A grove of oak trees in El Capitan Meadow illuminated by late afternoon light.
What Yosemite photographer hasn’t photographed these oaks, especially the four in the foreground? I know I can’t resist, and I’ve photographed them in every season and in conditions ranging from warm afternoons to winter mornings with snow on the ground. Here I photographed them during the last few minutes of direct light, just before the sun dropped behind ridges to the west, and after the light had already left the meadow, the forest and the Valley walls beyond.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Evening fog drifts among forest trees on the floor of Yosemite Valley.
One more “misty Yosemite Valley” photograph – though perhaps not quite the final one just yet. This is similar to a photograph I posted earlier – another black and white image of evening fog floating among the trees of Yosemite Valley as seen from Wawona Tunnel View. The traditional and iconic scene from Tunnel View is impressive even in bland conditions, but photographing “that view” in such conditions is not a promising activity. But that wasn’t my plan. Noting that it had just rained for a day and was beginning to clear, I was pretty confident that this evening fog would form and begin to drift over and through the forest. My plan was to be at Tunnel View not to photograph El Capitan, Bridalveil Fall, and Half Dome – which didn’t cooperate in the end anyway – but to point a very long lens downward toward the mist.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Wolf lichen on a tree trunk near LeConte Lodge comes back to life with autumn Rains, Yosemite Valley.
If you read the “technical data” at the end of this post, you know that it was dark in this forest! The location is near the Le Conte Lodge (across the road from the Housekeeping Camp) along the south side of Yosemite Valley, and in an area where the tall cliffs approach very closely to the road and trail. Because of this it is deeply shaded for a good part of the day, especially during this time of the years.
I had gone here looking for maple leaves and for the large oaks that grow near the lodge. I just happened to see this interesting bark texture as I hiked past and noticed the brilliant – almost fluorescent – greens of the lichen in contrast to the dull color of the tree. While it was dark here and the shot required a long exposure, an upside was that the soft, diffused light lowered the contrast of the scene to manageable levels.
(I originally referred to “moss” in the title and description of this photo. Thanks to “Dave” for setting me straight and identifying it as fruticose lichen.)
A faint rainbow briefly glows in dawn light on the eastern escarpment of the Sierra Nevada above the Buttermilks as an autumn storm builds.
Since I wrote previously about acting on a hunch to be in this spot in time to catch a few minutes of dawn light, I won’t recount the whole thing here – though I would like to describe the phenomenon a bit more and perhaps make a point or two about light and opportunities.
The photograph is of the eastern escarpment of the Sierra Nevada above Bishop, California and was made on an early autumn morning of a day that brought one of the first winter-like storms of the season. I found myself in this spot (as described at the link) for the very few minutes during which this light was present – and afterwards the light was simply gone and the rest of the day was overcast and rainy. The circumstances have me thinking about a few things about light and “being there” at the right moment.
Sometimes, even on a “poor light day” – though I like overcast conditions! – there can be a few brief moments of exceptional light. Catching them involves some combination of anticipating that these moments might occur, being there, and – let’s admit it! – dumb luck. In this case, all three were at work. I did not know that this light would occur, but I knew that the conditions offered a possibility. A clearing in the clouds along the eastern horizon allowed a horizontal beam of light to briefly hit the mountains right at dawn. It began by striking the clouds above the Sierra crest, soon hit the highest peaks, moved across the face of the range, and within minutes the show ended with light on the high desert. The band was so narrow that only one of these subjects was generally illuminated at a time – and the whole thing couldn’t have lasted more than five or ten minutes.
That description might make it sound like I’m saying that I’m just plain great at predicting such things and planning to be there. Not quite! If you had asked me a few minutes earlier, when I made the spontaneous decision to abandon my previous plans and high-tail it out to this spot, what the odds were that I’d see light like this I might have estimated them at perhaps 10% or less. In other words, if I repeated this little adventure 10 times, I’d guess that I’d fail to see light like this nine out of ten times. However, if I only go for “sure bets” (which I’ll take when I can get them!) I know that I’ll miss lots of special conditions that are not subject to prediction.
Which brings up the subject of luck. I often read that one should be able to know in advance what the photograph will look like, and that careful and full preparation will lead to good photographs. Well, sort of, but maybe not quite in the way that some imply. (There is an element of “preparation” in all of this that I’ll write about eventually, but that is a different thing.) Frankly, these subjects are too complex and too fleeting and too unpredictable to be subject to that sort of careful and precise planning in any sort of consistently useful way. The photographer cannot make that small band of open sky appear along the horizon on an autumn morning when a storm is building along the crest – but if everything goes right a photographer might be there at the right moment, prepared to make a photograph of it.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.