Tag Archives: walls

Slot Canyon Walls

Slot Canyon Walls - The sculpted walls of a narrow and curving slot canyon, Zion National Park
The sculpted walls of a narrow and curving slot canyon, Zion National Park

Slot Canyon Walls. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The sculpted walls of a narrow and curving slot canyon, Zion National Park

On the first non-travel day of my most recent Utah visit, since we were passing through Zion National Park on our way to points beyond, we decided to spend the better part of the day shooting there. For a few reasons, including that it was a bit early for fall color there, we chose to not go to Zion Canyon, but to instead spend the time along the Mount Carmel Highway that cuts through the park from west to east. Our object was to photograph the wide range of interesting subjects found there: sandstone of all shapes, textures, and colors; trees, both evergreen and those with fall foliage, and more.

We ended up spending most of the day along this route. An observer might have wondered a bit about us. We would drive slowly along the road in one direction, frequently slowing down and pulling over, looking around a bit, then either getting back on the road or piling out and heading off in various directions – either up into rocks or down into a wash or canyon. Eventually we worked our way to one end of the road’s passage through the park… and we turned around and headed back. We did this loop several times. Why? First, things that you might miss while driving one direction become easier to see when you head the other way. Second, and perhaps most important, light is not a static thing. It changes in may ways – intensity, color, angle, direction, what it strikes and what it misses – as the day goes on, so while the <i>landscape</i> might have been, arguably, “the same,” the <i>lightscape</i> was in constant flux. I made this photograph in a short section of slot canyon, contriving to find a point of view from which almost nothing but the twisting and overlapping forms of the rocks would be visible, along with just a bit of foliage.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Trees, Slot Canyon

Autumn Trees, Slot Canyon - A tree in autumn foliage grows in the pink-sand bottom of a slot canyon, Zion National Park
A tree in autumn foliage grows in the pink-sand bottom of a slot canyon, Zion National Park

Autumn Trees, Slot Canyon. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A tree in autumn foliage grows in the pink-sand bottom of a slot canyon, Zion National Park

This little slot canyon and the wider sections above and below were a productive place for photography when I was there during the latter part of October. Dropping down into one of the small washes we saw while driving along through the area, we first were attracted by the bright foliage of some red maples – hard to resist! Once we reached the creek bed, however, it was equally hard to resist walking along the sandy bed and seeing what else we could find. Soon the canyon narrowed and the rock walls became closer together and we were in a short section of slot canyon.

The light in these places is almost always soft since it is rare for direct sunlight to get to the bottom of such canyons, especially at this time of the year and in canyons that are much deeper than they are wide. I think that because I was near the point where the canyon narrowed there was still enough light to support the growth of this tree.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Building 45, Rain and Shadows

Building 45, Rain and Shadows - Black and white night photograph of Building 45 with rain and shadows, Mare Island Naval Ship Yard
Black and white night photograph of Building 45 with rain and shadows, Mare Island Naval Ship Yard

Building 45, Rain and Shadows. Mare Island Naval Ship Yard, California. November 17, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Black and white night photograph of Building 45 with rain and shadows, Mare Island Naval Ship Yard

Having shot at Mare Island so many times, and having never encountered any weather challenges more daunting than a little wind or some night-time cold, I suppose I was due for some rain. And we got it on this visit. This being the annual “Nocturnes Alumni Night” event, people arrived much earlier than necessary for night photography – during the daylight hours mostly. As we met and shared photographs and then pizza, the conversation occasionally turned to the question of, “When will the weather front arrive tonight?” The most optimistic among us thought that it might not rain at all. Others thought it would hold off until after we were done shooting. Still others – including those of us with smart phones running weather radar applications – were not so sure that we would escape the weather this time, since it looked like the front would pass over us very shortly after we planned to start shooting.

The pessimists were right this time! Less than a half hour after we dispersed into the darkness to begin our work, it was already sprinkling, and within a few more minutes the front arrived and it began to rain in earnest. Along with another group of Nocturnes, I quickly moved to the shelter of one of the old mansions and hung out on the porch. The front wasn’t large, and after an hour or so the rain had diminished to the point that I could venture back out again. (To those who wonder about such things, the combination of night and rain is not conducive to being out and about making photographs.) I headed back over into the “historic core” area near the waterfront as the sprinkles continued, eventually ending up at this spot, near the end of building 45. Access wasn’t as easy as usual due to construction in the area and due to that darned rain! However, the rain created special conditions for night photography, adding a reflective gleam to all of the wet surfaces. The lighting here is from nearby street lights and security lights, and the sodium vapor lamps create a very garish yellow effect in color photographs – so I decided that I would take this one in the black and white direction. The patter on the wall at the right is a shadow from the huge gantry structure that towers above this spot.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

De Young Museum, Exterior Detail

De Young Museum, Exterior Detail - Exterior walls of San Francisco's De Young Museum.
Exterior walls of San Francisco's De Young Museum.

De Young Museum, Exterior Detail. San Francisco, California. March 9, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Exterior walls of San Francisco’s De Young Museum.

In early March I was at San Francisco’s De Young Museum for an event associated with the “San Francisco 1964” exhibit of the photography of Arthur Tress, at which Tress spoke to a small group of San Francisco photographers about his work. (Thank you to Adobe for inviting me and the other photographers. The exhibit continues, and San Francisco Bay Area photography fans and others visiting the area should consider a visit to the show.) Unless I’m heading up there for certain musical performance, I almost always take a camera to The City, and I certainly brought one this time. I mainly photographed Tress during his talk, but once it was over and I left the museum I had a bit of time to wander around and shoot the nearby area.

I started in the Music Concourse, a lowered area in front of the museum that features some ominous-looking dormant trees at this time of year. After finishing there I walked back around the museum to head back to my car, and I passed by this “side” wall of the facility near the tower section of the building. The exterior walls are very interesting. They are apparently constructed of some sort of copper panels that have been “dimpled” in a range of ways that evolve across its surface, and it looks like some of the upper level “walls” are more like screens than solid material. As I understand it, the idea was that this metallic surface would “age” and acquire a patina that might make it blend in more with the natural surroundings of the park. (Though it is hard to imagine that tower blending in!) In the soft light on this shaded side of the building the range of colors and tones in the material was striking, ranging from the blacks of dark shadow areas, to the expected reddish copper tones, to all sorts of blueish shades.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.