Tag Archives: trees

Point Reyes and Drakes Bay

Point Reyes and Drakes Bay
Point Reyes and Drakes Bay

Point Reyes and Drakes Bay. Point Reyes National Seashore, California. February, 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Drakes Bay and the Point Reyes Peninsula, viewed from near Mount Vision on Inverness Ridge

After photographing very early in the morning along the shores of Tomales Bay near the town of Inverness, I continued along the road to Point Reyes and soon entered the national seashore. There was a possibility that I might try to meet up with a group of people who planned to photograph the herds of tule elk a bit later in the morning, but at this point I had some time to kill before that might occur. I wasn’t quite sure where I was going to shoot, so I was sort of “following my nose” and the light, atmosphere, and other conditions and waiting to see where I might end up. I had a general idea that it might be interesting to go all the way out to the point itself, where the morning light might illuminate some of the cliffs along Drakes Bay that don’t get that sort of light later in the day.

However, long before I got close to that area I passed a turn-off that I had often noticed and wondered about, a road labelled Mount Vision. With one option looking just about as good as any other option, I decided to head up that road to see what I could see. The road climbs quickly, more or less switchbacking up a steep include and up a few valleys before more or less leveling off high up on Inverness Ridge, actually ascending to the top of the ridge in a few spots and providing panoramic views both towards the ocean and back towards Tomales Bay. Although it wasn’t exactly foggy – at least not in the form that is common here much of the year – the atmosphere was obscured and out at the far end of the peninsula the curving end of Point Reyes was a bit hard to see, and there was a distinct blue quality to the haze that didn’t seem like it was going to work especially well for a color photograph. So I started thinking that this scene might work better in black and white. Soon I saw this steep foreground ridge with its tall trees and dark shaded elements and it seemed like its angle and darker tones might set off the lighter and less contrasty elements of the landscape in the distance, from the tree-filled valley in the middle of the frame to the barely visible peninsula near the horizon.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Sandhill Cranes, Fog and Trees

Sandhill Cranes, Fog and Trees
Sandhill Cranes, Fog and Trees

Sandhill Cranes, Fog and Trees. San Joaquin Valley, California. January 212, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

A group of sandhill cranes takes flight in foggy dawn light as others stand in a marsh with blackbird-filled trees beyond.

I almost feel like I know this group of sandhill cranes, as we have found them on several occasions in the same San Joaquin Valley location – and by this I mean in precisely the same spot along a levee and at the same time of day… and often in fog. The first time I “saw” them here I actually heard them more than saw them. It had been an extremely foggy morning, so thick that it was difficult to see any distance into the murk. We could hear lots of birds and certainly recognize the distinct call of the sandhill cranes. Occasionally a small group of them would momentarily emerge from the fog to pass overhead and just as quickly disappear.

On this January morning it was again foggy, but not quite that thick. When we arrived before dawn we were able to make out the large flock of the birds on the ground near the levee, though it was a bit too murky and they were too far away to get clear photographs. But as sunrise arrived, the cranes began to take to the sky in small group, sometimes passing over or near our position before departing. As this group flew across the scene, above other birds still on the ground, the faint light of sunrise managed to pierce the fog and case a bit of warm light on the flock.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Spring Trees, Waterfall Mist

Spring Trees, Waterfall Mist
“Spring Trees, Waterfall Mist ” — Waterfall mist fills the air around sunlit maple trees with new spring leaves, Yosemite National Park

There are at least two stories behind this photograph. The first involves a family tradition that I started when I began taking my kids to The Valley quite a few years ago when they were small. Each spring we would take a “waterfall trip” as close as possible to the time of peak runoff – sometimes going up to the Valley and back in a single day. As part of this event, it was also my tradition that we would “say hello to summer” in the Sierra by making the first stop at Bridal Veil falls, then hiking as close to the base of the fall as possible, in order to stand in the tremendous wind-blown clouds of spray, usually getting thoroughly soaked. This year we were there without our kids, who are now “all growed up” and off living their own lives, but I still had to make a ritual visit to the spray at the base of this fall. Yes, I got soaked. :-)

The second story might actually be a continuation of the first. Sometimes I go to experience something rather than to photograph it. That was my intention when we walked to the fall this time, so I left my “big camera” gear behind. But as we rounded a corner on the trail and I looked up into the morning light from the sun that had just cleared the top of the cliff, I saw this wonderful silhouetted maple tree standing in mist-filled air with the still-shaded waterfall beyond. But I did not have my “big camera” nor did I have a tripod — I had my small Fujifilm X-E1, but with the wrong lens for this shot. I turned to my wife, who also had an X-E1 but usually attaches a 60mm macro lens (she is passionate about photographing small things!) and asked if I could borrow her camera/lens to try to squeeze off a couple of shots. She agreed, and I made two exposures on her camera, shooting handheld in the spray and wind.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Geese Take Flight in Dusk Sky

Geese Take Flight in Dusk Sky
Geese Take Flight in Dusk Sky

Geese Take Flight in Dusk Sky. San Joaquin Valley, California. January 1, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Motion-blurred photograph of a flock of Ross’s geese taking flight in dusk sky above the San Joaquin Valley, California

This is another example of what I’ve taken to referring to my “blurreds in flight” photographs. (Yes, a bad pun on the common subject of “birds in flight,” also known as “bif” photographs.) Very early morning or dusk seem like good times to experiment with this, as the very dim light often pushes the ability of photographer and gear to continue to shoot as ISOs rise, apertures enlarge… and eventually one runs out of maneuvering room. Just lower that ISO and let the birds blur!

But that’s not really why I do these. While I suppose that I’m just as interested in trying to produce very sharp images of birds frozen in flight by high shutter speeds and accurate autofocus, I sometimes feel that this more clinical approach isn’t the only way to capture or express the qualities of these animals and what I can observe of their lives. In a sense, the still camera “lies” about what we can actually see of these birds when we are there and watching them. In low light, often observing from a distance, when a group of Ross’s geese suddenly takes flight in a wild maelstrom of honking and flapping wings, we really cannot see all of the specific details of each feather and the impression we have is more often one of wild motion and surprise. While I don’t think a photograph can ever fully or accurately depict this, allowing the motion to become visible by using slow shutter speeds might evoke a sense of these animals that the razor-sharp, stop-action photographs might miss.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.