Tag Archives: structure

Oculus, World Trade Center

Oculus, World Trade Center
The Oculus, Work Trade Center, Christmas Eve.

Oculus, World Trade Center. © Copyright 2021 G Dan Mitchell – all rights reserved.

The Oculus, Work Trade Center, Christmas Eve.

From Christmas Eve 2019, this is the interior of the Oculus structure at the World Trade Center in Manhattan. As I recall, we somehow ended up there in the afternoon, perhaps late in the afternoon, and the very last of the Christmas shoppers were trying to make their final purchases before everything closed up. By this time the crowds were thinning — though there were still quite a few folks where we were standing, a spot with this elevated view of the interior of the structure.

On one hand this is essentially a glorified shopping mall. On the other hand it is at the World Trade Center site and the architecture is quite striking, both inside and out. I recall being impressed by it when construction was still ongoing, even though I wasn’t really aware at that time of what it was. Despite being surrounded by a collection of retain establishments, the space reminds me visually of the interiors of large cathedrals. At this hour of the day, some light was entering the space through the row of skylights along it spine high above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Silo and Shadows

Silo and Shadows
Morning shadows fall across the curving surface of an agricultural silo, Central Valley, California.

Silo and Shadows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning shadows fall across the curving surface of an agricultural silo, Central Valley, California.

This photograph comes from the area where I first learned about bird photography. I’ve told the story before, but here’s the outline. I had almost no interest in photographing birds — it was completely outside my experience. One morning I was at my local espresso stand when I struck up a conversation with a friend who was also in the line. She happened to mention a birding location that she liked just south of Sacramento, California. For some reason, I was intrigued, and since I had some time to drive a few days later I headed out there, not knowing what I would find. It was a winter morning and as the sun rose I found thousands of birds everywhere — on the ground and in the sky. I had not idea what kind of birds they were (I think I assumed that all birds were geese…) but I was hooked. This was the start of a passion for photographing them.

You may wonder how that connects with this photograph. As I explored that area I came to some flooded rice fields, and nearby found a structure including several silos. I photographed it, and periodically I’ve returned to photograph it again. I photographed this view on a sunny morning, when the reflections of angled pipes, ladders, supports, and wire produced a complex pattern across the curving, corrugated metal skin of this silo.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Orange, Green, and Black

Orange, Green, and Black
A safety pylon casts a shadow on green metal panels next to black plastic.

Orange, Green, and Black. © Copyright 2021 G Dan Mitchell – all rights reserved.

A safety pylon casts a shadow on green metal panels next to black plastic.

This photograph came out of my participation in a project to photograph orange things (around Halloween, not surprisingly) with a group of fellow photographers. The group gets together every so often — virtually at the current time — to share recent photographic work. I suspect that the reasons include both social value and photographic value, but these little exercises can be useful, especially if you are trying to get “un-stuck,” are looking to explore something different, or are just seeking out a way to practice the work of seeing.

Because it was around Halloween I wanted to avoid going for the low-hanging fruit and just photographing pumpkins and autumn leaves. So for a couple of weeks as I walked around my community I kept my eyes open for anything orange. I also started to try to think a bit more broadly about what it meant to photograph orange — and one idea was that orange could easily just be one component color in a subject. Since I was looking for that color, it isn’t a surprise that the pylon first caught my attention. But I quickly started thinking about the relationship between green and orange, the shadow, and the dark pattern at the left side.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Window and Wall in Summer Light

Window and Wall in Summer Light
High summer light falls across the walls of a building with white window frames.

Window and Wall in Summer Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

High summer light falls across the walls of a building with white window frames.

There are still more of the pandemic photographs — the “postcards from pandemia” — that I have made from time to time since our world changed back in March of 2020. During that time I did a lot of urban walking in a several mile radius of my home, and I always carry a camera when I walk. On many walks the camera remained in my bag, but every so often some element of this area would catch my attention and the camera would come out, I’d make a few exposures, and then I’d continue walking.

I’m now not quite certain where this subject is, exactly. The style of construction is common in older neighborhoods around here. One thing that appeals to me about a photograph like this one is that it can be about many different things. On one hand it is a visual record of the urban architecture of a certain time and place. But it also, to me at least, also a little study in composition and forms, mainly rectangles. It also is a kind of minimalism, consisting of really only three colors — the dark windows, the blue wall, and the white window frame. There are two slightly mysterious elements that create visual dissonance for me. One is the diagonal shadow — really the only line in the scene that isn’t a perfect vertical or horizontal — that comes from some unknown and unseen source outside the frame. Another is that slightly dark and mysterious shaded area near the upper left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.