A granite outcropping and trees reflected in the surface of a subalpine Sierra Nevada lake
This scene was along the edge of a lake I visited on several evenings, hiking up from our base camp during our September week in the Eastern Sierra Nevada backcountry to make photographs. The logical starting point for photographs here was near the lakes outlet, where there was a small, rocky meadow and several nice granite outcroppings that extended into the lake. I initially began by photographing there.
But soon the light left that area and I decided to wander around a bit more. Not far away was a small bay extending off from the main body of the lake, and on the other side of this bay several attractively twisted and bent trees stood on and in front of a large granite outcropping.
Colorful autumn aspen trees ascend a gully in the Eastern Sierra Nevada
In the past I have looked at this grove but not photographed it. Unfortunately, it stands in close proximity to an Eastern Sierra Nevada “feature” that has long troubled me — a fake waterfall apparently created by a nearby homeowner who seems to have redirected a stream over the top of an outcropping in order to make his/her backyard more picturesque. Unfortunately, once you see how this was done you cannot unsee it, and the “waterfall” becomes an annoying and even insulting feature.
But there are these trees. And they are quite nice, following a narrow gully in the break between two outcroppings of solid Sierra rock. I like the way that the ascending band of trees narrows as it rises, almost suggesting a queue of travelers passing through a narrow pass. There are also some beautiful and colorful trees stretched across the bench at the top of the outcroppings. Finally, these trees are in the state of color transition that I’m almost ready to say I enjoy the most — that stage where a few trees are intensely yellow/gold and others are still just barely beginning to change.
September light on forest and meadow lining the shore of a subalpine Sierra Nevada lake
Having set up a base camp nearby and remained there for slightly more than a week, I got to know this lake and its surroundings very well during my September 2018 visit. Because of the high ridges to the north and south, the length of time when the area was in the direct sun was shorter than is typical in such places at this time of year — we have a couple of hours at the start and end of the day when the lake fell into the shadow of these great ridges. But when that sun did come out the light was often glorious.
At this elevation, close to 11,000′, the eastern Sierra trees become quite short and their grow in an open manner that allows a lot of light to penetrate. (Hence, the “range of light!”) There was forest around this lake, but much of it was composed of these smaller, high elevation trees. Along the shoreline where I made this photograph, a meadow like area descended from the left to a narrow band of grasses lining the lake’s shore. Trees grew on the rocky rise along this side of the lake, perhaps an old moraine. When I made the photograph the light was coming through from the right at a low angle, and there was a bit of haze between my position and the high ridge in the distance.
Late afternoon light on a rocky peninsula on a subalpine Sierra Nevada lake
This is a photograph that required a bit of persistence! During our September stay in the Eastern Sierra Nevada backcountry, I first walked up to this lake several days before I made this photograph. When I arrived for the first time I made a guess as to where I might find a photograph, but the guess was wrong! As the light faded I tried a different spot, and I found a good one, but I missed the best light. I made a mental note to come back, and even noted the specific spot to be in. A day or two later I headed back in that direction late in the day, with plenty of time to get there before the good light arrived… but then I got distracted by some other attraction, spent too much time on it, and arrived at this lake — you guessed it! — about three minutes too late! However, I did have a bit more time to consider the location and timing of the shot I had it mind.
I went back one more time, and this third time was almost not a charm. I got there plenty early and found my spot well before the good light… and discovered a woman set on fishing from the lovely rocks on the peninsula in the center of the photograph! Since I was early I decided to wait quietly and not try to convince her to get out of my shot, but I did explain what I was there for. I waited. She continued to fish. I began the internal debate about just how aggressive I should be about trying to get the shot. I think she figured out that I really wanted this photograph, since about five minutes before I made it she moved on to another spot on the other side of the rock. (She continued to fish, and I had to time my exposures between her casts, when sent line right into the water beyond the rocks.) In the end my persistence paid off, and I got a photograph that I like — to me it seems to capture that lovely late-day, late-summer light in the high country, and it even includes some really lovely color in the water. I finished the photography here… and had time left over for a short hike to the top of a nearby pass before the light faded.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
