A section of brick wall above old roofs is painted bright orange, Chelsea, New York City.
This photograph was made from the High Line Elevated Park in morning light. If you like the textures and colors and machinery and forms of dense and old urban structures, there is a lot to see and photograph from the High Line. I made a photograph of the same under-construction area in the far right of this frame (not completely visible) a year ago, but that was at a very different time of the day. On this morning, the odd patch of bright orange paint on the brick wall (and the smaller bit around the door frame) got my attention, so I leaned as far as I could toward the edge of the walkway and made a photograph unobstructed by the guard rail.
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Two apartment windows look out from an upper story apartment in Brooklyn, New York.
Looking through the curtains of this upper story apartment in Brooklyn, New York, the upper walls and rooftops of surround apartment buildings are visible.
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Black and white photograph of walls, windows, and roof lines of the side of Saint Patrick’s Church, San Francisco.
I don’t know the full history of this church in downtown San Francisco, but I do know that it is visually interesting. It has the appearance of an old cathedral, with the emphasis on old. Parts of the structure appear to be made of reinforced concrete, parts of brick, and a few sections of newer construction. Bits and pieces of all of that appear in this photograph, with some rather old and weathered materials in much of the structure, but with a much more modern-looking outbuilding at lower right.
While there is a large park (Yerba Buena Park) right across the street, much of the other surrounding architecture is quite modern for the most part. Most striking is the deep blue cubic structure of the Contemporary Jewish Museum right next door, but all around much taller and vastly more modern buildings are found. (Some of the light filling the shadows in this photograph is reflected from those buildings.)
I think that this photograph has a lot in common with a number of my photographs of mountains, especially the Sierra Nevada. In fact, I don’t think it is too hard to find parallels to some of the recent photographs of Mount Conness towering above the shorter Polly, Pywiack, and Medlicott Domes near Tenaya Lake along Tioga Pass Road.
Night photograph of abandoned industrial buildings from the historic Mare Island Naval Ship Yard.
The building on the left is sometimes known as the “UFO Building” – not because of anything that might be stored inside, but because of a shadow in the shape of a “flying saucer” that forms on one of its walls. I thought it was the only one until I took this photo in which you might spot another saucer-shaped shadow on the wall of the building at the right.
This scene is not a particularly unusual one at the historic Mare Island Naval Ship Yard, a place that is full of old industrial buildings left over from the long ship-building history on this island. Many of the old buildings are now in a state of somewhat arrested development, but they certainly show the signs of age and lack of care – lots of boarded up buildings, peeling paint, warnings about hazards of various kinds, and so forth.
Most of the light in this photograph comes from a bank of strong security lights on the exterior of a more modern nearby building, and the yellow color is a result of the type of lighting that is used. There is also a bit of full moon light in the shadows and on the bit of cloud at the upper right, and this also explains the lighter coloration of the sky. When making night photographs in a place like this, I feel comfortable about not really trying to “capture” an objective reality of the place. To be blunt, that is pretty much impossible. First of all, it is actually so dark in many of these places that it takes a while for your eyes to get used to it. Secondly, there are so many varied light sources with so many different colorations that it is essentially impossible to “color correct” the scene – though I’m not even quite certain what it would mean to do that in a scene that we really can’t “see” with our own eyes.
The idea in my night photography is not often to capture the scene as it “is,” but instead to reflect the way “the camera sees,” a way of seeing that is quite different from our native modes of seeing. Things that occur over long periods of time (exposures measured in minutes) appear in a single frame, sometimes objects lose their definition as shadows move and wind blows, stars create streaks in the sky and passing clouds blur, and the colors are far from “natural.”
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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