Black and white photograph of a man sitting on a bench and talking on his cell phone in front of the shaded wall of an urban building in San Francisco.
I was wandering through this part of San Francisco, mostly but not only looking for architecture like that of this building, especially with the combination of dark shadows and the fire escape contrasting with the white trim and the bright areas lit by the slanting sunlight. When I saw this fellow happily engaged in his cell phone call, completely oblivious to everything going on in the place where he sits I had to make a photograph.
View through curved windows into the central rotunda at the Getter Center with stairs, people, and reflections.
This and a few of my other recent Getty Center photographs are at least partially “about” complexity of several sorts. This isn’t a simple image. I saw quite a few things here when I made it. I may have first been drawn to the reflections on the curving windows of this central building at the Center – it is the first building you enter as you come up from the tram, here photographed from the inner courtyard on the other side of the building. The reflections become almost as solid as some of the other elements since these “other” things are distorted both in shape and color by the windows. I also liked the zigzag pattern of the interior stairway and the two figures at the top balanced by the single sitting figure at the bottom and perhaps the walking figure near the right side. The light was interesting. It was a cloudy and rainy day. (In a full-size image you can see the raindrops on the foreground window.) Besides the odd green cast – more on that in a moment – because the light was diffused and coming from all directions in these misty and rainy conditions, I had a better chance to balance the exposure between the inside and outside areas. There are curves everywhere in the scene – starting with the curving windows, including the curving staircase, the outline of the round interior space, the far curved windows seen clearly in the upper part of the frame, and so on. Finally, as I thought about what to do with the narrow triangle of outside sidewalk at the lower left, it occurred to me that having it there enhanced the odd quality of the green-windowed interior space, and this space even began to remind be a bit of a giant aquarium.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Visitors on the outdoor dining terrace among tall stone pillars with fog beyond – Getty Museum, Los Angeles, California.
I think this terrace is one of the most interesting places at the Getty Center for a variety of reasons. For one, these slender and tall columns seem to support a rather large part of the museum – being a virtual native Californian I can’t help but think about their seeming fragility here in earthquake country. But the space itself is a very interesting one. While protected from sun and rain (as on the day I made the photograph) it feels very open because of the unusually high “ceiling” and the fact that it is almost completely open along a good part of its edge. While the “back” wall is nondescript – and, in retrospect, I can’t even describe it – the front opens to the large gardens that are spread below.
Elements that attracted me to the scene on this visit included the gradual gradient from shadow at the lower right to much brighter light at the far edge of the terrace, the vertical length of the support columns and their relative placement, the very small figures of the visitors, and the diffuse and misty fog and rain beyond the terrace.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Three columns and trees in an urban garden in downtown San Francisco, California.
This photograph was made while I was on one of my “walk and photograph” trips into downtown San Francisco. At this point I was wandering through a very busy, urbanized section of downtown San Francisco with my camera at the ready. As I rounded a corner of a building I spotted this scene with interesting morning light and a single person mostly hidden behind one of the columns below the trees reading a book. I quickly squeezed off two frames before a car entered the scene from a garage exit below the trees and other pedestrians began walking through.
This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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