Four black oak trees with early autumn foliage stand in late-afternoon light at El Capitan Meadow, Yosemite Valley.
These four oak trees in El Capitan Meadow are almost iconic, having been photographed by many, many people. On this trip I stopped in El Capitan Meadow near the end of the day – this was my last major shooting location before leaving the Valley for the long trip back to the Bay Area. While there was considerably time left before sunset, because El Capitan Meadow sits to the east of some very tall cliffs, this photograph and others in the series were made just before the list direct light fell on the area. The fact that the areas closer to the cliff faces along the north side of the valley were already in shade helped set off the backlit leaves of the four trees.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Thin morning ground fog floats above the dry autumn grasses of Ahwahnee Meadow below the granite cliffs of Glacier Point, Yosemite Valley.
During the cooler and wetter months of the year, ground fog often forms in the meadows of Yosemite Valley. Ahwahnee Meadow is one of the places I like to photograph these conditions, and since this was the morning after a damp and rainy day, I arrived here very early in anticipation of conditions that might produce the fog. It was very cold when I arrived, certainly below freezing by at least a few degrees. At first the fog was much denser and a bit deeper. I have photographs from this earlier pre-dawn period when a herd of deer passed through the meadow. Eventually, as the sun rose high enough that the light beams began to clear the mountains to the east of the Valley, the first light began to strike the upper slopes and walls of Glacier Point. As this happened and the air began to move and the temperature stopped dropping, the fog began to thin. This photograph was made shortly before the fog actually dissipated completely, and thin streamers of mist are broken up by clearer areas.
I have to admit that I do not know what the foreground plant is. (Hint: I won’t mind even a tiny bit if someone wants to write and tell me! :-) Cottony tufts are found at the top of long stems, growing out of odd shaped pods. I shot this with a very wide angle lens so that I could include some of this foreground foliage and the fill width of Glacier Point.
On a technical note, this image incorporates a blend of two exposures. Portions of the sky at the left side of the frame were very bright, while much of the rest of the scene was in shade and a lot darker. Almost the entire frame is from the 1/15 second exposure, but I have manually blended in a bit of the 1/40 second exposure in the area of cloudy sky at upper left in order to retain a bit of detail there. Also, though it should be obvious, this was shot with an ultra-wide angle lens – a 17mm focal length on a full frame DSLR. If you are at all familiar with this location in the Valley you will recognize that this is a bit of an unusual view.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
As an autumn storm begins to clear, fog and mist swirls among trees and ridges along the rim of Yosemite Valley.
After a few days of gaudy fall color, I am returning briefly to non-gaudy fall black and white! This is another – and perhaps the last for a while – in the series of misty and cloudy photographs from my visit to Yosemite in late October as a fall storm was passing over the Valley. I was happy when I saw that my planned visit would coincide with a storm, since I love shooting the Valley in the fall in cloudy and wet conditions. As much as I enjoy the beautiful and wam late-summer days, I find the “bad” weather a lot more interesting photographically. The Valley did not disappoint during this visit – I had light rain, clouds ringing the valley, fog both on the Valley floor and among the ridges and trees along the rim, and even some cloud-filtered sunlight.
The subject of this photograph could be any of what seems like an infinite number of scenes of cliffs and ridges and trees along the upper walls of the Valley. The specific spot isn’t important, though it was just to the west of Glacier Point. At times the clouds almost completely obscured the cliff and trees, but as they moved across the face they would periodically clear enough to make bits of the scene momentarily visible. This was another of those situations in which the landscape was emphatically not static – instead it was in a constant state of flux, and it required close and constant attention to catch the photographable moments.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Brilliantly colorful aspens ascend a hillside valley above the reflecting surface of a Sierra Nevada lake.
This absurdly colorful hillside above a small lake is a well-known autumn sight in the eastern Sierra above Bishop, California. If you hit it at just the right time and in just the right light, the colors can be almost hallucinogenic. (I’ve heard it called the “Cheetos forest,” for reasons that are probably pretty obvious.)
I’ve been there plenty of times, but have never quite hit the right combination of conditions to get a good shot of the color. I came very close a few years ago, arriving in the pre-dawn hours when there was just enough light to make out the river of color snaking up the small valley above the aspen forest near the lakeshore – but before the sun came up a snow squall swept through. I cowered in my car for half hour to escape the wind, and when I was able to get out and start shooting…. half the leaves that had been there 30 minutes earlier were gone!
The good fortune this time was not just that I was there when the color was strong, but it was also a matter of light and weather conditions. The day started out overcast, and things were looking a bit dull. But soon the clouds began to break up to the east (to the right in the photo) and bright but soft light began to filter though and between the clouds as if someone had set up a giant light panel to the east. Instead of photographing the entire hillside, I decided to photograph the horizontal layers rising from the reflections in the surface of the water, through the shoreline grasses and bushes, past the yellow/orange/gold aspens, and up the slope to the brilliant orange colors above.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
