Tag Archives: tracks

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Hill Near Mesquite Flat, Dusk

April 23, 2011 G Dan Mitchell Leave a comment

Dusk light above a hill near Mesquite Flat in Death Valley, backed by a large alluvial fan from Tucki Mountain.

At the end of this day I was shooting from the top of a low hill in the Valley east of Stovepipe Wells, and there were interesting subjects throughout almost the entire 360 degree panorama around this elevated position. With this in mind, I had chosen to use the long 100-400mm zoom so that I could have some flexibility in composing elements of this huge scene.

I was mainly working with things that were in the large arc to my west (dunes and Cottonwood mountains and base of Tucki Mountain), north (the main Valley and transverse dunes), and east (the mountains running along that edge of the Valley) since the further subjects of the lower Valley were more or less out of sight beyond the alluvial fan that appears in the photograph. But I kept being intrigued by the low, dark hill on the flats below the similar hill on which I was standing. There is a row of them stretching from near the Devils Cornfield area up and across this alluvial fan. As the evening light transitioned towards post-sunset light I saw that the glow from clouds (a bit of which is visible in the distance above the Black Mountains) was lighting this hill and the surrounding flats in an interesting and colorful way.

But I had a little problem. I was still working a number of subjects and once and I really needed to keep shooting that 100-400. 100mm was still too long for this scene, but I didn’t have time to remove it and put on a shorter lens. I figured that I could simply change the camera to vertical orientation, very carefully level the tripod, and include the whole scene in four panning vertical frames that I could stitch together later. People often do this so that they can produce extremely high-resolution image, but that wasn’t my goal at all. In any case, it worked, and not only did I manage to get the shot that needed a wider lens, but as a bonus it is a very high-resolution shot.

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Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Brick Wall and Windows, Reflection

February 12, 2010 G Dan Mitchell Leave a comment

Night photography of structures in the “historic core” of the Mare Island Naval Ship Yard with reflection in a rain puddle – Vallejo, California.

A few times each year I have the pleasure of photographing at the Mare Island Naval Ship Yard with The Nocturnes, the San Francisco Bay Area night photography group founded my Tim Baskerville and now an important resource for information about night photography, night photography workshops, and fine night photography. During the first weekend of February I joined a small group for a visit to “the dark side” at Mare Island. In contrast to typical shoots there, this time there was no moon. However, since it had rained earlier in the day the clearing clouds and left-over reflecting puddles provided special conditions that aren’t usually available.

This scene is probably familiar to almost anyone who has shot at Mare Island. The brick wall and windows belong to the museum located in the “historic core” of the facility at the corner of 8th and Nimitz, where the huge overhead structures were used to move heavy equipment and parts to the ship construction area along the waterfront.

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Nimitz Street, High Fog, Night

September 23, 2009 G Dan Mitchell Leave a comment

Nimitz Street with high fog and moonlight and ambient artificial lighting, Mare Island Naval Shipyard, Vallejo, California.

This is probably one of the iconic scenes for night photographers at the historic Mare Island Naval Ship Yard near Vallejo, California. This shot looks up Nimitz Street near the waterfront and across railway tracks toward some of the core old buildings and beyond to the smoke stack of the power plant. It includes some of the huge overhead structures that were, as I understand it, used to move large ship components such as engines from the shops in which they were assembled to the ships under construction.

As is typical at night at Mare Island, the photograph includes a wild range of types of lighting. The 3/4 moon is partially responsible for illuminating the high fog, but the fog also picks up a warmer glow from a variety of types of lighting on the ground at Mare Island and beyond. The buildings are lit by some of the same light sources, but also by local security lightning and some street lights including tungsten, sodium vapor and perhaps even florescent sources. (When composing such shots I have to be very careful to place the camera in a position where direct light from these many sources is blocked by buildings, towers, and so forth.)

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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Photographs: Central California, Photographs: Night, Photographs: Structures and Objects

Nimitz Avenue at Night

March 18, 2009 G Dan Mitchell Leave a comment

Night photograph of buildings and shipyard structures along Nimitz Avenue near the waterfront at Mare Island Naval Shipyard, Vallejo, California.

This is perhaps one of the “classic” Mare Island Naval Shipyard scenes, where the giant shipyard scaffolding crosses Nimitz Avenue from the shipyard buildings to the shoreline facilities, varieties of artificial light lend a warm glow to the view up the street, and faint star trails appear above in the dark sky.

I think that this is a good scene for first-time Mare Island night photographers to work with. It presents a lot of interesting challenges, but they can all be handled with some thought and care. You need to get the sky right – not too light and you want at least some star trails. I could have done a longer exposure since a bit more than three minutes left me with short star trails, though they weren’t my main subject. The dynamic range is absolutely huge, especially if you don’t take care to obstruct direct line of sight to some of the lights up the street. I had to look around quite a bit to find one small spot where the composition worked and the buildings and towers are positioned to block them. If you don’t block them you either completely blow out those highlights or else you must shorten the exposure to the point that the foreground roadway ends up almost completely black. The lighting also has to be just right on the structures at the top of the frame. On this night we were perhaps 3 or 4 days short of the full moon so a combination of moonlight and artificial light illuminated the structure. (A full moon might have been a bit better.) Then you need the right focal length to get the right parts of the scene into the frame. Here I used a 35mm prime on a full-frame DSLR and cropped the result a bit to eliminate some distractions along the right edge.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

keywords: mare island, naval, shipyard, minsy, night, photography, nocturnes, vallejo, california, usa, building, road, tracks, rail, train, shipyard, structures, minsy, brick, street, sky, star trails, smoke, stack, smokestack, truss, nocturnes, window, light, stock

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.