Tag Archives: weathered

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Yellow Buildings, Fence, and Night Sky

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Yellow Buildings, Fence, and Night Sky
Yellow Buildings, Fence, and Night Sky

Yellow Buildings, Fence, and Night Sky. Mare Island Naval Ship Yard, Vallejo, California. April 16, 2011. © Copyright G Dan Mitchell – all rights reserved.

Night photograph of abandoned industrial buildings from the historic Mare Island Naval Ship Yard.

The building on the left is sometimes known as the “UFO Building” – not because of anything that might be stored inside, but because of a shadow in the shape of a “flying saucer” that forms on one of its walls. I thought it was the only one until I took this photo in which you might spot another saucer-shaped shadow on the wall of the building at the right.

This scene is not a particularly unusual one at the historic Mare Island Naval Ship Yard, a place that is full of old industrial buildings left over from the long ship-building history on this island. Many of the old buildings are now in a state of somewhat arrested development, but they certainly show the signs of age and lack of care – lots of boarded up buildings, peeling paint, warnings about hazards of various kinds, and so forth.

Most of the light in this photograph comes from a bank of strong security lights on the exterior of a more modern nearby building, and the yellow color is a result of the type of lighting that is used. There is also a bit of full moon light in the shadows and on the bit of cloud at the upper right, and this also explains the lighter coloration of the sky. When making night photographs in a place like this, I feel comfortable about not really trying to “capture” an objective reality of the place. To be blunt, that is pretty much impossible. First of all, it is actually so dark in many of these places that it takes a while for your eyes to get used to it. Secondly, there are so many varied light sources with so many different colorations that it is essentially impossible to “color correct” the scene – though I’m not even quite certain what it would mean to do that in a scene that we really can’t “see” with our own eyes.

The idea in my night photography is not often to capture the scene as it “is,” but instead to reflect the way “the camera sees,” a way of seeing that is quite different from our native modes of seeing. Things that occur over long periods of time (exposures measured in minutes) appear in a single frame, sometimes objects lose their definition as shadows move and wind blows, stars create streaks in the sky and passing clouds blur, and the colors are far from “natural.”

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast, Photographs: Textures

Eroded Sandstone, Point Lobos

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Eroded Sandstone, Point Lobos
Eroded Sandstone, Point Lobos

Eroded Sandstone, Point Lobos. Point Lobos State Reserve, California. July 20, 2010. © Copyright G Dan Mitchell – all rights reserved.

Patterns in eroded shoreline sandstone rocks at the Point Lobos State Reserve, California.

The rugged Point Lobos shoreline in places exposes some very interesting rocks, including sections like this one where layers of different colored sand stone are gradually worn away, revealing underlying layers of different colors and textures and sometimes exposing surprising color contrasts. On days when the light is very soft (or very boring!) I may seek out some of these rocks and photograph them since the softer light lets details appear that might easily be washed out in harsher light.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Monterey Cypress Trees, Fog, Carmel Peninsula

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Monterey Cypress Trees, Fog, Carmel Peninsula
Monterey Cypress Trees, Fog, Carmel Peninsula

Monterey Cypress Trees, Fog, Carmel Peninsula. Point Lobos State Reserve, California. July 10, 2010. © Copyright G Dan Mitchell – all rights reserved.

Carmel Peninsula is barely visible though fog beyond Monterey Cypress trees along the north shore of Point Lobos State Reserve.

This was a typical summer day in coastal California – completely socked in by a thick, gray blanket of cold, wet fog! The light was somewhat dismal, so it wasn’t a day for typical “scenic” landscape or seascape photography, though the colors of the plants and trees were saturated by the soft light and the distant peninsula faded almost to monochrome though the fog across the bay.

These Monterey cypress trees grow along the tops of the rocky cliffs above this part of the Pacific Ocean, in some of the most exposed and precipitous locations imaginable. In some spots they are left exposed to the full force of the ocean winds and winter storms, and they grow close to the ground, following the contours of the rocky terrain in ways that remind me of trees growing in exposed locations near timberline in the Sierra. In other spots they are a bit more sheltered and they seem to be able to “stretch out” a bit, as these trees do along a section of the rocky cliffs that faces more into the bay than out to sea.

The bay holds the outlet of the Carmel River, and the peninsula visible across the water in the distance is the coastline of the town of Carmel. The foreground trees are within the boundaries of the Point Lobos State Reserve.

G Dan Mitchell Photography | Flickr | Twitter | Facebook | Email
Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Shack with Red and Green Interior Lights

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Shack with Red and Green Interior Lights
Shack with Red and Green Interior Lights

Shack with Red and Green Interior Lights. Mare Island Naval Ship Yard, California. February 26, 2011. © Copyright G Dan Mitchell – all rights reserved.

A small shack with interior lit by red and green lights at the Mare Island Naval Ship Yard, California.

At last weekend’s night photography shoot with The Nocturnes at Mare Island Naval Ship Yard I wandered a bit further afield than I have on some previous visits, eventually ending up in an area where I have only photographed once before when I unsuccessfully shot a couple of large barn-like buildings. (I think I have a shot of these buildings from this trip that I like, and I’ll post it later on.)

While spending nearly a half hour photographing a light post against the backdrop of a very dark brick building (which amounted to two photographs, given the long exposure times and the follow-up “dark frame exposures) I kept thinking I saw a faint red glow inside a small nearby building. At first I thought that one of my fellow night photographers might be doing some light painting, but the light seemed awfully dim. Eventually I noticed that it was also quite constant – and light painting virtually always involves moving the hand held light source around in order to get a smooth lighting effect. Once I finished shooting the light pole (unsuccessfully, it turns out) I decided I would go over and see what was creating this light.

The buildings appears to be a small “guard shack” or similar, a very old and very dilapidated one room structure. Inside, as best as I could tell, there is a small table, a few chairs, a digital clock of some sort with green letters, and some kind of very dim red light. Intrigued, I decided to see if I could photograph it. One technical problem was going to be the very large difference in lighting between the bright light on the clock and the extremely dim exterior, made worse by the dark color of the building. I figured that I could probably put enough extra light onto the building’s exterior using a very small key chain LED light than I happened to have with me, and that is the major source of light on the front of the building and on the yellow foreground curve – I simply walked around on both sides of the building and moved the small light over its surface.

In the end, I think this is another example of night photography as a source of a certain kind of “fantastic” lighting. The actual scene was very, very dim, and the the intensity of the colors here is almost entirely the result of the very long exposure and a bit of improvised lighting on the yellow curb behind the fence – a photograph of something that cannot be seen with our own eyes.

More Night Photography

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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.