Tag Archives: wall

Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Two Poles, Three Doors

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Two Poles, Three Doors
Two unility poles in front of an abandoned industrial. building with three doors.

Two Poles, Three Doors. © Copyright 2021 G Dan Mitchell – all rights reserved.

Two utility poles in front of an abandoned industrial. building with three doors.

This is another take on a subject that I posted about recently while sharing a portrait-orientation image of much the same scene. Keeping in mind that photographs posted here are often part of my “working out” process with images, trying out different ways of seeing them, here’s a bit of my thinking. In the previous version I chose the alternate orientation in order to include more of that sky (a reference to my landscape photography?) and the full height of the utility poles. This time I left only a sliver of the sky, and you have to imagine how tall the poles are. (That’s an important visual concept about which I could write an article, by the way.) So here, I think, we see the geometries of the structure, the poles, and the slanting shadows more prominently.

In that earlier post I wrote something that wasn’t completely accurate regarding the building. I pointed out accurately that it is in a former produce canning area and that it is no longer part of that industry, but I also stated that it is “abandoned.” Technically, it _was_ abandoned, but it appears that the building is now being used as some sort of warehouse or storage area. Of course, you would not see that from the outside where I was, as there are no commercial markings at all — which is a very unusual thing in this country.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Roll-Up Doors

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Roll-Up Doors
A pair of roll-up doors on a San Jose industrial building.

Roll-Up Doors. © Copyright 2021 G Dan Mitchell – all rights reserved.

A pair of roll-up doors on a San Jose industrial building.

Collecting quotations about photography is an occasional hobby of mine. (Making them up is, too!) One of my favorites comes from Minor White: “One should not only photograph things for what they are but for what else they are.” (There are several slightly different versions of this remark, so I suspect it is something that he referred to a lot.) This is a powerful and loaded observation, it has quite a few implications, and it points an appropriately wagging finger at those folks who seem to think that photography is nothing more than a way to “capture” things in some form imagined to be “objective.”

This is, perhaps obviously, one of those photographs of “what it is” and “what else it is.” The objective reality of this subject is pretty mundane — a pair of metal roll-up doors on a light-industrial building. I photographed it in bright, harsh sunlight, and the original includes colors not present in the monochromatic presentation I chose here. So, a couple fo doors, a bit of wall, and some dark concrete. Yet, that’s not what I really “see” when I look at this photograph — for me that “what else it is” is the main focus, to the point that I have to almost remind myself of the original subject.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Structures and Objects, Photographs: Urban/Street

Closed Fountain

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Closed Fountain
A brick wall behind a fountain closed by the pandemic.

Closed Fountain. © Copyright 2021 G Dan Mitchell – all rights reserved.

A brick wall behind a fountain closed by the pandemic.

If it seems like there have been a lot of black and white photographs here recently, well, yes. I’m not certain why that is, but I do know that I began as a black and white photographer, and somehow seeing in monochrome remains at my visual core.

This photograph comes from a visit to a location we visited in order fo photograph a very different sort of subject — a beautiful (mostly) formal garden full of blossoming flowers. We went there after both of us had arrived at that wonderful point two weeks after being fully vaccinated, and it was liberating to wander (masked) through the gardens. However, somehow, among those beautiful and colorful flowers, this is what I came home with! I’m tempted to offer explanations and propose a few metaphors to consider as you view the image, but since I wasn’t really consciously thinking of them when I made the photograph, I’ll just leave the photograph here and let you decide.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Canyon Wall Detail

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Canyon Wall Detail
Detail of a canyon wall with tilted sedimentary rocks and fossils, Death Valley National Park.

Canyon Wall Detail. © Copyright 2021 G Dan Mitchell – all rights reserved.

Detail of a canyon wall with tilted sedimentary rocks and fossils, Death Valley National Park.

These rocks tell a story, a profound one no doubt, but also one that this non-geologist is incapable of fully comprehending. But I do know a few things, and with that bit of knowledge and the time to observe, I can report that there is a lot to think about in places like this and, for that matter, the entirety of Death Valley National Park. A difference between this landscape and most others with which I’m familiar is that here it is almost entirely exposed rather than being hidden underneath forests and snow.

As I understand it, the course of many of the rocks here is sedimentary — they were formed under ancient seas. (Portions of the valley were submerged much more recently, and that shorter tale is visible, too, in places.) Those sediments sometimes captured creatures that became fossilized, as we see in the black spots in the rocks of this photograph. Then various geological forces lifted, tilted, fractured, and contorted these layers over a vast span of time. In many places in the park the strata are inclined upward as they progress to the west. Here one of the inclined rock bands contains colors that are the exception rather than the rule in this national park.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.