Tag Archives: spring

Cloud Shrouded Cliffs and Snow, Yosemite Valley

Cloud Shrouded Cliffs and Snow, Yosemite Valley - Late season clouds shroud snow-covered cliffs high above Yosemite Valley, California.
Late season clouds shroud snow-covered cliffs high above Yosemite Valley, California.

Cloud Shrouded Cliffs and Snow, Yosemite Valley. Yosemite National Park, California. April 15, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Late season clouds shroud snow-covered cliffs high above Yosemite Valley, California.

Among my very favorite conditions in Yosemite Valley are those of winter or late-spring days when there is snow along the cliffs high above the Valley and clouds float along the cliff tops alternately revealing and hiding trees, cliffs, and granite spires. The story behind this photograph is, as is often the case, one of being distracted from the obvious thing by some other small thing that I could have overlooked if I hadn’t looked in the right direction at the right moment.

I was in the Yosemite Valley area for a day, primarily to shoot wildflowers in Merced Canyon below the park. Between my morning and evening shooting along the Merced, I headed up into the Valley to see what I could find. Frankly, although it is always beautiful to be in the Valley, I wasn’t seeing much of anything that inspired me to make photographs. I enjoyed my time there, but eventually decided to go to a slightly different area to see what I could find. On my way back to the Valley from that other place, I passed through Wawona Tunnel, had some extra time, and decided to at least pull out briefly at tunnel view and have a look around. The scene is always tremendous, with the astonishing Valley and all of its impossible features spread before you – but it isn’t always worth trying to turn this into a photograph. I’m spoiled enough that I don’t always even take the camera out when I stop there, and this was one of those days. I left my gear in the car and just walked to the overlook to, well, look for a minute before driving on. I have a habit of looking all around when I’m in such a place since sometimes a subject can be found that is not the primary iconic thing. So I looked around… and high above and way off to the side I saw the clouds gathering around a few of the granite spires, with an occasional beam of light shining through. Ignoring the Valley itself, I now quickly returned to my car, put a long lens on the camera, put the camera on the tripod… and from the back of my car and in the parking lot (sigh… ;-) I made a series of photographs of these fog-shrouded snowy cliffs.

I understand that this weekend a number of photographers, including quite a few that I know, will assemble in the Valley for a “photo walk.” I won’t be there, since I have another thing that I have to attend to elsewhere. So consider this photograph to be my “best wishes for a great shoot.” Oh, and it is also a personal photographic celebration of the fact that Tioga Pass will open on Monday, making the high country my home away from home for many days over the next few months.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandstone Tower and Cliff, Morning

Sandstone Tower and Cliff, Morning - A nearby sandstone tower backed by a more distant cliff face in morning light, Zion National Park.
A nearby sandstone tower backed by a more distant cliff face in morning light, Zion National Park.

Sandstone Tower and Cliff, Morning. Zion National Park, Utah. April 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A nearby sandstone tower backed by a more distant cliff face in morning light, Zion National Park.

If you look at the photograph that I posted yesterday, you can probably locate almost the entire composition of this photograph contained within the earlier one. This perhaps illustrates one or more things about how I sometimes think when making photographs. One approach that I think I use quite a bit is to try to isolate small sections within much larger landscapes. If you look at yesterday’s image, you’ll see that it uses a fairly familiar sort of approach, namely to include a fairly large swath of “stuff” from close to far away within the frame. Today’s image, though, eliminates out all of that other stuff that might provide a wider context and instead just “shows” one small, interesting bit of the larger scene. And, obviously, I used a longer lens – something else that I often do when shooting landscape. I’m most certainly not one of those photographers who buys into the notion that “landscape photography is done with wide-angle lenses!” I also like juxtapositions. In this scene there are perhaps quite a few – and you might even see some that I’m unaware of. There are color juxtapositions the bright green at the bottom against the very different tones of the rocks; the brighter reddish rocks in the foreground against the darker and more blue or even purple tones of the more distant rocks; the clarity of the close and sunlit red rocks against the lower contrast and somewhat haze-obstructed character of the distant cliff.

The location is in the Virgin River drainage of Zion Canyon. One person described it as “Yosemite in red,” and now that I have been there I can certainly see why! While the overall scale of this valley is smaller than that of Yosemite, the verticality of the place is just as stunning. In fact, in some ways, because the walls are closer and because of the wild colors, it may be more stunning. (Of course, Yosemite does have those waterfalls… and some crazy dome formations… and the massive scale of features like El Capitan. I digress… ;-) The smaller scale makes some kinds of photography perhaps a bit easier. For example, those “juxtapositions” I mentioned above can be fine tune a bit more readily by moving the camera position a few feet. (I did that here as I moved the camera a bit to get three trees way up on the far cliff to line up to the left of the upper section of the closer formation on the right side of the frame. Ironically, you probably didn’t even see them until I mentioned that… ;-)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Zion Canyon, Virgin River, Spring

Zion Canyon, Virgin River, Spring - The Virgin River flows through Zion Canyon near Weeping Rock, Zion Canyon National Park, Utah.
The Virgin River flows through Zion Canyon near Weeping Rock, Zion Canyon National Park, Utah.

Zion Canyon, Virgin River, Spring. Zion National Park, Utah. April 4, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The Virgin River flows through Zion Canyon near Weeping Rock, Zion Canyon National Park, Utah.

On this morning we were back in Zion Canyon, following the Virgin River up the Valley to various locations. While it was still quite early we had walked up to the base of Weeping Rock, deep in the shaded area in the center of this photograph, and photographed there in the quiet shade. Then we moved a short distance up this part of the canyon where it makes a rather sharp series of turns and stopped an a place where there were visits up, down, and across the Virgin River and along the huge sandstone cliffs in all directions.

Looking around, I saw that there were some scattered clouds that were moving across the sky and alternative shading and lighting various portions of the landscape, and creating some dramatic effects, especially when the light came from behind the group of cottonwood trees along the banks of the river below me. The skeletal forms of the trees’ trunks were still clearly visible and, when the light was bright enough, they cast mirror-image shadows on the new grass below. The tops of the trees were fringed by new leaves, and these glowed brightly in the backlight coming from above the far cliffs above Weeping Rock. There was just enough haze in the air, amplified a bit by backlighting, to suggest the distance and massive size of the dark cliffs.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Green Hills, Rose Light

Green Hills, Rose Light - Subtle colors illuminate a ridge top and sunset clouds in the Sierra Nevada foothills, California.
Subtle colors illuminate a ridge top and sunset clouds in the Sierra Nevada foothills, California.

Green Hills, Rose Light. Sierra Nevada Foothills, California. April 15, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Subtle colors illuminate a ridge top and sunset clouds in the Sierra Nevada foothills, California.

This is yet another virtual “happy accident” photograph. I posted a different version of it earlier, but it may have been long enough that I can tell the story again. I had been in Yosemite Valley and surrounding areas for the day, and late in the afternoon I left The Valley to head into Merced Canyon where the redbud and California Golden Poppies were blooming. The plan was to get into the canyon while there was still sun in the sky but at a time when lengthening shadows would bring some soft light to various deeper/steeper sections of the canyon. So I shot there until a bit less than an hour before sunset and then decided to head on home, starting the long drive back to the San Francisco Bay Area.

I headed down the canyon, still unable to completely stop looking at the newly green grasses, the plants that were starting to leaf out, and the profusion of purple redbud blossoms and bright orange California Poppies spreading up some of the steep hillsides. But as beautiful as much of this was, I wasn’t seeing photographs in it, so I continued on. Soon I reached Briceburg, where the road leaves the Merced and climbs steeply as it heads toward Mariposa. Climbing this steep section I continued to glance back over my shoulder at the green, chaparral-coverd ridges behind me and the clouds above them that were beginning to pick up a bit of sunset color. As I neared the top of the climb I almost kept going – doing the internal debate between it might make an interesting photograph and I’m hungry and I want to start home! – I passed a photographer set up beside the road, and I quickly recognized him as a friend. Now I had no choice but to stop, so I did a u-turn at the first turnout and headed back down the hill to where he and his wife were. I grabbed my gear, said “hi” as I set up, and figured that I might as well make a few final exposures of the delicately colored sky and the subtle tones that the last light imparted to the upper ridges.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.