Tag Archives: shadows

Red Bench, Ball, and Shadows

Red Bench, Ball, and Shadows
Red Bench, Ball, and Shadows

Red Bench, Ball, and Shadows. San Jose, California. March 16, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A weathered red bench next to a suburban lawn and in front of a home with tree shadows

This probably seems like a different sort of photograph from me, but I actually have a thread of images along these lines that goes back quite a ways. They belong to what I think of as “wandering about my neighborhood” photographs, which I make on occasional walks in an extended version of my neighborhood – literally stepping out the front door and then walking. These walks encourage me to see things that I would otherwise miss, both in the general photographic sense of noticing things more when I have a camera in hand and in the more specific sense of noticing things that I otherwise simply pass by in my neighborhood.

I distinctly recall one of the first times I did this. I “saw” two things that I simply had never noticed before, even though I’ve lived in this neighborhood for years. First, in a nearby small downtown area there are buildings with more than one level – and it wasn’t until that first walk that I actually noticed the details of the second stories of these buildings. The second thing I noticed were shadows of trees. It turns out – no surprise now that I think about it – that they are everywhere. It was as if every building had trunks and branches and foliage painted on its walls. This photograph includes these shadows. It also has some other compositional elements that interest me – I’ll leave it to viewers to think about them – and there is something interesting to me about that old, weathered bench and the ball parked next to the column on the patio at the top of the concrete stairs.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Pier at China Camp

Pier at China Camp
Pier at China Camp

Pier at China Camp. China Camp, California. January 6, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The old fishing pier at China Camp, California

This is another photograph from my first visit to the China Camp site along the northern San Francisco Bay, a place I had thought about visiting and photographing for several years. It was a Chinese immigrant settlement in the 1800s and apparently there was a thriving shrimp harvesting operation there. Today it is essentially ghost town, though one that has been stabilized and fixed up and which incorporates some “interpretive” facilities. I ended up there in conjunction with a “long-exposure photo walk” weekend that photographed a number of Bay Area locations over the course of three days. Though I did not participate in the entire event, I did join up with them on one morning to photograph dawn at the Golden Gate and then to travel up to China Camp.

This pier was the subject of several of my photographs on this day. It is an interesting and compelling subject in a bunch of ways. Its historical context of course makes it interesting, but there are several interesting visual aspects to it, too, and the overall feelings are of quiet and space and perhaps a bit of desolation. The pier itself is unlike most that I’ve seen. Power poles with utility lines run along its length. Ladders descend to the waterline for entry into small boats. Birds sit on top of high points along the pier. The water in the China Camp lagoon is almost completely still, and there is a great expanse of open water beyond with only low hills on the far horizon. (This quality reminded me just a bit of some views of Mono Lake.) For this photograph I used a 9-stop neutral density filter so that I could extend the exposure to last many seconds, further smoothing the surface of the water. I made about a half-dozen exposures, trying to get on in which the darned birds would hold relatively still for 5-10 seconds… and they finally cooperated on the last shot.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Evening Shadows, Pebbles, and Tracks

Evening Shadows, Pebbles, and Tracks
Evening Shadows, Pebbles, and Tracks

Evening Shadows, Pebbles, and Tracks. Death Valley National Park, California. April 5, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The tracks of a passing animal among small pebbles in evening shadows on the dunes, Death Valley National Park

The day before I made this photograph a huge wind/dust storm had swept across Death Valley, raising tall clouds of dust high into the air, blowing away tents and anything else not firmly tied down, and spreading a thin film of dust into cars, tents, sleeping bags, and just about everything else. The idea of a desert dust/sand storm is interesting and exciting, and there are certainly some elements in this weather that are photographically compelling – but the reality is that they can make like quite difficult for a while.

On the other hand, after the dust storm passes, many of the usual traces of human presence are temporarily erased from sand dune areas. So on this evening after the dust storm I wandered out into low dunes away from the more popular areas and saw virtually no human tracks where I ended up. However, I did non-human tracks, perhaps more clearly given that there were fewer of them and they were isolated against the newly clean and smooth wind-blown sand. I just happened to spot these small tracks (a lizard?) as I entered a small “dune” valley. I first noticed the uppermost shape, which reminded me of a small branch or twig or possibly a bit of coral. I soon noticed the more linear track up the middle of the branch-like tracks – a tail? – and thought I might be able to make a photographic composition out of these tracks, a few small rocks embedded in the sand, and some of the early afternoon shadows across the sand.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Morning Haze, Death Valley

Morning Haze, Death Valley
Morning Haze, Death Valley

Morning Haze, Death Valley. Death Valley National Park, California. March 30, 2011. © Copyright 2013 G Dan Mitchell – all rights reserved.

Distant snow-covered peaks are barely visible across the vast space of Death Valley in hazy morning light

This photograph was made from Dantes View, high in the mountains along the eastern border of Death Valley itself, and with a commanding, panoramic view of a huge portion of the surrounding terrain and especially down into Death Valley and the Badwater area almost right beneath the peak. The view here looks roughly north or northwest, past the location of Furnace Creek and beyond the Mesquite Dunes area to the far northern end of the Valley and then beyond to distant snow-covered peaks.

I have written before that Dantes View has been a difficult place for me to photograph. At first glance, the location has a lot going for it. At about a mile above the Valley floor below, the views encompass a huge area of interesting terrain, ranging from the lowest reaches of Death Valley itself to the 11,000+” Telescope in the Panamint Range to other features so distant that they often fade into the haze. But for me these same features make it very difficult to pick out anything that can draw the larger components of the scene together. There have been times when I have gone there with the intention of photographing, gotten out, looked around, been impressed by the location, and made no photographs at all. This time I mostly shot details of the Valley using a very long lens, but I thought that the shadows of the passing clouds brought enough relieve to the uniformity of the Valley to make this photograph, which I hope conveys some sense of the scale of the place.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.