Fall colors and mist along the Merced River, Yosemite Valley.
Returning to the land of color – after a spate of recent black and white posts – this is a photograph made on a rainy day along the Merced River in Yosemite Valley, as fall color came to the trees and bushes and fog drifted along the walls of the Valley. This photograph was made from the bridge near Curry Village as it rained lightly and the colors were reflected in the calm surface of the river. Probably because of the damp weather and the relatively early hour there was hardly any one else around, and this in a location that is often quite busy.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Clouds from an autumn storm drift among trees and spires along the rim of Yosemite Valley.
This is another in the series of photographs of mist and clouds and trees and cliffs during an autumn storm in Yosemite Valley. Here the clouds float among trees and spires along the rim of the Valley. I was looking for something very much like this as shot in the Valley, and here I spotted an interesting angle in the valley rim and then waited as the clouds floated in and out of the scene for a moment during which just enough of the detail of rocks and trees would be revealed for a moment.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Yosemite Fall and Lost Arrow emerge from drifting storm clouds, Yosemite Valley.
When I traveled to Yosemite Valley this past weekend I knew that rain was coming on Saturday – and I was happy about this since I love photographing the Valley in rainy and misty weather. I made a plan to photograph, among other things, what I expected would be cloud and mist floating among the cliffs, trees, and waterfalls of the Valley – and I wasn’t disappointed!
This is a photograph of a Yosemite icon, Upper Yosemite Fall. As clouds drifted across the face near the fall and into the valleys above, from time to time there would be a bit of clearing. Occasionally a clear view of the waterfall would even appear for a moment. At this moment in time, the spire of “Lost Arrow” also appeared along the side of the cliff at the upper right.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Cattle graze in front of large aspen groves near Conway Summit, California.
Just about anyone who has every photographed aspens in the area around Lee Vining is probably familiar with this location – and I’ve certainly shot there quite a few times. From highway 395 the aspens extend west and up toward the peaks of the Sierra crest, and the at the right hour in the late afternoon the backlight can light up the leaves of the trees. When I visited this time the trees were in transition with some still green, others very colorful, and some almost leafless already. I was also lucky to have some clouds at the end of several cloudless days of photography. (Normal people like perfect blue sky, but photographers are not normal – we tend to like weather!) When I saw the clouds starting to form above the crest early in the afternoon I thought that something interesting might happen later near Conway so I made a point of heading that direction.
This photograph features, of all things, cattle – not my usual subject, perhaps! The area where these aspens grow seems to be at least as much a pasture as it is aspen groves, and I’ve seen cattle grazing in this spot before. (See comments for a note from a member of the family that owns the land.) As the clouds created shadows over the higher slopes in the background, for a moment the sun still hit the foreground trees and these cattle.
This shot also ties in with my recent post on using various focal lengths for landscape photography, in that this photograph was made with what some might regard as an unlikely landscape lens, a 100-400mm zoom! But in this case, this lens at 250mm was just what I needed to more tightly frame the bit of foreground pasture and sunlit trees and compress the distance between them and the shadowed hills beyond.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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