Tag Archives: yellow

Bird-Filled Dusk Sky, Central Valley

Bird-Filled Dusk Sky, Central Valley - The edge of a huge flock of geese fills the dusk sky above seasonal winter ponds in California's Central Valley.
The edge of a huge flock of geese fills the dusk sky above seasonal winter ponds in California's Central Valley.

Bird-Filled Dusk Sky, Central Valley. San Joaquin Valley, California. February 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

The edge of a huge flock of geese fills the dusk sky above seasonal winter ponds in California’s Central Valley.

I continue to learn the cycles of the migratory winter birds over the Central Valley of California. Early in February I twice visited a wildlife refuge in the area roughly between Merced and Los Banos in the evening. On the first visit, we arrived to find white flocks of Ross’s geese settled into ponds and hour or two before sunset. As the day came to an end the geese started to lift off and fly away in groups and by sunset there were almost non of these birds left at “our pond.” I began to think that the show was over for the night, and I switched from photographs centered on wildlife to working with the trees and ponds and fields as landscape instead. Then, well along into the dusk hour, we heard a sound to the south that signaled the presence of a large number of migratory birds, and a moment later rank after rank of them appeared and crossed above our position on their way to settle in nearby.

Less than a week later I was back in the same area. Again, we arrived to find the Ross’s geese settled in on a pond, though this time there were far more of them and they were closer to our position. Again, during the hour before sunset they began to lift off and fly away. And again, there was a quiet point right around sunset when it seemed that the migratory birds had all left and only a few smaller birds remained. But this time we had our eyes on the sky, and before long we spotted a small, moving cloud far to the west against the shadow of the coast range mountains, and we recognized it as a “flock” of birds. Soon we realized this was not just another small flock – it was a veritable cloud of birds that grew in size as it approached, became louder, and then quickly filled the sky above us with the sound and sight of thousands of wheeling birds.

The photograph shows just the far edge of this “cloud,” as the rest of the birds had just passed across our position and were mostly behind and to either side. Because I had a long zoom lens on the camera, I was just able to move toward its widest setting and quickly compose a photograph that included a bit of the pond, some trees and the far hills, and enough of the flock to suggest its size.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Fennel, Distant Birds, Morning

Fennel, Distant Birds, Morning - Early morning light on a row of fennel plants with migratory birds passing in the distance, Central Valley, California.
Early morning light on a row of fennel plants with migratory birds passing in the distance, Central Valley, California.

Fennel, Distant Birds, Morning. Central Valley, California. January 18, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early morning light on a row of fennel plants with migratory birds passing in the distance, Central Valley, California.

If you don’t look closely, fennel is a pretty nondescript plant, especially during the dry season when it more or less goes dormant and consists mostly of dry twigs and branches and a few dry seeds. I never paid much attention to it at all when I was younger, despite spending a lot of time in the California outdoors, where the plant is very common. I think the first time that I actually noticed it was some years ago when I was surprised to smell the familiar fragrance of anise (as in licorice) while hiking or running along a local trail. I stopped and noticed the familiar seeds that I had used in cooking, picked a few, crushed them, and noticed that powerful smell. (There is a group of plants found in outdoor California that often cause me to stop and engage in this ritual of picking a leaf or seed, crushing it, and enjoying the scent: fennel, bay/laurel, sage…)

True to form, I wasn’t really paying much attention to these plants growing along the boundary between a Central Valley road and a flooded field where I had stopped to make photographs of migratory birds in late January. It may actually be the case that I only really “saw” them when my camera’s AF system “incorrectly” locked focus on the plants instead of more distant subjects! But this shot was not an accident. At this point I had noticed the plants and they became the subject, with relief from cross light from the rising sun and against the background of hazy early morning sky.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Migratory Birds in Twilight, Central Valley

Migratory Birds in Twilight, Central Valley - Migratory birds flly though the twillight winter sky above California's Central Valley and the Coast Range.
Migratory birds flly though the twillight winter sky above California's Central Valley and the Coast Range.

Migratory Birds in Twilight, Central Valley. Merced National Wildlife Refuge, California. February 8, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Migratory birds flly though the twillight winter sky above California’s Central Valley and the Coast Range.

I made this photograph when it was almost too dark to see clearly. In fact, when I packed up and drove away a few minutes later, it was so dark that I momentarily got mildly lost on my way out of the refuge! Long after the sun had set, and at the time when perhaps the most intense sky colors appear, the migratory birds were still in flight above the Central Valley, often silhouetted against the colorful dusk sky just above the horizon.

This photograph is going to get a bit more technical explanation than usual. I had a 100-400mm telephoto on the camera at this point since I had been photographing the birds in a variety of ways, including trying to fill the frame with one or a few birds. While some might say that shooting a prime lens of this length could have some image quality advantages, this photograph wouldn’t have happened if I had been shooting, say, a 400mm prime. Since I wanted to move quickly from targeting small sections of the surroundings or even individual birds to making photographs that attempt to portray the larger landscape within which the birds are found, I frequently found myself moving quickly to much shorter focal lengths. Here, I realized that I might be able to “zoom out” and include some of the birds in flight high above the valley and the distant mountains in the context of their surroundings. So I shot this at something like 130mm. In addition, because the scene includes subjects that are not that far away (like the trees) and those at much greater distances (like the hills), depth of field was an issue with the longer focal lengths. I couldn’t shoot wide open without some excessive focus issues, so I stopped down to f/11. Think about that for a moment: shooting in extremely low light, stopped down to try to maintain some depth of field… and needing use a shutter speed allowing me to get some definition out of birds flying through the scene. This is essentially being caught between a rock and a hard place… and another rock. With the camera on the tripod, but still aimed manually, I used a shutter speed of 1/13 second and turned image-stabilization on. With all of this stuff pushing boundaries of shutter speed and aperture… my only option was to increase the ISO to 1600. For landscape work. Here’s the thing… in the end, while there was more noise in this photograph than if ISO 100 were possible, it isn’t that bad and probably wouldn’t even be visible to viewers of a print. While I’m usually persistent in my view that little technical differences among cameras don’t amount to much, in this case it was because current cameras make it possible to shoot in ways that were essentially impossible a decade ago that I could get this photograph at all.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Owens Valley, Tungsten Hills, and Mount Tom

Owens Valley, Tungsten Hills, and Mount Tom - Massive Mount Tom rises above the Tungsten Hills and the high desert terrain of Owens Valley near Bishop, California.
Massive Mount Tom rises above the Tungsten Hills and the high desert terrain of Owens Valley near Bishop, California.

Owens Valley, Tungsten Hills, and Mount Tom. Eastern Sierra Nevada, California. January 2. 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Massive Mount Tom rises above the Tungsten Hills and the high desert terrain of Owens Valley near Bishop, California.

When I’m driving to a photography destination, I often have to suppress the desire to stop and make photographs along the way. If I’m not careful, I can end up spending extra hours on the drive and arrive too late. (Sometimes I plan extra time for my long drives just to accommodate my need to stop and photograph en route.) I cope with sighting photographic potential as I drive by either pretending it isn’t there, filing it away for a later trip… or occasionally giving in and stopping.

As I headed down highway 395 on this winter afternoon, on my way to get a camp site in Death Valley, I was aware of the fact that if I took too long I would end up having to find a camp site and set up camp after dark when I arrived – and my destination was still hours away. But after descending to Round Valley just north of Bishop, California I became more aware of the interesting and somewhat unusually afternoon winter light and I finally just had to make a quick stop. The foreground Owens Valley high desert plants had lost all of their “green,” and now had a range of shades of yellow, brown, red, white, black, and even a bit of near-purple. Beyond them the Tungsten Hills began the rise from the valley toward the crest of the eastern escarpment of the Sierra, here dominated by the bulk of massive Mount Tom, a very tall peak that appears even larger because it sits more to the east than most of the other high peaks. The combination of backlight from above the range and high, thin clouds created a sort of muted sunny effect.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.

Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.