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Pipes, Tank, and Cyclone Fence Shadows

Pipes, Tank, and Cyclone Fence Shadows
Pipes, Tank, and Cyclone Fence Shadows

Pipes, Tank, and Cyclone Fence Shadows. Mare Island Naval Ship Yard, California. February 12, 2011. © Copyright G Dan Mitchell – all rights reserved.

Black and white night photorgraph of pipes, a tank, and cyclone fence shadows falling across a brick wall at the Mare Island Naval Ship Yard.

This past weekend I had a chance to join my friends from The Nocturnes for an introduction to night photography at the historic Mare Island Naval Ship Yard near Vallejo, California. The Nocturnes schedule events at this wonderful and rich location several times each year, and I have done night photography there many times in the past. Many of the photographers at this particular event were experimenting with “the dark side” for the first time, so I decided to go both to do a bit of my own shooting and to help Tim Baskerville answer questions from some of the first-timers.

This bit of industrial “stuff” is in a location I have shot many, many times. It is in an alley next to what is now the Mare Island Historic Museum, and it traditionally the first place that many MINSY night photographers start their evening of night photography. Since I’ve shot quite a few of the standard subjects at Mare Island, I had in mind a few slightly different subjects and different approaches in mind this time. One was to focus specifically on shadows as a compositional element and another was to look for some of the smaller details of the place in addition to shooting the very interesting larger structures that so often get my attention.

So, after shooting nearby structure with shadows angling across the alley, I thought that I’d see what I could do with this odd bit of old pipes and a tank against a brick wall, and illuminated by nearby sodium vapor lamps shining through a cyclone fence. I liked the shiny texture of the pipes and their shapes as they radiated from the central tank, along with the shapes of both the very dark and large shadows and the net of fainter shadows thrown over the whole scene by the fence.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

North Tower of the Golden Gate Bridge, San Francisco Bay, Morning

North Tower of the Golden Gate Bridge, San Francisco Bay, Morning
North Tower of the Golden Gate Bridge, San Francisco Bay, Morning

North Tower of the Golden Gate Bridge, San Francisco Bay, Morning. San Francisco, California. February 5, 2011. © Copyright G Dan Mitchell – all rights reserved.

The north tower of the Golden Gate Bridge, with San Francisco Bay, the San Francisco Oakland Bay Bridge, a departing ship, and the East Bay hills beyond in morning fog and haze.

I’ve been working on the color version of this photograph, which proved to be a bit more tricky than I would have expected. My recollection of the light on this morning was that it was very bright – with the backlit haze/fog – and quite blue. But, as often happens, the coloration in the camera was dissonant with my memory, and I had to think a bit about where I wanted to go with the photography in post. In particular, the sky had an odd pink cast that can often become more obvious when using a long lens and only keeping a bit of the sky right above the horizon.

The background on this photograph (and several others in the same series) is that it was made on an early February morning shortly after sunrise from a point high in the Marin Headlands of the Golden Gate National Recreation Area. For the most part it was actually a brilliantly sunny and clear morning, but an inversion layer was creating a thin blanket of fog/haze that was almost too bright to look at and which muted the details of the landscape. (It was also tremendously windy – making it a challenge to shoot with a long lens!) After making a few initial exposures from a more obvious location – and one that was slightly out of the wind – I decided to wander a bit and look for juxtapositions of various landscape elements with the shape of the north tower of the bridge. After a short walk I found this spot where the tower was centered between the two towers of the more distant western span of the San Francisco Oakland Bay Bridge, and where the view included a bit of the San Francisco waterfront along the right margin and the fog-covered flatlands below the East Bay hills.

As I worked I noticed a freighter leaving the Port of Oakland beyond the further bridge. I’ve watched enough of these ships heading across the bay that I have a pretty good idea of the path they follow, and I knew that this one would cross beneath the Bay Bridge and then turn to cross the frame towards the left – so I waited for it to reach the position just barely to the left of the closer bridge tower before making this exposure.

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cascade, Reflected Sunlight

Cascade, Reflected Sunlight
Cascade, Reflected Sunlight

Cascade, Reflected Sunlight. Yosemite National Park, California. June 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

Sunlight reflects on granite ledges next to cascades on Tenaya Creek.

In this iteration of the “blurry-fast-moving-water-in-Sierra-creek” photograph, I was looking to cram a variety of elements into the frame – as you can see, the entire photograph is not filled with water. There is a transition from white water with flashes of sunlit light at the tops of the waves, through the water with smaller areas of foam, to water reflecting the golden late afternoon light from a cliff face on the other side of the creek, to some bits of streamside granite slabs along the lower right edge of the frame. To me, these areas of shallow water and wet rock reflecting more distant light almost have a molten quality.

One of the trickiest things about this photograph for me was dealing with the strong contrast between very blue tones in the shaded parts of the water and the very warm tones of the reflections. As every photographer knows, the light in shade can be very blue, especially when the subject is supposed to be white and is lit almost entirely by the blue sky, as is the case in parts of the turbulent water. Adjustments are necessary in order to make it look realistic and conform with the colors that our eyes tell are are there. (Our vision system is remarkable… but it is not objectively accurate!) But adjustments to the blue water, if applied to the warm tones of the reflecting granite, can end up looking bizarre and overdone in the opposite direction!

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Dead Branch, Glaciated Granite

Dead Branch, Glaciated Granite
Dead Branch, Glaciated Granite

Dead Branch, Glaciated Granite. Yosemite National Park, California. June 28, 2010. © Copyright G Dan Mitchell – all rights reserved.

A dead branch lies on glacially-polished granite in the Yosemite National Park back-country.

I made a promise to someone to not say where this photograph was made – I’ll just say it is in Yosemite National Park. But the exact location really doesn’t matter too much, as these large expanses of glaciated granite slab are a common feature throughout the park, and you could find similarly interesting geology in thousands of locations.

I was a little surprised to find this weathered branch in this location, since it was a good distance from any trees and also not near any flowing water. Besides its location, a few other things about it caught my attention. First, its curving shapes lined up in a way tht seems to tie in with the bit of glacially-polished granite that lies beneath it. (And, yes, this is exactly where the branch was when I found it.) In a way, the larger shape of the lighter area of granite winding across the photograph from side to side almost seems like a much thicker echo of the curving shape of the branch. In addition, the warm brown tones of the branch seem to stand out a bit – though perhaps more in a larger print – against the relatively drab color of the rock.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.