Tag Archives: tracks

Abandoned Turnstiles

Abandoned Turnstiles - Night photograph of abandoned turnstiles in the industrial area of the historic Mare Island Naval Ship Yard, Vallejo, California.
Night photograph of abandoned turnstiles in the industrial area of the historic Mare Island Naval Ship Yard, Vallejo, California.

Abandoned Turnstiles. Mare Island Naval Ship Yard, California. March 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Night photograph of abandoned turnstiles in the industrial area of the historic Mare Island Naval Ship Yard, Vallejo, California.

Early this month I had the opportunity to join my friends from The Nocturnes, the San Francisco Bay Area night photography group, for (yet another) return visit to the historic Mare Island Naval Ship Yard for an evening of nocturnal photography, along with a chance to share work and pizza! I have been photographing Mare Island at night for something like a half dozen years now, yet I still find new and interesting subjects every time I go there.

These turnstile structures are found throughout the facility, and they are a frequent topic of conversation and subject of photography among the night photographers I know. They are intriguing features and there is something compelling about them as potential subjects. Standing along at night they seem forlorn, perhaps in contrast to the knowledge that thousands of ship yard employees must have passed through them at one point. They also seem almost disconnected from the rest of the industrial landscape here. While it is obvious that they must have once been the only entry way to certain areas of the facility, not it is quite possible to simply walk around them. In addition, some mysterious electrical “stuff” has clearly been removed – time card readers? Something else?

It also turns out that they are a surprisingly difficult photographic subject, and I have had many discussions with other night photographers about this. Up close they present an amazing density of interlocking metal features… that are very difficult to assemble into a good composition. I’ve managed once or twice. Oddly, one of my favorite photographs of the turnstiles is almost the very first photograph I made at Mare Island, a black and white close-up photograph of a gate by the island’s museum. For this shot I decided to work from a bit of elevation, setting up on a raised landing in front of a nearby building so that I could look down on the structure and create a sort of surround out of the background area and further buildings.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dunes, Eureka Valley, Morning

Dunes, Eureka Valley, Morning - Morning light and haze at the Eureka Valley Dunes, Death Valley National Park, California.
Morning light and haze at the Eureka Valley Dunes, Death Valley National Park, California.

Dunes, Eureka Valley, Morning. Death Valley National Park, California. January 6. 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning light and haze at the Eureka Valley Dunes, Death Valley National Park, California.

This seems like a typical desert scene, right? Hot, arid, a bit of summer haze… It may look that way, but it was 28 degrees when I made this photograph!

At the tail end of my early January photography visit to Death Valley National Park I went north from the Ubehebe Crater area on the long gravel route up to the remote Eureka Valley Dunes, which are described as the tallest dunes in the United States, being nearly 700 feet tall. I decided to visit here at the end of my trip for several reasons – first, believe it or not, I had not been to this major feature in the park before. Second, because the trans-Sierra passes were still open in the strange weather year, by going out the north end of the park I figured I could shorten my drive back to the Bay Area a bit.

I arrived the night before, just in time to shoot a little bit as the last light came and went. Then I spent a very cold night “camping” in the back of my car. I was up reasonably early, but it was so cold that it was very hard to get out of the sleeping bag. Finally I did so, and I put on all my warm clothes and marched around the camping area trying to warm up a bit. Finally, after the morning sun topped the tall ridge to the east, the light arrived and my world began to warm up a bit. Eventually I packed up and started my trip back out to civilization. But first I wanted to stop a ways out in the valley and do some long shots back towards the dunes. This is one of those photographs, made from a ways down the road using a long lens.

Somewhat surprisingly, when I finally got back in my car a bit after 9:00 a.m. and long after the sun arrived, I finally thought to check the outside temperature on my car’s thermometer. At about 9:15, out in the valley, and in the sun… the temperature had finally risen… to 28 degrees!

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Bridge, Olympic Sculpture Park

Bridge, Olympic Sculpture Park
Bridge, Olympic Sculpture Park

Bridge, Olympic Sculpture Park. Seattle, Washington. January 1, 2008. © Copyright 2008 G Dan Mitchell – all rights reserved.

A bridge crosses railroad tracks at the Olympic Sculpture Park, Washington.

Back in 2008 I travelled to Seattle on mostly family business. I arrived a bit early and ended up spending some time wandering around the Olympic Sculpture Park, a place I enjoy both for the art and for the architecture and other features of this public space.

The bridge across the railroad tracks had interested me previously, but I’ve found it a difficult subject to photograph – somewhat surprisingly, since it seems to me like such an obvious thing to photograph. So in this image I more or less obscured most of the bridge itself, leaving not much more than the white vertical supports along its exterior and its overall shape and mass. I thought that the relationships between the texture of the metal bridge and the concrete underneath was interesting, as were some of the relationships between various shapes and angles. As I have done in a few other recent photographs, I played around with “pure” color and black and white renditions of the image – in the end deciding to sort of split the difference, thinking that a somewhat de-saturated color image might be most in line with my memory of the place and the scene on that winter day.

G Dan Mitchell Photography
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Freeway Overpass, Townsend Street

Freeway Overpass, Townsend Street
Freeway Overpass, Townsend Street

Freeway Overpass, Townsend Street. San Francisco, California. July 8, 2011. © Copyright G Dan Mitchell – all rights reserved.

Freeway overpass crosses the train tracks along Townsend Street near the Caltrain station, San Francisco.

In the middle of a long string of landscape photographs from the Sierra Nevada, today I present a photograph of… what appears to be a trashed and abandoned area beneath a freeway overpass. I’m guess that at least a few people reading this might be perplexed.

While I absolutely love going to and photographing wild and scenic areas – and as a resident of northern California I’m fortunate to live close to some pretty amazing such places – those are not the only photographic subjects that I find interesting. The explanation is complicated and would require me to discuss a whole range of things including from the nature of beauty (e.g. – “beautiful” and “pretty” are not the same thing), the relationship between the concepts of “natural” and “civilized, the belief that part of what a photograph might do is show a thing in a way that the viewer might not otherwise consider, and even the practical effect on all of my photography from photographing more than one thing. Heck, I also just like to visit San Francisco and other urban areas and wander around!

This time of year I make regular trips to San Francisco, usually taking the train into The City fairly early in the morning and then wandering on foot wherever my interest leads me. On this morning I was up before 5:00 a.m., out the door to catch a bus at about 5:25, on the train a bit before 6:00, and walking out of the San Francisco Caltrain station a couple minutes after 7:00 a.m. As the train approached the station I noticed a number of freeway overpasses – the same sort of structures that were used so effectively in San Francisco Opera’s recent production of Wagner’s “Ring” cycle, which affected me visually as well as in the other expected ways. So as soon as I got off the train I headed back along Townsend to this little space beneath the 6th Street exit ramp from highway 280 and photographed in the very same “golden hour” light that I would look for if I were in the Sierra.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.