Tag Archives: shadow

Fall Color, Parker Bench and Parker Canyon

Fall Color, Parker Bench and Parker Canyon - Fall color from aspens, brush, and lowland trees on Parker Bench below Parker Canyon, eastern Sierra Nevada
Fall color from aspens, brush, and lowland trees on Parker Bench below Parker Canyon, eastern Sierra Nevada

Fall Color, Parker Bench and Parker Canyon. Eastern Sierra Nevada, California. October 16, 2011. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fall color from aspens, brush, and lowland trees on Parker Bench below Parker Canyon, eastern Sierra Nevada.

Parker Bench is an area above the northern portion of the June Lakes Loop, lying below Parker Lake and the canyon topping out at Parker Pass. The area is visible from highway 395, though driving up closer reveals a lot more details. The canyon itself appears to be very rugged, and I’m not even certain that a trail climbs it to the pass. I do know that the main route over the pass does not descend the canyon, instead turning south and climbing higher after it crosses the pass to exit Yosemite National Park. I’ve hiked to the pass quite a few times, and explored the country on the Yosemite side of the pass extensively.

This can be a good area to view almost the full transition of aspen color as it moves gradually downward from the highest elevations and out into Owens Valley and similar sage brush country areas. In this photograph extensive groves of aspens in full seasonal color are visible on the slopes to the right of the creek draining the canyon, and in a location that is not far from Parker Lake. When this photograph was made in mid-October of 2011, the color had worked its way down below the forest and out into the relatively low areas along the creeks descending from the higher peaks. Right in front of the camera there are bright colors from brush and a few aspens. Also note the unusually heavy snow up near the pass. October 2011 was an unusual month in that it started with a series of three relatively strong winter-type storms sweeping across the Sierra, closing a number of passes and dropping a foot or more of snow in places.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ledge With Fallen Rocks

Ledge With Fallen Rocks - Red cliffs and rocks on a ledge at Park Avenue, Arches National Park
Red cliffs and rocks on a ledge at Park Avenue, Arches National Park

Ledge With Fallen Rocks. Arches National Monument, Utah. April 6, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Red cliffs and rocks on a ledge at Park Avenue, Arches National Park.

I made this photograph fairly early in the morning at the Park Avenue area of Arches National Park. While morning might was hitting the walls behind my camera position, the walls in front of me were still in fairly deep shade. However, as the sun rose, its light began to come over the tops of these tall sandstone walls and spill down into the canyon. As the morning wore on, the light/shadow line began to move back closer to this wall, first illuminating the ledge and the fallen rocks in holds and then beginning to highlight edges of some of the cracks in the wall itself.

The Park Avenue area seems like one of the most accessible areas of this park being only a short distance inside the park boundaries and being very close to the roadway. The area is essentially a canyon between two nearly parallel walls of sandstone, often topped with remarkable towers and other features as the canyon descends toward where it opens up into sage brush country below. At this particular hour of this particular morning, as wonderful as that scene was, the light shooting down the canyon was only so-so, so I looked around, put on a long lens, and photographed smaller vignettes of the landscape such as this one.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Drakes Bay, Fog

Drakes Bay, Fog - Fog bank suspended above the surface of Drakes Bay, Point Reyes National Seashore
Fog bank suspended above the surface of Drakes Bay, Point Reyes National Seashore

Drakes Bay, Fog. Point Reyes National Seashore, California. August 18, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Fog bank suspended above the surface of Drakes Bay, Point Reyes National Seashore.

What could possibly go together more naturally than fog and Point Reyes? Living in the San Francisco Bay Area, Point Reyes National Seashore is one of those treasures that is close enough that I can manage to visit frequently and throughout the year. However, I’m still trying to “get my mind around” the place as a photographic subject. Some aspects of it are relatively easy to see in photographic terms – these include some of the wildlife (such as elephant seals and tule elk), the tall and rocky coastal bluffs and the beaches often found below them, and certain beaches. Others are not, at least for me, so obvious. I find that some very beautiful things, such as the dense forests of short trees, hills covered with dry grasses and scattered bushes, and fog shrouded valleys, are not always easy subjects from which to make effective photographs.

This scene (if “scene” is the word for it) could be almost anywhere in along the hundreds of miles of the California Pacific coast, and it belongs to my “minimalist seascape” thread, something I’ve been attracted to for a while now. On this afternoon I had decided to go to Limantour Beach, hoping for sun and enough clarity in the air that I could make some photographs across Drakes Bay that I’ve been thinking about. Earlier in the day, things looked promising for that, but when I arrived the fog bank was hovering just along the shoreline and making its way inland nearby. Looking a bit more to the south, the sky was clear – and in between these areas there was a wonderful play of light between the areas covered by fog and the occasional gaps where more light still shone through.

I have been there a couple of times this month and on both occasions I had… fog!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Evening Fog and Rocks, Big Sur

Evening Fog and Rocks, Big Sur - Muted light on the surface of the Pacific Ocean and rocks along the Big Sur coastline as evening fog moves in.
Muted light on the surface of the Pacific Ocean and rocks along the Big Sur coastline as evening fog moves in.

Evening Fog and Rocks, Big Sur. Big Sur Coastline, California. August 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Muted light on the surface of the Pacific Ocean and rocks along the Big Sur coastline as evening fog moves in.

Having a couple of free hours late in the day, we ended up driving down the upper section of the Big Sur coastline below Monterey, to the area around the Rocky Creek and Bixby Bridges. (Though we stopped a bit short of the latter.) The light was alternately gray and murky, soft and misty, and sharp and bright – the fog was lurking near the coast, and depending upon which bend we drove around it covered the coast highway and the inland hills or it ended just off the coast.

This kind of coastal light creates some of the most transitory and ephemeral effects of all the subjects I shoot, similar perhaps to shooting the clouds of a dissipating winter storm among the aretes and spires of Sierra peaks. The variables in play are numerous: the point of the fog line off the shore or inland, whether or not the fog is thin enough to allow a bit of light so shine directly through, the appearing and disappearing pools of offshore light where the clouds thin, and the motion of the sea itself. Often I’ll spot what looks like absolutely gorgeous light, stop, grab gear and set up… and then look up to see that it is gone. Or that it is appearing in some other location where there was nothing a moment ago.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.