Tag Archives: road

Green Building, Berlin

Green Building, Berlin
A street scene in Berlin with a green building

Green Building, Berlin. © Copyright 2018 G Dan Mitchell – all rights reserved.

A street scene in Berlin with a green building.

Since I’m not an expert in architecture I probably don’t have the correct description terms at my fingertips, but this area of Berlin that lies just on the “East German” side of the old Berlin wall still seems to be characterized by what I’ve heard described as Soviet-Style architecture… but with a few interesting exceptions. Many of the large buildings here have, at least to my eye, that functional, modern, practical look of the 1950s and 196 0s — a kind of modernism that no longer looks all that modern

This green structure — whose purpose I did not investigate — is striking against this background and in this location literally across the street from The Wall. It appears to have been conglomerated from shipping containers, creating an ad hoc and temporary quality. (It isn’t the only example of such things I saw in Europe and the UK.) It sits at an odd angle, out of sync with both the surrounding grid of roadways and the backdrop of more “square” buildings. And that color!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Climbing The Stairs

Climbing The Stairs
A woman slowly climbs stairs near the entrance to a tunnel, San Francisco

Climbing The Stairs. © Copyright 2019 G Dan Mitchell – all rights reserved.

A woman slowly climbs stairs near the entrance to a tunnel, San Francisco.

The last time I took one of my quick trips to San Francisco to do street photography was months ago, and I’ve been planning recently to get back up there. Yesterday I finally found time. My photographic ritual there is pretty straightforward: I get up very early and catch a train up the Peninsula, typically arriving by about 7:00am. I travel light, with only the gear that will fit in a very small shoulder bag that doesn’t really look like camera gear. I walk, and this time I wandered close to eight miles over the course of about four hours, traveling through some areas that are run down in interesting ways, through the center of the financial district, and into the Columbus and Grant and Stockton streets areaI.

I enjoy street photography for several reasons. To be honest, as much as I love the natural world, I also love cities, and even more I love wandering through them on foot. Photographically-speaking, they provide a rich lab environment for finding compositions, color, people, and more. Street photography is usually be done unencumbered by the bulky gear I often use for landscapes, and I love the spontaneous aspects of it. This photograph embodies a number of things that I look for when photographing street. I’m always attracted by color and patterns and light — and this scene just inside the end of a tunnel is full of all of these things.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Child In The Street

Child In The Street
A toddler walks in the street in front of arches, Vienna

Child In The Street. © Copyright 2018 G Dan Mitchell – all rights reserved.

A toddler walks in the street in front of arches, Vienna

There are probably multiple ways to think about this photograph. It is, obviously, a photograph of a small child in a roadway. Is the child actually alone? Why is he/she in the street? Why did I make a photograph rather than running to protect the child? I’m not going to answer those questions here — partly because I think it is better to let the viewer wonder, and partly because there is no scandal in any of the actual answers. But questions remain? What IS this child doing? What, if anything, does this mean?

On a practical note, this is an example of the sort of photograph that would be pretty much impossible to make using the equipment or techniques of my landscape and similar photography. A scene like this happens instantaneously, usually with little or no warning, and it is gone almost as soon as you see it. For this sort of thing I work with a small handheld camera with a prime lens, which lets me respond to such scenes almost without taking (much) time for conscious thought.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook |
Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Cranes Return

The Cranes Return
“The Cranes Return” — Sandhill cranes fly over full moon in twilight and return San Joaquin Valley wetlands

I understand that the “Super Blue Blood Moon” or something similar occurred early this morning. I missed it. (Well, not quite. I did look out my window before sunrise, and I saw a bit of the eclipse over my neighbor’s house.) However, almost exactly 12 hours earlier I was in a position to look at and photograph that very same moon as it rose over the Sierra Nevada and climbed into the sky above California. It was a beautiful, quiet, peaceful moment at the end of a long day photographing birds.

I chose this particular day to visit the wetlands for a couple of reasons. First, I knew there would be ground fog in the morning and that fog often leaves behind a soft and hazy atmosphere. Second, I knew that the moon would rise from behind the Sierra about a half hour before actual sunset, putting it at an interesting elevation above the horizon at sunset and during the blue hour, that period when the moon seems bright but the ambient light is still sufficient to illuminate the landscape. I began watching for the rising moon at the appointed time, but it did not immediately appear, because it still had to clear the Sierra and because the atmosphere above the valley was so thick with haze. Perhaps twenty minutes later it began to emerge from the haze, and I quickly moved to a spot I had previously considered, where some trees break up the otherwise flat landscape here where a gravel road winds among them. I hoped that the cranes might appear — they often do during the moments shortly after sunset — and hoped even more that they might pass through the scene. Sometimes one does get lucky, and a long string of the birds flew just above the moon as the sky turned pink and deeper blue.


Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.