Tag Archives: southwest

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Red on White, Sandstone

December 21, 2012 G Dan Mitchell Leave a comment

A vestigial layer of red sandstone forms small, layered mounds atop patterned white rock, Zion National Park

All over the southwest, where various layers of sedimentary rock meet, it is possible to find odd and surprising juxtapositions of the different layers. In many places a bit of a higher, harder layer will remain above the softer material below, creating hoodoos and mushroom-shaped structures. Sometime the upper rim of a canyon will be lined with a layer of the harder rock, while there is a steep drop-off below. Here, bits of the darker read sandstone, with different types of layering and different texture, sit on top of the smoothly curving and finely layered underlying lighter rock.

I had seen this spot in Zion in the past – it isn’t all that hard to find – and even photographed it from a greater distance and different angles. This time I decided to approach more closely, walking out on the wave-like formation of the lower, lighter rock and passing around these small reddish prominences. I made this photograph on the same day I made many of my other most recent Zion photographs, a day when the light varied tremendously due to winds and cloud cover. One moment this spot was hit by brilliant sunshine, and a moment later it was in shade – and the changes did not always synchronize between the near and far elements. I made this photograph during a moment when the direct sun was largely muted by passing clouds.

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Trees and Red Rock, High Country

December 18, 2012 G Dan Mitchell Leave a comment

Backlit trees in a high country terrain of rugged red rock sandstone, Zion National Park

Since this has been a recurring theme in my photographs from Zion National Park in October, I think I’ll keep the commentary a bit short on this one. I made the photograph along the Mount Carmel Highway, which passes through high country along an east-west route though the park. We had a day here while on our way to our eventual destination to the east, so we decided to focus on this high country area, with its deep washes and slot canyons, autumn colors, and rounded forms of various types of layered sandstone.

In this area the sandstone was a sort of medium red – not as intense as some of the deeper strata nor as light as some of the nearly white rocks found elsewhere. This rock was finely layered in many places, and formed into a small world of ridges and domes covered with widely spaced trees. I photographed the scene in afternoon light, when the sun was shining from behind the trees and creating a sort of halo of light for each one. Because of the backlight, a bit of atmospheric haze is present and the underlying rocks take on a deeper tone. Every so often a friend of fellow photographer might refer to something they call “G Dan light,” and this is it – the light of backlit trees, photographed by shooting almost directly into the sun, with just a bit of haze.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Zion High Country, Evening

December 16, 2012 G Dan Mitchell Leave a comment

High country of Zion National Park in evening light

As an official member of the I Love Backlit Trees club, I’m more or less unable to resist shooting straight toward the sun near the start of end of the day to capture the light illuminating the fringes of trees from behind. Yes, it is a repeating subject of mine… The high country of Zion National Park along the Mount Carmel Highway is a great place to find such light if you are observant and think about where and when to look. Especially late in the day – but not quite all the way to sunset – the light slants across ridges and hills and picks off the trees, which here are separated enough to allow the light to catch whole trees. (This is a bit harder to find among the denser forests of my Sierra Nevada.)

This sort of shooting provides some challenges. One, of course, is the potential for a very wide dynamic range between the brightly lit leaves and needles of the trees and the shaded areas that may be behind and around them. Although the camera’s metering system may not show it, the sunlit portions of the trees are often extremely bright and can easily blow out completely – and the solution is to expose less… which diminishes the light in the shadows. Several solutions are possible. Here I made a single exposure with the brightest areas just at the limit of exposure, and if I had opened up more or lengthened the exposure the fringes of the trees would likely have gone all the way to pure white. (You can allow this to happen with a few specular highlights without much of a problem, but don’t over-do it!) With the single-exposure approach, I find that the shadow fader in ACR is my friend! It does a fine job of bringing back a bit of the detail in the darker areas that might otherwise be lost. Although I didn’t employ them in this photograph, there are some other approaches that can also work. One is to use exposure bracketing – making two or more images at different exposures, usually one for the shadows and one for the highlights, which are then manually combined in post by means of layer masks. This is labor intensive but can produce very wonderful results.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Red Rock and Trees, Afternoon Light

December 13, 2012 G Dan Mitchell Leave a comment

Back-lit trees in low afternoon sun light grow on rocky sandstone high country, Zion National Park

As much as I have come to love Zion Canyon itself, with its monumental cliffs, winding Virgin River, and cottonwood trees, something still draws me more strongly to the high country such as that found along the Mount Carmel Highway. (I’m sure that the “real” backcountry will eventually appeal to me just as much, but my “getting acquainted” process with Zion is still in its relatively early phase.) This higher elevation terrain, which can at first perhaps seem somewhat overly complex and even “disorganized – if that makes sense – has come to hold more interest for me photographically, though it has been a bit more difficult to figure out how and when and where to photograph it. I was intrigued by these wonderfully complex sandstone patterns of curves and lines when I first saw them, but initially had a hard time seeing coherent photographs among them.

Since my first visit – less than a year ago, believe it or not – I have now had the opportunity to revisit this area on quite a few days, and I feel like I’m starting to “get” its rhythms. Initially it was a matter of passing along the roadway through the park and catching glimpses of juxtapositions of features, bits of light or color, and various canyons and prominences and thinking “there must be a way to photograph that.” Return visits, in various types of light, during two seasons, and at all hours of the day have helped me figure it out. Among my favorite subjects here (and elsewhere!) are backlit trees, here combined with some low ridges and the swooping curves and textures of the wonderful red rock.

G Dan Mitchell Photography

Tag Archives: southwest

Red on White, Sandstone

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Trees and Red Rock, High Country

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Zion High Country, Evening

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Red Rock and Trees, Afternoon Light

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.