Tag Archives: shore

Rocks, Wave, Horizon

Rocks, Wave, Horizon
Shoreline rocks, an incoming wave, and the Pacific Ocean horizon on a gray morning

Rocks, Wave, Horizon. Coastal California. May 13, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Shoreline rocks, an incoming wave, and the Pacific Ocean horizon on a gray morning

I knew I wanted to photograph today, but the conditions in the Bay Area were perhaps less than inspiring, at least for the subjects I had initially thought to explore. It was a gray morning all up and down the coast and the high fog extended well inland, producing lots and lots of flat light. I stalled for a bit and then, after reading a weather forecast offering the hope of some breaks my late morning, I headed over the hills to the coast and began to work my way north from the Santa Cruz area. Some days the photographs just seem to appear almost of their own accord, but this was not going to be one of those days.

There are several ways to deal with this eventuality. One is, of course, to give up and go home — and, in truth, sometimes that is the most reasonable choice. There will always be another day with better conditions. A second option is to continue to look, holding out hope that something special will eventually happen. (I can tell plenty of stories of unpromising conditions that offered up astounding light surprises.) A third is to look for some completely different subject. For a moment today I thought about doing some urban photography. A fourth — and this may be the best in the long run — is to try to “see” the conditions as they are and find some way to photograph them, perhaps even going with the gray, so to speak. So that is what this photograph is — a very simple and quiet image that perhaps reflects the nature of this day.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Bluffs and Morning Fog

Bluffs and Morning Fog
Coastal bluffs lead away into the fog along California’s rugged Pacific Ocean coast

Bluffs and Morning Fog. Big Sur Coast, California. May 1, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Coastal bluffs lead away into the fog along California’s rugged Pacific Ocean coast

I am still astonished by how widely variable the appearance of a single scene can be along this Big Sur coastline. On a winter day this area could be raked by monumentally powerful Pacific storms, raising winds and surf. On a quite summer evening it could be warm and peaceful with sunset light bathing the cliffs. On another summer evening everything could be socked in completely by thick fog.

On this spring morning the light coming over the ridges of the coastal mountains was still casting shadows along the shoreline, while the tops of the bluffs were in sunshine. Oddly, on a morning that began clear, fog was beginning to form down low, hugging the coast just above the water. Despite the bright morning sun, along these bluffs the principle color was blue — the blue shades of ocean water and the subtler blue of haze and fog and shaded rock, with the landscape and water eventually disappearing into the distance, muted by the fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Moraine Lake

Moraine Lake
Moraine Lake shoreline in evening, Sequoia National Park

Moraine Lake. Sequoia-Kings Canyon National Parks, California. August 7, 2008. © Copyright 2008 G Dan Mitchell – all rights reserved.

Moraine Lake shoreline in evening, Sequoia National Park

I have only been to this remote lake twice, but as I think back on it now it seems a special place. My two visits were separated by decades. The first was when I was in my twenties and one half of a young couple on our first very long Sierra pack trip, a trip that had us taking two weeks to cross the Sierra from west to east. When I think back to pack trips from so far back, I realize that I have forgotten many details but this lake remains. On the second visit I came here on a trip retracing that earlier trip, though this time with a larger group of friends who had not been here before. It takes me a solid four days of walking to get this place, and the route covers some spectacular country and takes me into and across some very high places.

That route, and the contrast between it and what I found at this lake may account for the special feelings I have for this place. Both times on this route, the first day was a hard one under a heavy, long distance backpack load. The second day is about the same length, but it ends with a moderate climb to a lake. Day three starts right out with a brutal climb up the walls of the cirque above the lake, then crosses a high pass, drops into timberline country, and descends mostly open terrain to a camp where the trees grow thicker. Then on the fourth day things ease up. Much of the trail is though Sierra high country forest, mixed with open views, and then it leaves the main trail and takes a lateral out through more forest to this lake. I recall an expansive area of open forest along the shoreline, a shallow and pretty lake with forest on the other size, and a few peaks in the distance to catch the morning and evening light. From the right spots I could catch my first views of the summit of Mount Whitney, where I would stand a week or more later. And from this second trip I recall a slow and quiet evening with my hiking partners, hanging out in camp and sitting lazily on shoreline logs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Forest, Lake, and Haze

Forest, Lake, and Haze
A hazy late-summer day at a subalpine Sierra Nevada lake, Yosemite National Park

Forest, Lake, and Haze. Yosemite National Park, California. September 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A hazy late-summer day at a subalpine Sierra Nevada lake, Yosemite National Park

With all of the recent urban and street photography I have been posting — which is a bit seasonal pattern, given my travel tendencies — I’m also making an effort to go back through some older photographs from last year to find landscape photography that escaped my notice on the first pass. This always happens with photographs — for some reason certain images don’t make sense right after I make them, but when I come back to them later on with a fresh eye I see potential that I missed. Right now I’m revisiting late-summer photographs from a week-long backcountry stay at a Yosemite lake.

For me, this photograph holds many of the subtler elements of the High Sierra experience — not the spectacular grand vistas, but something deeper and ultimately perhaps more powerful. In this beautiful late-season time of year, the meadow grasses around this quiet lake have finished the wild growth phase of summer and have already turned golden-yellow in preparation for autumn and then winter. Lower angle light comes over the shoulder of the granite ridge whose base is visible beyond the trees. Widely spaced trees stand at the edges of the meadow and even trace weaknesses in the granite slabs on the higher slopes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.