Tag Archives: reserve

Fujifilm X-T1 Digital Mirrorless Camera Announcement

FujimilmXT1

Fujifilm has announced their new X-T1 Mirrorless Camera. The rumors regarding this new camera have been rampant for the past few weeks, and here is what we now know:

  • 16.3 MP X-trans 1.5X cropped sensor
  • ISO 100-51200
  • 8fps continuous shooting
  • Improved hybrid AF system incorporating contrast- and phase detection methods
  • Improved manual focus with digital split image and focus peaking
  • Faster, higher density, and larger electronic viewfinder
  • 1080p HD Video
  • WiFi
  • Expanded manual control dials for shutter speed, +/- 3 EV exposure compensation, ISO,  aperture (on many lenses), and more.

A number of features get my attention. My Fujifilm X-E1 works well at high ISO values, but this camera appears to take the much farther extending the lowest ISO from 200 to 100 and the highest all the way to 51600. The specifications and early reports on the web suggest that the AF system has been significantly improved, even beyond those improvements on the X-E2. The added manual controls are going to help a lot for the sorts of photography that many of us do with this sort of camera, where we need to change settings quickly and without going through menus. There are lots of other improvements, large and small, too numerous to mention here.

I’m very interested in this camera. My X-E1 is a wonderful little picture-making tool that complements my larger DSLR system – and the X-T1 sounds like it has been designed to significantly improve on this effective concept. (There is a very good chance that I’m going to get one.)

The camera is available for pre-order now at site sponsor B&H:

Related: Taking Stock of the Fujifilm X-E1, X-E2 & X-T1 Mirrorless Cameras


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pelicans and Cormorants – Point Lobos

Three Pelicans, Shadows
Three Pelicans, Shadows

Three Pelicans, Shadows. Point Lobos State Reserve, California. September 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Three Pelicans, Reflections
Three Pelicans, Reflections

Point Lobos State Reserve, California. September 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Cormorant, Reflected Clouds
Cormorant, Reflected Clouds

Cormorant, Reflected Clouds. Point Lobos State Reserve, California. September 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Something a bit different today – I’m bundling three wildlife photographs into a single post. As I queue this message in advance on an early September morning, it appears that I have enough photographs ready for posting to carry me through October! I think I can afford to put three in this post!

All three were made from the same point on a bluff above the Pacific Ocean at Point Lobos, where I had gone – on Labor Day! – primarily to do landscape/seascape photography. It was an interesting and slightly unusual day. Tropical monsoonal moisture had been streaming over the area for a few days, which is not quite a typical pattern in this area, and the morning started out cloudy. Although it was Labor Day, a bit day for travel and tourism, I arrived early enough that things were still quiet.

On a more typical Point Lobos shooting day, at least one without fog, I would likely complete my work and leave by or well before noon. But the broken overcast allowed interesting and filtered light to continue well into the early afternoon, so I stuck around. After shooting in the forest along the north shore – much easier in filtered than in direct light – I decided I would make a loop along the high bluffs on my way back to my car. I came to this spot just as a very large flock of pelicans floated past below, barely skimming the tops of the almost glassy-calm ocean. With filtered top-light and a good vantage point, I decided to put on the long lens and see what might fly by. Here are a couple of photographs of pelicans and cormorants flying right above the water.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cove and Wave

Cove and Wave
Cove and Wave

Cove and Wave. Point Lobos State Reserve, California April 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A wave washes into a small cove and onto a pebble beach along California’s coastline south of Monterey

I went down to the Monterey, Carmel, and upper Big Sur coast on what seemed like the first warm-season day of the year. I have probably mentioned before that I prefer the off-season for photography – that time of year when there are storms, giant waves, clouds, rain, cold, and all sorts of interesting conditions. As odd as it may sound, I tend to almost stay away from the coast when the weather becomes too nice! (Of course, there is always fog. And in the summer along the Pacific coast, I do mean “always.”) At the first place I stopped to photograph I was feeling a bit of the letdown from the beautiful morning… but as I got out of my car and stood there in shirt-sleeve weather, warm and no wind, and looked out over the slightly misty coastline I started to feel a bit better about warm weather. :-)

A bit later I headed back toward Point Lobos, where I found a bit more surf than I might have expected, and the high tide had brought the water in close to the shoreline. Here I set up right at the edge of a low bluff above this pebble-filled beach, put a wide-angle lens on the camera, and made some photographs of the near-perfect curve of the waves entering the cove and washing up onto the beach, with sea stacks further down the coast line.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Surf, Weston Beach

Surf, Weston Beach
Surf, Weston Beach

Surf, Weston Beach. Point Lobos State Reserve, California. January 13, 2012. © Copyright 2013 G Dan Mitchell – all rights reserved.

Long exposure photograph of surf and boulders, Weston Beach, Point Lobos State Reserve

This part of a small series of photographs I made at Weston Beach, Point Lobos on a mid-January day. The location is very familiar to me, to the point that I recognize many specific rocks and formations here. I have photographed quite a few times, but I continue to find new things to see here. Part of that is from visiting in different seasons and conditions of weather and light, part from looking more closely, and part from thinking of different ways to photograph the familiar subject. More than once I’ve had a feeling that I was “done” with the location, only to go back and find a new way of seeing it to investigate.

I was playing with several ideas when I made this series of photographs. Obviously, I was working with long exposures that allowed the motion of the waves to blur in various ways, smoothing out the surface of the otherwise-rough water and turning shoreline waves into transparent mist. I was also working with a different sort of light than that which I would usually seek out here. More often I look for soft light, produced by some overcast, an early/late hour, or even fog. But it was very clear on this mid-morning visit and the light falling on the rocks was somewhat stark and harsh, especially when I shot almost into the sunlight. It seemed to me that the edginess of the brightly lit rock might be a counterpoint to the softness of the long-exposure blurring of the water. Obviously, I also went with black and white here. Also, a bit unusual for me, I worked with an ultra-wide angle focal length, getting quite close to the foreground but letting the distant subjects be small and accentuating that by placing the horizon very close to the top of the frame.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.