Here is one more photograph of Lisbon graffiti, this one from a wall next to a sidewalk in the lower Alfama neighborhood. The colors and patterns are so vivid that you might not even notice the doorway in the wall behind the paint. The colors of this street anrt are were perhaps the most intense that I recall seeing.
Continue reading Lisbon Graffiti #1
Although it has been more than a decade since I made this photograph (yes, another “lost and found” photo), I have distinct memories of the circumstances surrounding it. That fall I spent a few weeks exploring the Southern Utah landscape, from the backcountry of Grand Staircase-Escalante to several national parks. Sometimes I photographed alone, but along the way I met up with various friends, relatives, and photographers.
A photographer friend and I camped for several days at Capitol Reef National Park. We explored areas near the campground. (Yes, we tried the pie…) But one day we took a longer trip into the park’s backcountry. At the end of the day we returned to the campground, and just before we arrived we stopped to photograph these autumn trees against a red rock wall.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
I have a somewhat embarrassing confession to make about this photograph. I know that I made it in a church in the Belgium town of Ghent… but I failed to record which church it was! In my (weak) defense, this is a town of many churches — I don’t think I’ve seen many others with so many steeples. And after a few weeks of visiting Various European cities it is possible that I was starting to suffer from an overdose of church architecture.
Continue reading Church Interior, Ghent
Death Valley National Park is full of popular and famous attractions that are quite accessible — Mesquite Dunes, Badwater, Zabriskie Point, to name a few. But there’s far more to this immense park than the popular spots. There are equally worthy things to see everywhere, including in some rather remote locations. This is one of those sights, and the odds are that you would be alone here if you were to visit.
The feature is an impressive tear-drop shaped “window” in a wall of rock that stands on the inside of a sharp bend in the canyon. Beyond, further canyon walls rise above the wash, and in the far distance we see the highest peaks of the Panamint Range, including 11,000’+ Telescope Peak.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.