Tag Archives: spray

Winter Sky, Point Reyes

Winter Sky, Point Reyes
Winter Sky, Point Reyes

Winter Sky, Point Reyes. Point Reyes National Seashore, California. February 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Mist and spray from high surf along Point Reyes Beach beneath winter sky

I made this simply, even minimalist, photograph on the same day that I made the Tomales Bay photographs that I recently posted. After shooting at dawn along Tomales Bay I continued on into the Seashore. Since I didn’t have any particular goal in mind – sometimes it is great to shoot that way! – I first headed up a side road that I had not investigate before, and followed it to its end high on a ridgeline. From there I descended and headed out to the area of the park that is essentially a refuge for a large population of tule elk. There were tons of them and, oddly, the large number of them made photographing them less interesting than I expected.

Many of the elk were grazing along a high bluff overlook the ocean, and as I photographed the animals I kept looking out along the long beach toward the Point, barely visible through the morning mist and sea spray along the edge of the water. I intentionally excluded anything that was not blue from the photograph – even the curving strand of beach at lower left is blue from the haze. A clear day like this is somewhat unusual at Point Reyes, a place that is often fogged in, and the brilliant light filling the immense sky was a sight that I don’t recall seeing here before.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Spring Trees, Waterfall Mist

Spring Trees, Waterfall Mist
“Spring Trees, Waterfall Mist ” — Waterfall mist fills the air around sunlit maple trees with new spring leaves, Yosemite National Park

There are at least two stories behind this photograph. The first involves a family tradition that I started when I began taking my kids to The Valley quite a few years ago when they were small. Each spring we would take a “waterfall trip” as close as possible to the time of peak runoff – sometimes going up to the Valley and back in a single day. As part of this event, it was also my tradition that we would “say hello to summer” in the Sierra by making the first stop at Bridal Veil falls, then hiking as close to the base of the fall as possible, in order to stand in the tremendous wind-blown clouds of spray, usually getting thoroughly soaked. This year we were there without our kids, who are now “all growed up” and off living their own lives, but I still had to make a ritual visit to the spray at the base of this fall. Yes, I got soaked. :-)

The second story might actually be a continuation of the first. Sometimes I go to experience something rather than to photograph it. That was my intention when we walked to the fall this time, so I left my “big camera” gear behind. But as we rounded a corner on the trail and I looked up into the morning light from the sun that had just cleared the top of the cliff, I saw this wonderful silhouetted maple tree standing in mist-filled air with the still-shaded waterfall beyond. But I did not have my “big camera” nor did I have a tripod — I had my small Fujifilm X-E1, but with the wrong lens for this shot. I turned to my wife, who also had an X-E1 but usually attaches a 60mm macro lens (she is passionate about photographing small things!) and asked if I could borrow her camera/lens to try to squeeze off a couple of shots. She agreed, and I made two exposures on her camera, shooting handheld in the spray and wind.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Davenport Bluffs, Sunset

Davenport Bluffs, Sunset
Davenport Bluffs, Sunset

Davenport Bluffs, Sunset. Near Davenport, California. December 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The last light shines on coastal bluffs and Davenport, California

On this early December day I had gone off to try to join a G+ “photowalk” that was purportedly taking place that day. I was looking forward to going to a few favorite local photography locations and to meeting some people who I’ve only known online. But it was not to be! I ended up being delayed at home and couldn’t leave in time to meet the group at their first location, Henry Cowell Park. I went with Plan B and figured I would try to join up with them at lunch in Davenport. I got there and didn’t see anyone, so I figured that I was early and I drove up the coast a bit. I came back to Davenport and thought they might be in one of the two restaurants, so I picked one and went in for lunch… by myself. (I found out later that, yes, they were in the other restaurant a hundred yards south.) After lunch I went across the road to the parking area when I thought folks might meet up, but still no luck – though I did see a few photographers out on the nearby bluff. I headed out there and finally ran into a couple of people from the group… which had gone down to a nearby beach area to shoot.

Finding interesting stuff up here on the bluff, I decide to work the location I found myself in rather than heading off and looking for something else. While the location was interesting, the light was initially unpromising. However, I thought there was a chance that things might improve later so I walked around and began doing some shooting. At one point, I talked to some other photographers about the somewhat bland lighting conditions and pointed out that it seemed to me that there was at least a chance that we might get a bit of interesting light as the sun dropped to the horizon, when the light can sometimes shine in below the clouds and produce some brief but beautiful conditions. This prediction turned out to be right, and I made this photograph just as the show was beginning, and warm-tone light was starting to hit the bluffs, beaches, and water.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rocks and Surf, Point Lobos

Rocks and Surf, Point Lobos - Long exposure black and white photograph of offshore rocks, surf, and fog at the Point Lobos State Reserve, California
Long exposure black and white photograph of offshore rocks, surf, and fog at the Point Lobos State Reserve, California

Rocks and Surf, Point Lobos. Point Lobos State Reserve, California. July 21, 2012. © Copyright 2011 G Dan Mitchell – all rights reserved.

Long exposure black and white photograph of offshore rocks, surf, and fog at the Point Lobos State Reserve, California

This photograph is from last summer and a visit to Point Lobos when I decided to work with very long exposures in daylight muted by coastal fog. A set of these photographs has sat in my raw file collection since then, as I wasn’t quite sure how I wanted to render them in the post-processing stage. I used a 9-stop neutral density filter to darken the scene a great deal and permit the very long exposure that allowed the surf to blur and become diffused. However, these filters invariably have an effect on color balance that is not very lovely – they add a slight almost purple cast to the image. As I thought about them as color images, I could not find a color balance that worked – so I put them aside.

Last week, spurred by another rapidly filling hard drive, I began to go through more of my older raw files to see what could be deleted. Indeed, there were quite a few files that could go – duplicates, errors, some images that really will never live up to what I had expected them to be. But as I do every time I engage in this activity, I found several photographs that I had either overlooked originally or which needed to be processed in ways that I hadn’t thought about at the time. It occurred to me that this one might become one of my “minimalist seascape” photographs if I went for a high key interpretation in black and white.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.