Tag Archives: sunset

Dogwood Flowers, Sunset Light

Dogwood Flowers, Sunset Light
Dogwood Flowers, Sunset Light

Dogwood Flowers, Sunset Light. Yosemite Valley, California. May 3, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

The flower-laden branches of a dogwood tree hang above the Merced River in sunset light

In the evening we had pulled off the road near the place sometimes called “Gates of the Valley” (and occasionally by other names), but I was not especially interested in photographing the famous and iconic scene that many stop there to photograph. I wouldn’t rule out photographing it, but it would have to be an exceptional evening to warrant adding my contribution to the uncounted photographs that have been made of the Merced River, Bridal Veil Fall, and El Capitan from this spot. We stopped for dogwoods.

I have photographed the dogwood blossoms in this area plenty of times in the past, and at the right time there can be a lot of flowers here. This was one of those right times, since it seemed like an exceptional spring for production of dogwood blossoms. Initially I had my eyes on some trees on the north side of the road, but first I thought I’d wander east a bit. That turned out be a good direction to walk for several reasons – I unexpectedly ran into friends who were also photographing here, and I found one beautiful tree that was hanging its blooms out over the waters of the Merced River. I then headed back to the west, stopping to talk to other folks (it seemed like everyone was out photographing dogwoods on this evening!) and then continuing on past the pull-out, stopping along the way to make more photographs of dogwoods and the forest in evening light. Before long I ended up at a well-known bridge over the Merced – where, yes, I ran into more friends! When I got there I almost felt like I was ready to call it an evening, but then I saw the low angle near-sunset light coming up the river and recalled a bunch of flowers I had seen there earlier in the day. I thought it might be interesting to shoot almost straight into that light and use a long lens to “get close” to the flowers and to throw the background along the river out of focus. The result is a dogwood flower photograph this is a bit different from most that I shoot.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Diablo Range, Winter Sunset

Diablo Range, Winter Sunset
Diablo Range, Winter Sunset

Diablo Range, Winter Sunset. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Colorful winter sunset over the Diablo Range, seen from California’s San Joaquin Valley

It is rare for me to shoot a scene quite like this one, with the setting sun included in the frame. It was a sort of spontaneous thing. I had a very long lens on the camera since I was photographing geese and cranes in the evening light, and when I looked up and saw that the sun was setting right in the low point on the ridge of the Diablo Range I quickly grabbed my tripod and made a few exposures of this scene.

This time right around and just after sunset is what I think of as the magic hour here in this Valley between the Sierra and the Diablo Range. Much of the pre-sunset coming and going of the geese pauses and things seem to slow down. The wild color was only there for a brief moment, and only in this specific part of the sky right above the setting sun, where the low light reflected off the bottom of a high, thin cloud layer. A single bird (perhaps a hawk? is in the upper branches of the tree at far left, and some light reflects off of the surface of the ponds at this wildlife refuge.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Four Ross’s Geese, Sunset Light

Four Ross's Geese, Sunset Light
Four Ross’s Geese, Sunset Light

Four Ross’s Geese, Sunset Light. San Joaquin Valley, California. January 21, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Four Ross’s geese in flight against the sky in sunset light

I photographed this group of Ross’s geese late in the day, just as golden hour light was beginning to intensify. We had spent the day in the San Joaquin Valley, visiting a couple of wildlife refuges, and returned at the end of the day to the place where we had begun shooting before dawn. We hoped for some combination of evening geese and then a dusk fly-in of sandhill cranes.

The amount of control you have when photographing these birds is minimal. It is up to them to decide where they will settle in, when and in what direction they will fly, and much more. A lot of the process involves doing things that you hope will increase your odds – being in likely spots at likely times, and so forth – then being ready to take advantage of whatever comes your way. The latter requires some sensitivity to how things are developing, some experience with the camera so that you can make decisions quickly and track flying birds that may turn up unexpectedly, and more. The situation with the geese on this evening was a bit unusual, at least in my experience. At this place we have often been able to find very large flocks of the birds late in the day, at which point a reasonable strategy is to position yourself nearby, taking into consideration the direction of the light, possible backgrounds, and the paths they will likely fly. Then you wait, ready to photograph, until the birds decide to do what birds decide to do! With luck, they will lift off in interesting groups, against interesting backdrops, and in good light. On this evening, we were only able to find one relatively small group of Ross’s geese. (We saw other much larger groups in the area, but they were further off and in places inaccessible to us.) So we found out spot nearby and waited, photographing very small groups of them as they lifted off and flow to the north. However, a few groups did an extra loop or two around us, coming back over our position quite low. You never know how the birds will line up, and often they will ether be too separated from one another or else they are so tightly clustered that you get blocked heads or wings that cover other birds. However, this group was polite enough to line themselves up in such a way that as they flew past each of them was completely visible in the evening light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sunset Virga

Sunset Virga
Sunset Virga

Sunset Virga. San Joaquin Valley, California. December 11, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Falling virga drifts below sunset clouds of an incoming late-autumn Pacific storm front

First off, the word “virga” refers to streaks or columns of precipitation that fall from clouds but do not make it to the ground. Virga can often create beautiful, delicate, and gossamer atmospheric effects, especially when the light is just right. In this case the condition was back and top-lit by low sunset light flowing upwards toward the base of high clouds from an incoming winter Pacific storm front.

This evening was (yet another) of those on which earlier unpromising conditions exploded with color right at the end of the day. We had spent the morning photographing birds (mostly geese) at a Central Valley wildlife refuge, taken a short lunch break, and then returned to the refuge for late afternoon and evening photography. The geese were wonderful and we made a lot of photographs, but it seemed like the light was going to “die” before sunset as those high clouds began to drift in from the west. That’s OK, as there are ways to photograph in that more subdue light, but I think we may have been mildly disappointed that the clouds appeared to preclude special sunset colors. So we went about our business of photographing birds, not thinking too much about the sky. Speaking for myself, though, at some point I began to notice a bit of color in the clouds behind the birds. I stopped for a moment and looked to the east (where the sunset colors first are seen before the sweep across the sky toward the setting sun) and noticed that some color was developing. In short order, the underside of the clouds began to light up, and right at sunset we were treated to an absolutely brilliant display of intense color to the west. Since I was shooting with a long telephoto I decided to try a few detail shots of small sections of the sky. If you look very carefully, you might be able to spot a jetliner heading into the sunset.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.