Tag Archives: two

Underpass Intersection, London

Underpass Intersection, London
“Underpass Intersection, London” — Two roads come together beneath bridges, London.

I photograph when we travel, typically using quite different equipment and techniques than for my landscape photography. While the latter usually uses relatively large and heavy equipment, I downsize in a major way for travel. This is partly due to the realities of travel — we go light and I don’t want or need a big bag of cumbersome gear. (That would actually decrease the overall quality of my photography, which is something I’ll write about at some point.) But it isn’t just the gear — it is also the whole approach. I shoot handheld with a small camera, and I often approach the subjects as a street photographer.

The decision to render this as a monochrome photograph was a bit of a surprise to me. Those round shapes on the wall above the sidewalk are blue lights, and when I made the exposure I thought that they might be a key element. But when I finally got to this image in post, I much preferred the mood of the image in black and white, so I had to let go of that preconception about the lights and color. (As much as pre-visualization is a crucial skill, sometimes post-visualization wins the day!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Two Trees, Fog, and Promontory

Two Trees, Fog, and Promontory
“Two Trees, Fog, and Promontory” — Two trees stand atop a promontory above a foggy Pacific Ocean view, Point Lobos.

This photograph, the final in a set I’ve shared recently, comes from a half-day visit to Point Lobos one foggy late-July morning. Fog is always fun, but in this case it seemed extra special. California suffered through some extremely hot weather back in July, and I headed to the coast to try to find some relief. I found it! While the temperatures back home were rising into the upper nineties, here at the coast it was in the upper fifties under the overcast. I spent the morning and early afternoon wandering through the park.

These trees are Monterey cypresses, native to this region along the rugged coast. Here they grow along the tops of cliffs that drop steeply into the ocean. The promontory is along the north shore of Point Lobos where some of the higher cliffs are found. While the fog here was high enough to reveal the trees, a short distance offshore it was right on the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Levee Road, Trees, Fog

I love tule fog and the mysterious atmosphere it creates. But even more, I love what happens as it clears. Out here in the Central Valley the fog often seems to drift and thin unevenly. It moves away in one place to reveal a hazy landscape, but nearby the fog lingers and blocks longer views. Visible overhead through the shallow layer is combination of blue morning sky, high clouds, and sometimes soft remnants of the dissipating fog.

This scene is along a levee road, one of a seemingly infinite number of similar roads out in the wet parts of the valley. Many Californians, including me, tend to think of the summertime Central Valley, a place that is known for heat and dryness. But in the winter it can be the opposite, a cold and damp place, often dotted by seasonal ponds and lakes.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Two Cranes, Reflection

Sandhill cranes have the remarkable ability to look both comically clumsy (watch them land!) and remarkably graceful. This pair managed to produce the latter impression as they crossed paths in a shallow wetland pond. It helped that they were between me and the sun, placing their reflection in the water in front of them.

Sandhill cranes are remarkable birds and have become my favorites among the migratory birds I photograph . They are here between autumn and late winter in large numbers. Their characteristic cry is one of the defining features of my winter photography experience. One of the best moments comes when they return at dusk. I hear their cries before I see them, but soon hundreds arrive and land for the night.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.