arrived at my destination, and the fog was so thick that I couldn’t see the morning light beyond the general increase in ambient light levels. However, as I stopped to see what birds might be about I noticed that the sun was barely visible through the low fog and some more distant clouds. At first it was so faint that it was possible to miss it, and as the fog drifted it occasionally completely muted the light of the sun. But after a few more minutes, as the sun rose higher the fog drifted and dissipated just a bit, and the globe of the rising sun become visible through the thick atmosphere, partially blocked by a layer of mid-level clouds.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Marsh Grasses and Fog, Dawn

Marsh Grasses and Fog, Dawn
“Marsh Grasses and Fog, Dawn” — Golden dawn light illuminates autumn fog drifting above marshland grasses in California’s Central Valley.

I went to this place to photograph birds – at least that was my excuse. In the past few years I have become passionate about photographing migratory birds in the Great Central Valley of California between late fall and early spring – geese, cranes, herons, ibises, and more. Once you hear the cries of these birds as thousands of them flock together on the ground or in water or, better yet, as they fly overhead, you can become obsessed. In the fall I anticipate their return and watch for early signs. A few weeks ago we managed to find cranes further up the valley, and I knew that the geese wouldn’t be far behind – so this trip was, literally, a “wild goose chase.”

But the truth is a bit more involved. As much as I love the birds, I think that I’m at least as attracted to landscapes where they are found, and to the weather conditions of this season. You might think that a bird photographer would want clear skies and bright light, but I look forward more to fog, clouds, and mist and other kinds of interesting atmosphere. It occurs to me that the birds may partially be my excuse for visiting this landscape. I was expected that it might be clear on this morning, so I was happy (strange photographer!) when I drove into thick fog a few miles from my destination. I arrived just before dawn as the sky was somewhere in that color range between blue and purple and pink, but just barely visible though the murk. I made a few true sunrise photographs that included a barely visible sun behind fog and clouds, then moved on along a gravel road to try to locate the cranes that I could hear. As I came to a right angle turn, the fog stretched beyond the nearby grasses and straight toward the low sun in front of me, thick enough that all details in the distance disappeared (with the exception of a few barely visible birds) into a luminous glow that was almost painfully intense


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

White-Faced Ibis

White-Faced Ibis
White-Faced Ibis

White-Faced Ibis. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A white-faced ibis about to land in a San Joaquin Valley marsh.

A month or two earlier I had come across a large number of white-faced ibises in this precise spot along the perimeter road around this marshland where many, many migratory birds are found this time of year. The group of them was on the ground, apparently feeding in a wet grassy area, and they were quite shy about my presence, moving back from me as I came up alongside the on the road. On the day when I made this photograph, I had not noticed any of these birds at all. In fact, I had stopped here to photograph some ducks when I happened to look up and see this single bird angling in for a landing. I swung my camera around and tracked it to its landing.

I have a few random-sounding observations about the white-faced ibis. First, unless I’m missing something, they really don’t seem to have white faces! The beak is lighter than the bird, but that’s about as close to a white face as I can can find on these birds. Second, their coloration makes them difficult to photograph effectively. They are quite dark-colored birds, though their features can have a slightly colored iridescence that seems sort of reddish to me. Because of this, if I try to enhance the shadowed areas of the very dark birds in post, this coloration can quickly start to look fake. (In fact, I’ve seen a number of photographs of these birds that attempt to make them look lighter than they are, but which instead just end up looking odd.) They do make a fine photograph in silhouette, especially when a flock of them flies overhead early or late in the day.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Egret Quartet

Egret Quartet
Egret Quartet

Egret Quartet. San Joaquin Valley, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A quartet of egrets on a foggy morning in a green late-winter pasture in California’s San Joaquin Valley.

This gang of egrets was politely waiting for me near the far corner of a wildlife refuge that I had visited on the last-winter morning, hoping to photograph (mostly) geese and cranes. The geese and cranes were a bit shy, and as I worked my way around the refuge’s perimeter road I wasn’t finding a lot of opportunities to photograph them. I could hear them, especially the sandhill cranes, but they seemed to be too far off, hidden by fog, or behind the tules. But I wasn’t in a hurry, so I took my time, stopping and watching and listening. By this later point in the season the initial astonishment at the huge numbers of birds had worn off a bit, and rather than jumping out of the car to photograph huge flocks of birds, as if they were the first and only flocks in the world, had given way to a bit more patience.

It had appeared that it would be a clear morning as I drove toward this location, but just moments before I arrived – a bit before dawn – the cool and damp air did begin to form some fog. This was fine with me, as I’d rather have a bit of interesting foggy atmosphere than have perfectly clear sky. But the fog was relatively short-lived – not like the midwinter fogs that can cover these places for days on end. By the time I finally worked my way over to this spot the sun was starting to break through and the fog was thinning. Because of their stark white color, lone egrets are often easy to spot from a good distance, and four of them clustered together were impossible to overlook. As I edged up closer to them, remaining in my vehicle so as not to spook them, they simply stood there, occasionally swinging their heads one way or another. Before I could make this photograph I first had to wait for an unruly band of red-winged blackbirds to depart, and then I waited for the four birds to move their heads in what seemed to me to be interesting directions.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.