Tag Archives: sky

Blue Geese, Red Sky

Blue Geese, Red Sky
Blue Geese, Red Sky

Blue Geese, Red Sky. Central Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Ross’s geese, blue in the fading light of the overhead evening sky, fly against the reds of a wild Central Valley sunset

Back in early December, 2012 we were out photographing migratory birds in California’s Central Valley, on a day that began with extremely thick tule fog, gradually transitioned to hazy sunshine, then was interrupted by the atmospheric muck of an incoming weather system, and ended with a surprising and astonishing sunset and post-sunset display of color. It seems that there must have been a gap between the clouds and the horizon somewhere far to our west, and as the sun dropped to the horizon the late and very red light shone up into the clouds, turning them blood-red (and, at times, pink and purple and orange and more.)

Right before this we had been parked near a very large flock of geese that were mostly grounded, but which would occasionally take off en masse and circle for a bit before settling back in, often quite close to where they started. I had been tracking and photographing them in the somewhat gloomy light, and when the brilliantly colorful sky arrived I was ready to try to take advantage of it. This created a challenge though, that is probably familiar to anyone who has photographed such a sky. It is very bright and (important to those shooting digital systems) very red – which means that it can be necessary to underexpose a bit to avoid seeing very strange things happen to the red channel in the image file. In addition, since I was shooting straight into this brilliant light here, the geese were backlit. So, in post I was faced with a couple of contradictory issues – I had to control the brightness of the sky while trying to regain a bit of detail on the bodies of the backlit and rather dark birds! About the “blue geese, red sky” title… Because the dimmer light falling on the portions of the geese facing me was largely diffused light from a non-colorful (e.g. – blue) part of the sky, their white feathers registered very much as blue.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trees and Pasture, Central Valley

Trees and Pasture, Central Valley
Trees and Pasture, Central Valley

Trees and Pasture, Central Valley. San Joaquin Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Hazy light in clearing tule fog on solitary trees in California Central Valley pasture land

This is another in a series that might perhaps be called “accidental landscapes.” We were actually at a wildlife refuge not to photograph landscape subjects but to photograph migratory birds – mostly geese, herons, ibises, cranes, egrets and the like. Part of that activity involves driving around trying to find the darn critters! And sometimes during these drives my eyes wander over to something that is much more like a landscape than a bird. I have photographed this very tree in the past, most recently a matter of weeks earlier when I shot it from a slightly different angle that made it appear more isolated, and when it was full of a flock of red-winged blackbirds.

The first thing that attracted my attention this time was something small, the bit of warm side-light on the trunk of the foreground tree. Seeing that, I wondered how I might come up with a composition that made sense and included this little feature. First, I wanted this tree to fill a good portion of the frame. However that seemed a bit too straightforward, so I just moved around a bit until the more distant near-twin tree was just to the left of the foreground tree, being careful to not let them overlap. The photograph was shot handheld, with the same lens that stayed on my camera all day long, a 100-400mm zoom. We moved on and soon found lots of Ross’s geese on the far side of this pasture.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Trumpeter Swans and Clouds

Trumpeter Swans and Clouds Trumpeter Swans and Clouds
Trumpeter Swans and Clouds Trumpeter Swans and Clouds

Trumpeter Swans and Clouds. Skagit Valley, Washington. December 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Four trumpeter swans on a raining day in Skagit Valley, Washington

I visited the Seattle area in early December for mostly non-photographic purposes, but found myself with with an open schedule on the day when my departing flight was not scheduled to leave until evening. I wasn’t about to pass up the opportunity to do some photography, so I considered street photography in downtown Seattle (plus a museum visit). Then I remembered that I had shot in Skagit Valley last year at roughly the same time and had found lots of interesting birds to photograph – trumpeter swans, eagles, snow geese, and more.

On this trip I wasn’t exactly equipped for bird photography, at least not the sort I would usually do, but I did have a 70-200mm zoom and I know it is possible to make interesting bird photographs with such a lens. So I was up fairly early for the one hour drive north. It rained off and on during my drive, and it was still mostly cloudy and gray when I arrived to find trumpeter swans in their usual spots on the winter fields. (Later I would also find some snow geese, but I’ll save that story for now.) Typically, I would photograph this subject with my 100-400mm zoom, but having nothing longer than 200mm in my bag, I had to think a bit differently about how to photograph these birds. Several strategies worked. One was to use my rental car as a “blind” and slowly and carefully position myself where they might be close enough to photograph with that lens. Another approach was to basically shoot landscape, but include the birds in the scene. The third option, used in this photograph, was to find a spot along one of the country roads where the birds were likely to pass directly overhead or nearly so and wait. These birds have a style of flight that somehow reminds me of a very large jetliner. The use a very low angle take-off, seeming almost as if they are too massive to climb much faster. But once in flight they are beautiful and graceful with their long necks and generally smooth mode of flight. In this photograph I watched as they passed in front of darker rain clouds before making the exposure, isolating the birds against the clouds and with no frame of reference on the ground.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Coastal Bluffs in Sunset Light

Coastal Bluffs in Sunset Light - Sunset light momentarily illuminates coastal bluffs near Davenport, California
Sunset light momentarily illuminates coastal bluffs near Davenport, California

Coastal Bluffs in Sunset Light. Near Davenport, California. December 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Sunset light momentarily illuminates coastal bluffs near Davenport, California

This photograph or one very much equivalent to it might have been made in any of perhaps thousands of locations along the California coastline, given the right time of year, the right atmospheric conditions, and the right light. With just a bit of looking around, these views from promontory bluffs, looking down the coastline past a series of other rugged bluffs are characteristic of the area. This spot happens to be near the small coastal town of Davenport, California just north of Santa Cruz.

The photograph illustrates one thing about my orientation to photographing the coast line and also illustrates something about light. About the coastline… my favorite times of the year on the coast are not the typical peak tourist season times, but instead are during the late fall through early spring period. Not only is coastal fog much less likely – though still possible! – but the ocean is more interesting and variable under the influence of winter weather, the potential for interesting skies is greater, and the generally lower-angle light creates all sorts of interesting possibilities. The clouds in this photograph, which glow just a bit in the momentary sunset light, are from a weak weather front that passed over during this afternoon along the coast. That weather front leads to my second point about light, which I’ll get to by way of telling part of the story of this afternoon’s photography. When I arrived at this location near the middle of the day, the light seemed very, very unpromising. It wasn’t just the usual nature of midday light, but there was a sort of bland haze in the air, and a shield of approaching clouds was coming down from the north – and as the afternoon wore on it became clear that those thick clouds were going to end up in front of the sun in the late afternoon.

However, sometimes the easiest and most predictable light is the least interesting to shoot in, and the least predictable and sometimes least-promising light can occasionally produce momentary wonders if you watch and are ready for them – or just have enough dumb luck to arrive at the right instant! (On the other hand, you can also watch and wait and, in the end, get… nothing. It goes with the territory!) In this case, I thought about two things. First, I thought about how I could photograph this “boring” light. The way I look at it, I’m there because the place, the circumstances, and the time are interesting – in which case there must be some way to produce a photograph in those conditions that reflect that. But that’s not my point with this particular photograph. The point that this one so nicely illustrates has to do with that possibility of momentary light on a day that seems unpromising. I ran into a couple of other photographers on the bluff during the “blah light” period. I wasn’t making photographs at that point, instead mostly just looking around. We talked briefly about the currently uninspiring light, but I pointed out that I thought I could see an edge to the cloud shield far off-shore, and if I was right there just might be a brief moment of special light as the sun passed below that edge and before it reached the horizon. Sure enough, with just a few minutes left before sunset, the sun dropped below the clouds and an intense band of extremely warm light began to suffuse the coastline against the backdrop of gray higher clouds. It lasted for only a minute or two, but that light was worth the wait.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.