Tag Archives: three

Photographs: Desert, Photographs: Nature, Photographs: The Southwest, Photographs: Utah, Photographs: Wildlife

Three Bighorn Sheep

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Three Bighorn Sheep - Three bighorn sheep grazing in an area of sandstone slabs, Zion National Park
Three bighorn sheep grazing in an area of sandstone slabs, Zion National Park

Three Bighorn Sheep. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Three bighorn sheep grazing in an area of sandstone slabs, Zion National Park

I have been fascinated by the bighorn sheep since an experience I had many years ago in the eastern Sierra Nevada. I was on my first solo backpacking trip – oddly enough, this first solo was a two-week trip! – and I was hiking up into a slightly more remote area not far from Rae Lakes. In typical climbing mode, I was trudging up a steep, rocky trail with my head mostly down, and not paying complete attention to my larger surroundings. All of a sudden I heard a tremendous clattering of rocks very close by, perhaps no more than a couple dozen feet away, and having no idea what would cause such a thing my response was mild panic. I quickly looked up and saw three bighorns very close to me, apparently as surprised by me as I was by them. I immediately began to drop my pack so that I could get to my camera, envisioning a photograph of these noble-looking creatures against the background of this rocky slope. I quickly removed the pack, grabbed my camera, and rose back up to make a photograph… only to see the rear ends of the departing critters perhaps a few hundred yards away on the steep talus slope.

The circumstances of this photograph were much less dramatic, I must admit. While driving along the Mount Carmel Highway over the high country of Zion National Park we simply looked up and saw a small herd or a dozen or more of the animals right above the roadway. I knew they were in the area since earlier I had heard rockfall far above the road, looked up, and seen two of them grazing very high on the slope. But to see such a large group this close was a bit of a surprise. Since I was traveling light on this trip I did not have my longest lens, so I worked with what I had and settled in to see what might develop. The larger group clustered around a bush a bit too far up the slope – and they were apparently not intrigued with the idea of posing, as they stood around with their butts pointing in my direction! One or two of them separated from the main group and soon this group of three made its way down across the sandstone to some brush a bit closer to me.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Desert, Photographs: Nature, Photographs: Northern California, Photographs: Owens Valley

Three Towers, Morning

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Three Towers, Morning - Three tufa towers in morning light, surrounded by wind-blown patterns on the surface of Mono Lake, California.
Three tufa towers in morning light, surrounded by wind-blown patterns on the surface of Mono Lake, California.

Three Towers, Morning. Mono Lake, California. July 14, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Three tufa towers in morning light, surrounded by wind-blown patterns on the surface of Mono Lake, California.

In mid-July I was in the Tuolumne/Tioga Pass area of the Sierra for a few days of photograph. In the end, I decided to stay over one extra night so that I could drive down to photograph around Mono Lake early in the morning before heading home. I was up before dawn, quickly in my car, and down to the shoreline of Mono Lake before sunrise. My first objective was to try to photograph sand tufa formations – not the more famous tufa towers. I found what I was looking for, and spend the sunrise period photographing them in first light. However, this opportunity quickly ended, so I turned my attention to the lake itself, along with its surroundings of low hills.

While the tufa towers are the iconic visual symbols of Mono Lake, I have some other and perhaps strong associations with the place. Most of them are connected to a time of day, early morning, when I most often visit. They involve near silence, broken only by the sounds of the many gulls and other birds that are found in and around the lake. In my memories, the air is still, and it is warm, the warm of early an early desert morning that holds the smell of sage and dust. And while the moment of sunrise is what I often go there to find, in the end it is the light that comes a bit later that sticks most in my mind. This light is bright – almost too bright to look into if the lake is hazy – and it is blue with distance. This is the light that I saw on this morning, with a bit of very light breeze forming slight patterns on the surface of the lake near three isolated tufa towers.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Sandstone Towers, Early Evening

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Sandstone Towers, Early Evening - Early evening back-light on sandstone towers and desert terrain, Arches National Park
Early evening back-light on sandstone towers and desert terrain, Arches National Park

Sandstone Towers, Early Evening. Arches National Park, Utah. April 5, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early evening back-light on sandstone towers and desert terrain, Arches National Park.

I made this photograph within minutes of entering Arches National Park for the very first time. I have written before that this was my very first time photographing in Utah – yes, embarrassing, but true! The downside of this is that I now really wish that I had taken the time to travel here much earlier. But the upside is that I had the rare experience of encountering a completely new and, for me, unanticipated landscape for the first time.

Before departing for Utah – where we visited a veritable smorgasbord of locations – I had done almost no research beyond figuring out where the nearest lodging was. In fact, even once we were in the state I was still figuring out how to get from one location to another. There are perhaps several reasons for this approach, but one was that I do not necessarily want to go to a new place with overly strong ideas about what I should photograph nor about how I should photograph it. I prefer to get there, look around, try to get the “feeling” of the place, and begin making the photographs that I see. We arrived in Moab late in the day and checked into a motel. There was still some light left so we figured we should go somewhere… and Arches is very close! So the decision was made, and off we went. By the time we reached the Park Avenue area not far from the entrance I was stunned by what I was seeking. (It helped that we arrived at the beginning of “golden hour,” but I digress…) There were huge sandstone walls, thin fins of rock, tall towers, some with boulders perched on top – this seemed about as close to an “impossible landscape” as any I have seen. Frankly, it was overwhelming. We passed Park Avenue and drove ahead a bit to where the view opened up to this astonishing panorama, at which point we pulled out and I began making photographs, including this one that includes towers and fins backlit by the late afternoon light under thin clouds.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Northern California, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Textures, Photographs: Urban/Street

Door Number Three

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Door Number Three - A loading dock door (#3) and a dilapidated and worn side door in a concrete wall, San Francisco.
A loading dock door (#3) and a dilapidated and worn side door in a concrete wall, San Francisco.

Door Number Three. San Francisco, California. April 20, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A loading dock door (#3) and a dilapidated and worn side door in a concrete wall, San Francisco.

There is not a whole lot to write about this photograph, except that it is another in a sequence of photographs that I made in a small alley off of the Embarcadero in San Francisco, an alley that extends between buildings toward the waterfront and which has often been locked up when I have walked by there previously. Since it and several similar alley ways were open on this morning, I took the opportunity to wander into them and photograph some of the old buildings that sit on these waterfront piers, focusing mostly on small details.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.