Tag Archives: yellow

Fabrica-Real de Tabacos

Fabrica-Real de Tabacos
“Fabrica-Real de Tabacos” — Hand-painted sign at the historic Sevilla tobacco factory building.

The site of this historic “tobacco factory” was a short walk from our lodgings and along the route to the Maria Luisa Park, so we made a point to find a route that passed it. You might wonder about the significance of a… tobacco factory, but there’s a lot of fascinating history to the place. One bit that we were already aware of is the connection to Bizet’s opera, Carmen. Bizet’s libretto was adapted from an earlier story inspired by the women who were employed here. As they say on those TV ads, ” But wait, there’s more!”

While working on the photograph I discovered fascinating information. First off — and I had probably heard this before but forgotten — tobacco was another of those products that came from the “New World.” Very early on, Sevilla established a factory, first to produce snuff and later smoking tobacco in the form of cigars. Unlike just about all other factories, the employees were women. (I won’t go into the reasons for that here, but it is worth looking up if you are interested.) Later on the building — one of the very largest factories of its time — was taken over for use by a university, which seems like an unlikely event!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Rock Abstraction

Rock Abstraction
“Rock Abstraction” — An imaginary landscape of rock, Point Lobos coastline.

I feel that there is always a tension in landscape photography between showing things as they literally are, showing them as we might wish they were, and using them as departure points for more imaginative explorations of what they suggest to us. This photograph falls squarely into the latter category. As I looked at the remarkable patterns in these shoreline rocks, I thought about how I have seen similar patterns in paintings. So I decided to push reality a bit and head in the direction that those works suggested.

Once again, this photograph illustrates how I/we can find new things in old places. I made the photograph at a coastal spot that I have photographed since I was a young kid with a cheap black and white camera, imagining himself following in the footsteps of Adams and Weston — who also photographed exactly here. Decades later I still return and ind new things and new ways to see them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Weathered Wall

Weathered Wall
“Weathered Wall” — Abstract patterns of paint, stucco, and weathering on a wall in Orvieto, Italy

There’s really no obvious way to tell from the image that it was made in Italy — though once you know that you may recognize that beautifully worn and weathered walls are part of the landscape there. I spotted this detail as we walked through the small hill town of Orvieto during the summer of 2023.

While I usually prefer to think of such weathering as “picturesque,” you could be forgiven for regarding it as run-down, too. To be honest, the exteriors of buildings in big cities are not always pristine, and this is especially so when we get away from fancy downtowns and into regular neighborhoods. After years of visiting such places it finally occurred to me that people in these places might surrender exterior beauty, but that they transfer their aesthetic impulse to interiors. In any case, I’m happy to find subjects like this.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Gravel Road, Carrizo Plain

OK, I admit it. This is a bit of a “record shot,” considering how this place can look like the peak of the spring bloom in an exceptional year. However, it does give me a chance to write a bit about the location and how I came to be here on this day. I was doing the long drive from the SF Bay Area to Death Valley from the San Francisco Bay Area. Since I had decided to stop overnight in Ridgecrest before continuing to the valley, I had a bit of extra time on the first day’s drive. So I detoured through the Carrizo Plain. (Yes, I have driven that gravel single-track, though not on this visit.)

At its best, this place can be remarkably full of spring wildflowers. But my mid-March visit was too early for that, so I had to settle for a landscape just beginning to build toward that climax. In this photograph, the wildflower bloom is just getting started. In exchange, I had the place largely to myself, without the huge crowds that come later. While most who visit for the flowers think of this as a green and wildflower-colorful place, the truth is that most of the time it is quite dry and desertlike.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.