A redwing blackbird rests on a branch on a foggy early spring morning at Calero County Park, California.
Although this photograph was made in April, it evokes the Central and Northern California winter for me. This is a time when tule fogs are common – the inland valley fogs, which are different from the coastal fog of warmer months – and when the number of birds and other wildlife seems to increase, perhaps because fewer people are out and about than in the summer.
This photograph was made at a small pond that is not too far from where I live. It is near the start of a trail that I have hiked many times, a trail that eventually rises through grass and oak covered hills to low ridges that catch the morning sun. The small ponds is only perhaps five minutes from the start of this trail, and it is a place where I can often find local and not-so-local wildlife if I arrive early and approach quietly.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Dew from morning fog collects on meadow grasses and lupine flowers, Santa Cruz Mountains.
It is a wonder that I even consider this photograph worth posting. (Hope I’m not wrong about this!) I made this photograph six years ago when I was doing my very first investigation of digital SLR shooting after having been a film photographer (at least apart from some earlier more or less point and shoot stuff) for many years. To “test the waters” I had picked up a very inexpensive and modest Canon “Digital Rebel” XT DSLR and a single zoom lens. The camera actually wasn’t a bad performer at all. While these models were small and lightweight and lacked some features of their more expensive brethren, they had essentially the same sensors and for those who shoot the way I generally did the other features were mostly superfluous. The first DSLR-sourced print I ever sold came from this camera. The lens was another story. For my “test” I simply picked up a reasonably inexpensive wide range 17-85mm variable aperture lens. This lens has its pluses and minuses (read more here), but for me the minuses were eventually deal-breakers. However, this little handheld photograph was made with that very modest lens, and as long as I don’t try to make it too big I think it works fine.
The scene is a typical one in the oak and grassland areas of Central California that surround the area where I live. This particular scene was at Castle Rock State Park, in the Santa Cruz Mountains between Silicon Valley and the coast. At this time of year the weather can evolve in any of several directions, including rain, fog, brilliant sun and heat, and more – but on this day I was shooting in very damp coastal fog along the top of the ridges.
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Two sea gulls glide along the top of coastal bluffs above the Pacific Ocean north of Santa Cruz, California.
Since I’ve related the basic story previously – more than once – I’ll keep it short this time. Since I live within an hour or less of the California coast, I head over that way frequently to photograph. Among my favorite subjects are the pelicans that travel up and down (but mostly, for some inexplicable reason up) the coast, riding the updrafts along the tops of coastal bluffs. I had some free time on this day, so I headed over with photographing the birds as one of my possible goals.
When I got to this familiar spot, there were no pelicans. (Eventually a few did fly past, but this was not a good day for pelicans.) Before moving on to other subjects I thought I’d at least stay here a while and practice the skills involved in photographing these birds in flight since even though there were no pelicans, there were plenty of other obliging birds. Most of the time it is difficult to get two gulls in the frame once they get close and start to fly past, but these two hung close enough together to be in the same frame, and their low trajectory placed them right in front of the deep blue water, with the fog-softened horizon near the top of the frame.
A solitary gull flies above California’s Pacific Ocean coastline with a fog bank and blue sky beyond.
With some free time earlier this week, and the excuse of driving my son to a summer-session class at UC-Santa Cruz, I headed north from Santa Cruz looking for things to photograph. Because there was a lot of fog, even in the middle of the day, fog was one of my general subject ideas. And I almost always make at least a quick stop at a couple of bluff-top locations that I know of where shore birds often glide by very close as they ride the updrafts from the ocean winds. It turned out that my first stop was precisely one of these locations. With nothing else specific in mind at this midday hour, I figured I would at least spend a bit of time honing my skills and tracking and photographing birds in flight.
Although sea gulls are not necessarily my favorite subjects, there sure were plenty of them to practice on! At the spot I picked, they first become visible perhaps 10-15 seconds away as they come around the edge of a bluff to the south. As they approach they tend to vary their altitudes, with some dropping low enough that they disappear behind the cliff and others going so high that only their shaded undersides are visible. But a few come very close at almost eye level.
I almost always learn something new when I photograph birds in flight and this session was no exception. While in retrospect it seems like one of those “Well, duh!” realizations, I figured out that really strong winds tend to upset the birds ability to remain level, and for this reason they are constantly adjusting to remain level. From moment to moment the wings move into interesting positions or they find themselves tilting wildly to get back on course. This is much more interesting than what they do in benign conditions, where they often seem to just… coast.
So, add one more thing to watch for as they fly past. This isn’t an easy thing, and I have the greatest admiration for those who are really great at photographing birds in flight – or “BIF,” as some call them. The first challenge is simply to keep the moving birds in the viewfinder when using a long focal length lens. (I advise practicing the process of simply following the birds without even firing the shutter at first.) But that’s not enough. You must also attempt to keep the bird(s) in a position within the frame that is aesthetically interesting and which will position the target under the active AF points on the camera. Easier said than done! Then there is the matter of trying also be aware of what the bird is doing – watching wing and head position and so forth. On top of that, you ideally also want to be aware of the what else is in the frame – sky, clouds, water, other birds – and factor that into the decision about when to press the shutter. There are exposure challenges, too, especially with birds like this gull that have white on their backs… and this portion of the bird is in direct sun.
Let’s just say that – for me at least – it takes a lot of exposures to get a few shots that I like.
