Tag Archives: stacks

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Sea Stacks, Cliff, and Beach

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Sea Stacks, Cliff, and Beach
Morning fog above a beach, cliffs, and sea stacks, and coastal hills, Mendocino, California.

Sea Stacks, Cliff, and Beach. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning fog above a beach, cliffs, and sea stacks, and coastal hills, Mendocino, California.

This photograph is not from this season’s California North Coast adventure — instead it comes from the visit before that during the last June of the pre-pandemic era. Our goal was the farther northern redwood parks, where we hoped to photograph the trees and rhododendrons, but first we stopped further south at Mendocino for a couple of nights.

There are worthy photographic subjects all up and down this remarkable coast, but it isn’t often that I’m so close to them that I can get up in the morning, walk out the door, and five minutes later be standing at the edge of a coastal bluff setting up my tripod. I was out early — of course! — and the area was fairly empty as I framed up this composition that looks toward the river that empties into Mendocino Bay. Morning fog obscured distant features, and the foreground landscape is formed by cliffs, bluffs, and the interaction of shadows, direct light, and the patterns of waves.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Rugged Shoreline, Big Sur Coast

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Rugged Shoreline, Big Sur Coast
Morning fog along the rugged Big Sur shoreline.

Rugged Shoreline, Big Sur Coast. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning fog along the rugged Big Sur shoreline.

Because I live in the Greater San Francisco Bay Area I have the luxury of choosing to go to the coast on a moment’s notice, even if I only have a morning, an afternoon, or an evening for the trip. I can watch the weather conditions and choose to go if they look good (clearing fog!) or stay home if they don’t (boring blue sky!). Because I lean toward more dramatic conditions, I tend to choose times around the passage of a weather system — which can bring impressive surf — or else foggy days that look like they will clear.

Fog can be moody and interesting on its own, but a lot of the most fascinating light comes along the intersection between fog and clear sky as the fog begins to lift. The views begin to open up, but portions of the scene may still be muted or partially obscured. In the areas of lighter fog the light is directional but not overly intense and harsh. And along the mountainous edge of the continent along the Big Sur coast the fog often drapes itself across mountain ridges and moves as I watch it. That was the case here, as I photographed across a particularly rugged section of the shoreline toward a ridge and peninsula.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Beach Monument, Lost Coast

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Beach Monument, Lost Coast
A monument of driftwood lumber on a Lost Coast beach.

Beach Monument, Lost Coast. © Copyright 2021 G Dan Mitchell – all rights reserved.

A monument of driftwood lumber on a Lost Coast beach.

On our recent visit to the far Northern California redwood country, we did a bit of exploring in places that were new to us. (While there are no hard and fast rules about this, I often enjoy trips that combine the discovery of new subjects with repeat visits to more familiar places.) One reason was simply that it is useful to head off in a different direction when the thing you thought you might photograph is not in an ideal state. But we also made some specific advance plans concerning locations like the one in this photograph.

Roughly between the Fort Bragg and Eureka areas there is a remarkable section of the Pacific Coast that is nicknamed the “Lost Coast.” Here the main highways (101 and 1) divert inland to avoid some particularly rugged sections. Few roads make it to the coast, and those that do tend to be narrow, twisty, and a bit less traveled. We drove one of those roads on a large loop that took us to and along this section of almost completely deserted coastline.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Crescent City Sunset

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Crescent City Sunset
The sun sets beyond evening clouds and sea stacks along the Pacific Coast at Crescent City, California.

Crescent City Sunset. © Copyright 2021 G Dan Mitchell – all rights reserved.

The sun sets beyond evening clouds and sea stacks along the Pacific Coast at Crescent City, California.

Earlier this month we got away for a few days of photography in far Northern California — the redwood country, but also the never-far-away coast. We stayed in Crescent City the first couple of nights, just below the Oregon border, since this place provides good access to several of the redwood parks. The days are very long in far Northern California at this time of year, and even with several hours of morning photography and several hours of work in the evening, there is a lot of “in between time.” On this day we decided to enjoy an early dinner in town before heading out for evening photography. Eventually we worked our way to this spot along a bluff at the edge of town.

I had a particular subject in mind when we arrived, but the conditions were evolving in a somewhat unexpected way. A weak weather front was approaching from the northwest, and it was clear that its cloud shield was going to block the sun as it descended toward the horizon. I made a few quick exposures in pseudo-evening light, and then the light went gray. It was difficult to say for sure, but it looked like there might be a gap between the bottom of the clouds and the ocean, and in anticipation of the sun’s light coming through that gap right at sunset I quickly moved to a different location that placed this sea stack with its small tree in line with some more distant rocks and the likely position of the setting sun.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.