Tag Archives: sky

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Lee Vining Canyon and Mono Craters, Morning

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Lee Vining Canyon and Mono Craters, Morning - Morning clouds and haze over Mono Craters, as seen from the upper elevation of Lee Vining Canyon.
Morning clouds and haze over Mono Craters, as seen from the upper elevation of Lee Vining Canyon.

Lee Vining Canyon and Mono Craters, Morning. Eastern Sierra Nevada, California. July 14, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning clouds and haze over Mono Craters, as seen from the upper elevation of Lee Vining Canyon.

East of Tioga Pass, highway 120 (a.k.a. “Tioga Pass Road”) descends relatively gently past Tioga Lake and then Ellery Lake before it drop precipitously down the eastern escarpment of the Sierra Nevada through Lee Vining Canyon on its way to the junction with highway 395 just south of the town of Lee Vining. I’ve driven over it for years, going back and forth between my home in the San Francisco Bay Area and the east side of the Sierra, so I should be fairly nonchalant about it by now – but every so often as I pass over the route (most often looking down into the canyon from above) I wonder whatever possessed people to think that it would be a good idea to route a road across the talus fields and across the steep headway of this canyon.

During last week’s photographic trip to the Tuolumne Meadows area of Yosemite National Park I went over the pass twice. The first time was to scout out some possible shooting locations around Mono Lake – OK, and to get an espresso at Latte Da in Lee Vining – and the second was the following morning when I returned to shoot one of these locations. The night before I had moved my camp to Ellery Lake (it is a long story), which put me a bit closer to Mono Lake, so I was up well before dawn and at the lake before sunrise. After photographing my primary subject there right at dawn, I stuck around long enough to photograph the early morning light and haze above the lake, then headed back to break up my camp before heading home. As I crossed that headwall high up above Lee Vining Canyon, I looked east toward the Mono Craters. Looking that way is pretty much a habit, but I rarely find it to present anything that I want to photograph. This morning was different. I quickly found a turn-out and drove back to this spot. A nice haze filled the air (I like atmospheric haze for photography!), a few clouds clustered around ridges just beyond the volcanic Mono Craters, and a high line of clouds from monsoonal flow were in the far distance, with the steep walls of Lee Vining Canyon backlit and almost seen entirely in silhouette.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Abstract, Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Textures, Photographs: Yosemite

Reflected Evening Sky, Tuolumne River

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Reflected Evening Sky, Tuolumne River - A solitary boulder interrupts the flow of the Tuolumne River as it reflects the colors of sunset sky, Yosemite National Park.
A solitary boulder interrupts the flow of the Tuolumne River as it reflects the colors of sunset sky, Yosemite National Park.

Reflected Evening Sky, Tuolumne River. Yosemite National Park, California. July 12, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A solitary boulder interrupts the flow of the Tuolumne River as it reflects the colors of sunset sky, Yosemite National Park.

I’m just back from a few days photographing in the greater Tuolumne Meadows area of the Yosemite and the Sierra. I stayed in Tuolumne for a couple of nights and then one additional night at a forest service campground just east of the pass, allowing me the better part of four days of photography in the area between about Tenaya Lake and the pass, plus some areas east of the pass. I even managed to get down to Mono Lake for one very early morning shoot. For those who haven’t been up there yet this season, this is a very different year in many ways related to climate. It is dry! There is virtually no snow left except in the usual “permanent” areas on the highest peaks, water levels are very low, and overall it looks a lot more like late August or even September. (But look around and you’ll still find wildflowers.) Areas of the forest, especially higher up and near passes, seem to have suffered a lot of damage in a late-2011 wind storm. I’ve never seen so many trees downed by wind as I saw near Tioga Pass on this visit.

Since I was camping in Tuolumne Meadows, one day I used the midday hours that are less conducive to photography to scout a few locations along the Tuolumne River. I wandered down from camp, across the meadows, and over towards Soda Springs. From here I picked out a few likely prospects for evening photography – a bend in the river with some interesting trees, a large boulder that might front a photograph of the Cockscomb, and a few others. That evening I returned, hoping for interesting lighting. It was one of those evenings that held the possibility of very interesting sunset and post-sunset light. There were dissipating clouds above the Sierra crest, some clouds directly overhead, and clearing to the west. These conditions can allow light to shine up under the clouds from the west at sunset, and can produce intensely colorful displays. I never know for sure that this will happen, but I know that the conditions increase the chances a great deal… so I’m willing to be there and ready to photograph if it does happen. On this evening it didn’t quite happen. It was a lovely evening and there were colors, but nothing tremendously out of the (relatively nice) ordinary. During the last few minutes of color I was thinking about how there was nothing to the west that could make a photograph that included the light appearing that direction, when I happened to look down on the surface of the river to see this rock and these patterns on the surface of the water.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Embarcadero Center Tower

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Embarcadero Plaza Tower
“Embarcadero Plaza Tower” — Black and white rendition of Embarcadero Plaza Tower, San Francisco.

This may be a bit of a rude shock after all of the recent nature images, but here we go. I made this photograph in early July while spending a couple days in San Francisco. On the first afternoon I went out armed primarily with a, uh, 50mm prime, and I found myself interested in photographing the tall downtown buildings from very close up and with somewhat steep upward angles so that I could accentuate the converging perspective lines. (Some of the others in this series will be significantly abstract interpretations of these subjects.)

I made this while walking through”the row of Embarcadero Center buildings. It was quite close to sunset, so the shadows were beginning to fill a bit more with light than they would during the middle of the day, when the light and shadows are more harsh. However, since I was shooting in shadows and low light, I ended up hand holding the camera at a fairly low shutter speed since I need a relatively small aperture for depth of field, especially since I decided to let the two overhead support beams intrude into the space of the taller building. This image was also the result of some significant work in the post-processing stage, including the application of a blue filter layer (to get the sky to blow out to white) and a blurred overlay layer.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: San Francisco

Pier, San Francisco Bay, Morning

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Pier, San Francisco Bay, Morning - An old pier along the Embarcadero, San Francisco Bay, with structures of the Port of Oakland, California across the water.
An old pier along the Embarcadero, San Francisco Bay, with structures of the Port of Oakland, California across the water.

Pier, San Francisco Bay, Morning. San Francisco, California. July 8, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

An old pier along the Embarcadero, San Francisco Bay, with structures of the Port of Oakland, California across the water.

I wonder how long it will take for me to feel that I have exhausted the possibilities of this walk along San Francisco’s Embarcadero? Here is (yet another!) morning photograph made it this area, once again with what is perhaps my favorite light in this location – the early morning glow of backlit fog/haze over the waters of the Bay.

I made this photograph on a very calm summer morning when there waters of the Bay were almost completely smooth, at least until a bit of boat traffic began to come by and a breeze came up. Interjecting itself into the left side of the frame is one of the old piers along this section of the waterfront. In the far distance, all the way on the other side of the bay and muted by the morning haze, are giant cranes used at the Port of Oakland.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.