Tag Archives: rise

Taking to the Air

Taking to the Air
Taking to the Air

Taking to the Air. San Joaquin Valley, California. December 2, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A group of snow geese take to the air in early morning light above a San Joaquin Valley marsh

I never know exactly what I’ll find when I go out to shoot a subject like that which I focused on today, namely migratory birds out in the San Joaquin Valley of California. While there is a certain amount of knowledge and technique that goes into photographing this subject in this place, there is also a whole bunch of guesswork, luck, and happenstance. The part that I can chalk up to planning includes the choice to be in this place on a cold morning before dawn, enough familiarity with the place to know where to look for the birds and where the light might be good at certain times of day, and enough experience photographing these birds to have developed some knowledge and instincts that I can put to work.

However, so much is not in my control. On this morning I found a good size flock of (mostly) snow geese in a place where I don’t usually see so many of them, and they were closer to the place from which I can photograph than they usually are. So I stopped and photographed them and waited. Not much seemed to be happening at first – the birds mostly just sat in the shallow water – but the light was interesting, slanting in from the right where the sun had just cleared the horizon. When things seem static, there is no clear answer to the question of whether to wait for something to happen or to move on and look for something else. This time my hunch was that it might be worth waiting. And this time that hunch turned out to be the right one. (Just as often it isn’t!) As I waited I found some slightly better angles to shoot from, and eventually additional geese began to arrive and settle in with the group already there. Often some of the most interesting shots are during very brief instants of action, such as the sudden and unexpected lift-off of a flock of birds. So, after standing and watching and seeing little happen for some time, suddenly a lot may happen almost too quickly to photograph it. It pays to be ready to respond quickly. This group of snow geese was not too far in front of me, and when they suddenly took to the sky I was ready to track them as they lifted off. If you look closely you may be able to see water droplets falling from them as they leave the pond.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sunrise, Fog, Marsh

Happy Thanksgiving 2013!

Sunrise, Fog, Marsh
Sunrise, Fog, Marsh

Sunrise, Fog, Marsh. San Joaquin Valley, California. November 24, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Autumn sun rises through fog about California Central Valley marshland

I wanted to photograph migratory birds at sunrise in the San Joaquin Valley, so I was on the road from the San Francisco Bay Area shortly after 4:00 AM. As I drove it seemed like it might be a perfectly clear day, but on the last few miles of my drive I hit fog – thick enough fog to slow my progress considerably. I regard this as good news when I’m photographing birds out here, as drifting fog and mist makes for interesting conditions for photography, far more than clear skies.

I arrived at my destination, and the fog was so thick that I couldn’t see the morning light beyond the general increase in ambient light levels. However, as I stopped to see what birds might be about I noticed that the sun was barely visible through the low fog and some more distant clouds. At first it was so faint that it was possible to miss it, and as the fog drifted it occasionally completely muted the light of the sun. But after a few more minutes, as the sun rose higher the fog drifted and dissipated just a bit, and the globe of the rising sun become visible through the thick atmosphere, partially blocked by a layer of mid-level clouds.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Three Snags, Unnamed Sierra Cliff

Three Snags, Unnamed Sierra Cliff
Three Snags, Unnamed Sierra Cliff

Three Snags, Unnamed Sierra Cliff. Kings Canyon National Park, California. September 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Three dead snags on a small ledge catch the late afternoon light at the base of a huge, shadowed cliff of crumbling granite.

I returned to the area near this cliff face almost daily during our mid-September photography trip to this region of the Kings Canyon National Park back-country. The area was rich with photographic subjects – sub-alpine ponds and larger lakes, late summer golden meadows, granite slabs and boulders, individual trees and forest, the surrounding slopes and cliffs, and the summits of ridges and peaks beyond. We photographed here morning and evening, and in sun and rain and clouds. Although we were in the area of almost a full week, we could easily return for another week and find plenty more to photograph.

This rugged and broken bit of cliff face had intrigued me before I thought to photograph it this way. It rose above the far end of the largest lake in this area, with talus slopes at its base and a higher ridge above. Beyond it other faces and slopes rose into a higher valley that was topped with very high and fractured ridge. At this late time in the summer season, the face was in shade in both the early morning and evening hours, with only some areas struck by light slanting across from one side or the other. While looking at the face I noticed a small group of three bare snags standing in the sun at the lower right and though that I might be able to contrast them with the larger rocky face, and include them as a way to suggest the large scale of the cliffs. The blue tones are, of course, because the rocks are in shadow, though some reflected light adds a glow to some of the rocks facing toward the left. This photograph may be a bit difficult to make sense of at a small web size, but my intention is to print it very large so that the details will be more visible.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dusk, Earth-Shadow, Oaks and Grass

Dusk, Earth-Shadow, Oaks and Grass
Dusk, Earth-Shadow, Oaks and Grass

Dusk, Earth-Shadow, Oaks and Grass. Sierra Nevada Foothills, California. August 25, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The earth’s dusk earth shadow rises behind the folds of an oak and grass-covered Sierra Nevada foothill ridge on a late-summer evening

We had been in Mariposa, along the road heading towards Yosemite Valley, to meet up with friends and do various other fun things. As is often the case, at one point the conversation turned toward the photographic possibilities for later in the day. As the horrendous “Rim” fire was burning a few ridges over along the boundaries of the park, one thought was to find a high viewpoint and try to photograph the huge smoke clouds and the light from the flames during the dusk hours. A suggestion was offered by a person who knows the area concerning a gravel back-road to the top of an area ridge from which a good view might be obtained, so we decided to give that a try. It was a beautiful early evening – no smoke here – as we drove through oak and grass-covered hills below Mariposa to pick up this route and then ascended toward the ridge to turn off on the gravel road. From the junction we could see columns of smoke from burning forest to our north, but there was also a pretty clear “No Trespassing” sign posted along the road… so we decided that we should double-check our directions before risking a citation, and we headed back down the mountain.

The alternative plan had been to simply photograph the beautiful foothills themselves as the day came to an end. In this area there are many beautiful valleys of rolling hills covered with dry grassland and oak forests that sometimes thin to individual trees. We headed along a little back road and soon arrived at our main route shortly before the last sunlight was about to fade. Driving as we looked, we finally stopped at a turnout right after the sun had dropped below the horizon, where we could see the boundary between the last pink color in the sky and the rising blue line of the earth’s shadow. I used a long lens to make a small number of exposures shooting across the hillside patterns towards an oak-topped ridge with the dusk sky beyond.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.