Tag Archives: winter

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Breaking Wave

Image January 4, 2024 G Dan Mitchell Leave a comment

Winter surf on California’s coast was so impressive between Christmas and New Year’s Day that it made national news. As happens this time of year, a powerful Pacific storm far offshore produced a huge swell. The biggest waves were upwards of 30 feet tall, and they created real danger to those who live at the coast and to visitors who ventured too close. Naturally, we headed straight over there to view (carefully) the power of nature!

The weather was pretty gray when we arrived, but the storm (which was less impressive than the waves) began to clear and rays of sunlight moved across the surface of the ocean. I went to a peninsula extending into the ocean, and from there I had close-up views of the action. I made this photograph as a huge wave rolled through one of those sunlit patches and began to break.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Breaking Wave, Reflected Sun

Image January 2, 2024 G Dan Mitchell Leave a comment

Between Christmas and New Year’s Day, California had several days of extraordinarily high surf, produced by storms far out in the Pacific Ocean. Media reports consistently warned citizens to “stay away from coastal areas.” Consequently, many of us high-tailed it straight to the nearest coastal areas to watch the show! (In all seriousness, this kind of surf really is dangerous. If you go, please observe from a very safe distance.) We visited the section between Santa Cruz and Half Moon Bay, and the surf was as big as I’ve ever seen it.

It was cloudy most of the time, but occasionally the sun managed to break through a bit, creating beautiful reflections on the waves and the distant ocean. This photograph is one of a series I made from a high (and safe) observation point on a peninsula that juts out into the ocean. From here I could watch the waveS break and continue on toward the shore to my left.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Panamint Range Snow, Evening Light

Image May 6, 2023 G Dan Mitchell Leave a comment

Late-day light illuminates snow covered ridges and thin forest along the summit of the Panamint Range, Death Valley National Park.

The reputation of Death Valley National Park is mostly tied to heat — the desert, the dunes, the rare rainfall. I once asked German relatives why they choose to visit in the middle of summer when few of us would choose to go there. The answer, more or less, was that Death Valley is famous for being the hottest place on earth, and that is what they wanted to experience. People who “know” the park from that perspective are often shocked to find that snow is common here in the mountains.

When we visited the Panamint Mountains at the beginning spring the snow was plentiful, and we actually experienced a moderate snow squall. (One of the oddest experiences I’ve had in this park was some years back when we photographed spring wildflowers during a snow storm in Death Valley. Let that one sink in for a moment.) Late on this day we went to a high overlook to wait for sunset, and the warm light illuminated this nearby ridge in the very late afternoon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Butte, Morning Haze

Image April 4, 2023 G Dan Mitchell Leave a comment

A desert butte and mountains stretching into the distance in morning haze, Death Valley National Park.

With all that haze, this may not be your typical Death Valley photograph, but it is my favorite kind of light. I love haze, backlight, and scenes full of interesting shapes, curves, and lines. I’m also fond of including elements that are barely visible, as is the case with the furthest hills beyond the rounded butte.

The photograph is an example of the “don’t forget to look behind you” school of photography. We naturally focus on the main subject in front of us, the one that brought us to a place. But frequently something else is lurking nearby, often to one side or behind us. That was the case here, as this scene was almost 180 degrees opposite the very different subject that I had been photographing before I turned around to see this view.