Tag Archives: three

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Trees and Sunset Sky, Olmsted Point

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Trees and Sunset Sky, Olmsted Point
Trees and Sunset Sky, Olmsted Point

Trees and Sunset Sky, Olmsted Point. Yosemite National Park, California. June 18, 2011. © Copyright G Dan Mitchell – all rights reserved.

Trees growing on granite silhouetted against a colorful sunset sky at Olmsted Point, Yosemite National Park.

This astonishing, magical light occurred just at and right after sunset on the evening of June 18, the day that Tioga Pass finally opened for the 2011 summer season. I earlier posted a vertical format photograph of much the same scene, though with slightly different light – the other photograph was made about a minute after this one and the conditions were changing very rapidly.

The photograph was made from the popular Olmsted Point overlook along the Tioga Pass Road (highway 120), with its well-known view of subalpine Tenaya Lake. Since I have recounted the story of this light in some detail in an earlier post, I’ll keep this description somewhat short, but here is the genera outline. Earlier in the evening I had come here to try to photograph Mount Conness with a long lens. Initially the light was very unpromising, but I observed some things that suggested the possibility of sunset light so I stuck around. Just before sunset, as the sun dropped near the horizon to the west, the light came from below to illuminate the thin, high clouds and produce an amazing color show.

To make the series of photographs of these trees I simply pivoted my tripod around from the direction it had been pointing, towards Mount Conness. The trees are somewhat sparse here since the granite domes and slabs cannot support many of them. The speed of light and color transition was remarkable. At one or more points, as the clouds picked up the sunset glow, the brightness of the light suddenly increased noticeably. The brightest color moved across the sky from east to west, and here the color was just beginning to diminish ever so slightly overhead as it continues to intensify to the west and closer to the horizon.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature

Three Elk, Point Reyes

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Three Elk, Point Reyes
Three Elk, Point Reyes

Three Elk, Point Reyes. Point Reyes National Seashore, California. May 30, 2011. © Copyright G Dan Mitchell – all rights reserved.

Three tule elk grazing on hills above Drakes Beach at Point Reyes National Seashore, California.

This is one more – and possibly the last – in the series of tule elk photographs that I made at the Point Reyes National Seashore on Memorial Day. A group of perhaps eight or ten bull elk were grazing along the top of the hills above Drakes Bay when we encountered them in beautiful late afternoon light. As soon as I got out with my camera they moved just a bit further away, but still well within photography range.

There is a typical sequence in how I usually photograph creatures such as these. Because I never know how long they will stick around, I begin my just shooting them in any way that seems even somewhat interesting, perhaps muttering to myself, “At least I have tule elk shots in my portfolio now!” But after getting a few “insurance” shots right off the bat, I start to be more selective and more observant. Initially, I’m looking for a variety of interesting individual shots. These might include a single animal separate from the group, perhaps the full group, and perhaps sub-groups of two or three. I also pay a lot of attention to their positions, watching to make sure that faces are visible. (In this shot, the leftmost elk is partially obscured, but because his eyes are still visible and because of the way his antlers align with those of the front animal, on balance I don’t think this is a big problem.) I also watch for distracting elements, and may stop shooting if they are present. For example, the rear end of an elk is bright white and, uh, not the most photogenic part of the beast – so I wait until an animal presenting its backside to the camera either moves out of the frame or rotates into a better position.

I also try to think the same way I think when photographing a group of people. Their faces and eyes are the most important things, with the relationships their positions create among them being a very close second. Here two of the elk are looking almost at me, but slightly past my left shoulder. The third animal seems to be looking more toward the other two, creating a different sort of relationship among the animals. These things are so fleeting that I sometimes don’t see them until they have happened, so I have learned to not be conservative about exposing a lot of frames!

To the extent that I have control over such things, I also like to think about the angle of the light on the subjects. Sometimes you have no choice – you simply have to shoot from where you are. However, with these elk I did have some range of options. They were along a road, and I chose to stop a bit before their position because the light coming from the left would light them in a more dramatic and interesting fashion than if I had gotten closer and shot them with the light right behind me. In addition, I try to look beyond the animals themselves and be aware of how they position themselves against background subjects. This particular shot isn’t a great example, but in others I might wait for the moving animals to position themselves in a place where the background elements relate to them in some interesting way.

With all of this detail, you might get the idea that I’m standing there making a series of careful and logical calculations about how to shoot these guys. That’s not really what happens at all. Much of it turns out to happen in a quick and intuitive and almost subconscious manner “in the moment.” I’ve probably written here before about my belief in the important of “practice” (something I learned from my musical background) when it comes to being able to work and see quickly and effectively.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Ocean & Coast, Photographs: Wildlife

Three Pelicans, Blue Sky

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Three Pelicans, Blue Sky
Three Pelicans, Blue Sky

Three Pelicans, Blue Sky. Pacific Coast, California. May 30, 2011. © Copyright G Dan Mitchell – all rights reserved.

Three pelicans fly along the California Pacific coastline under clearing fog and blue sky.

To my surprise, I got to feed my pelican obsession on Memorial Day. As we drove up the coast north of Santa Cruz, where the road frequently follows the edges of coastal bluffs where they drop off into the Pacific, we started to notice larger than usual groups of pelicans heading north and riding the updrafts next to the cliffs. Having watched these birds many times before, I have learned a bit about their “traffic patterns,” so I suspected that if we went a bit further north to where the road comes down at a beach where a creek enters the ocean that we might encounter the same birds as they, too, dropped down to the water’s edge.

My hunch turned out to be right, and a few minutes after we arrived I caught a glimpse of the distant flock coming around the edge of the bluffs to the south and starting to descend toward the beach. They approached over the edge of the surf, but then turned toward the land as they started to climb again to rise above the next bluff to the north – and for a few seconds I was able to track and photograph them against the thinning fog and blue sky.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Trees and Granite Slabs

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Trees and Granite Slabs
Trees and Granite Slabs

Trees and Granite Slabs. Near Olmsted Point, Yosemite National Park, California. July 23, 2010. © Copyright G Dan Mitchell – all rights reserved.

Trees growing in granite slabs in the Yosemite high country stand in morning light.

Scenes like this are, for me, among those that most strongly characterize the Sierra Nevada mountains of California, and specifically the portion of the range found in Yosemite National Park. There are many mountain ranges that have their own attractions, but the combination of large swaths of glacially formed and polished granite with open forests filled with light immediately shouts “Sierra Nevada” to me. I used to be attracted most to the highest alpine peaks, but more and more I like the more intimate landscapes of the parts of the Sierra in which small ponds and tarns are placed among little meadows separated by trees and bits of granite.

Scenes like this one are not, frankly, all that hard to find in Yosemite and elsewhere in the Sierra. I photographed these trees and boulders in this expanse of glaciated granite near Olmsted Point in the early morning when the light was still warm and the shadows long.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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