Tag Archives: road

Two Trees, Granite, and Forest

Two Trees, Granite, and Forest
Two trees stand at the base of a granite dome with forest ascending further hills

Two Trees, Granite, and Forest. Yosemite National Park, California. July 27, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two trees stand at the base of a granite dome with forest ascending further hills

When I first photographed this pair of trees some time ago, I thought I had discovered something special. From my perspective that was true — my personal discovery was special. But it wasn’t too long afterwards that I “discovered” a beautiful print of these same trees by photographer and friend Charles Cramer, at which point I recognized that perhaps my photograph was just a bit less unique than I imagined! Yet, something about these trees and their surroundings sticks in my mind, and from time to time I stop and photograph them again.

That was the case on this late-July morning, when I passed by on my way to some other place. I noticed that the morning light seemed just about perfect, and that the slight haze produced a bit of atmospheric recession to add depth to the subject. So, once again, I stopped and made a few photographs. In this one I decided to include just a bit of the foreground trees, one on either side, so that I could also include a bit more of the forest zigzagging up the side of the more distant slopes in the morning light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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High Country, Dawn

High Country, Dawn
Just before sunrise, soft light and colorful sky above Yosemite high-country peaks, forest, and meadow.

High Country, Dawn. Yosemite National Park, California. July 27 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Just before sunrise, soft light and colorful sky above Yosemite high-country peaks, forest, and meadow.

Sometimes landscape and nature photographers enjoy complaining about certain things required to be in the right places at the right times in order to make photographs of their intended subjects. So, here is a story. The previous day I had been out photographing until the light was gone, and then had to travel back to my dark camp. By the time I finished camp business, it was quite late, and by the time I got to sleep it was less-than-a-full-night’s-sleep until the time I would have to get up. But get up I did, well before dawn. I dressed in the cold and darkness, soon heading out with no coffee or breakfast while the sky was still dark. Before long I began to find potential subjects, even though the light was not yet quite “there.”

Now, behind that story (complaining? false heroism?) is another truth: I feel fortunate to be able to do this! As I ventured out, I found myself almost entirely alone. Even though I was driving on a very popular high country road, I saw almost no one else. Before long the bluish earth shadow line began to drop toward the horizon behind these peaks, and I stopped at a little meadow I know well. Although it is next to the roadway, it was almost completely silent and still, and the meadow plants were covered with dew. I photographed as this brief show of sky color began to fade, and as I finished I thought about the number of people who only come to these places in the middle of the day, and who therefore miss the color and the quiet and the solitude. Is it worth getting out of my sleeping bag in the predawn darkness? Yes!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Cathedral Range, Meadows, Evening

Cathedral Range, Meadows, Evening
Cathedral range and early evening in the Yosemite High Sierra.

Cathedral Range, Meadows, Evening. Yosemite National Park, California. July 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Cathedral range and early evening in the Yosemite High Sierra.

For me, this is a quintessential Sierra Nevada scene, and memories such places and sensations go back almost to my first knowledge of the range. One touchstone was many years ago when my father took me up to Tuolumne Meadows (if my hazy memory is accurate) and we passed through such country. I have a very particular memory of stopping at a waterfall alongside the road, where I looked up the stream above that cascade and wondered, without quite understanding what I was asking, what might lie above and beyond my field of vision. Perhaps at about this time I discovered some of my father’s books, including one that was (again, if memory is correct) about a passage along the backcountry spine of the range. The photograph I remember most from that book, a photograph that is still one of my mental models for seeing these mountains, featured a deeply grooved trail heading across a high country meadow toward a distant ridge. Some things never change!

This spot is one that I know well — and it is also easily accessible. But it could be any of thousands of places where water runs between meadow banks and past forests with rocky peaks in the distance, the sum of which draw me back to these mountains every year. There is still a lot of snow on the ground in this and similar places right now, and the water is running much higher. But in a month or two this brief period of abundant green will come to the high country, and you’ll find me there again.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspens, Earth Shadow, Morning

Aspens, Earth Shadow, Morning
The earth’s shadow and predawn light on aspen groves east of the Sierra Nevada

Aspens, Earth Shadow, Morning. East of the Sierra Nevada. September 17, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The earth’s shadow and predawn light on aspen groves east of the Sierra Nevada

On a cold and clear morning in mid-September earlier this year I left my camp in the Sierra and headed east, past Mono Lake and on out into the mountains east of the Sierra Nevada and east of US 395. I did not have a specific goal in mind, but I thought I would do a bit of early season aspen color reconnaissance in preparation for planned visits to photograph fall color a few weeks later. I gradually worked my way further out from the Sierra, stopping from time to time and poking around the ends of various gravel roads. Finally I found one that looked promising and took it.

I knew that I had previously seen aspens atop ridges in the general area of this road, and I had made a note to come back this way in the fall. I don’t typically expect to see much fall color by mid-September in the Sierra, but I soon found quite a bit of it — a whole mountain top was covered with small trees that were beginning to turn colors almost uniformly. I took a short spur road to an overlook and parked — from here there was an almost unobstructed view of a big section of the Sierra crest. It was cold enough to let me know that autumn wasn’t far away as I waited for the sun, beginning to photograph in that lovely predawn period of warm colors when the earth’s shadow can be seen in the darkened atmosphere just above the horizon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.