“Ride the Tiger” — A woman taking a ride on a Paris carousel at night.
Last December we were out for a cold afternoon and evening walk in Paris, and on our way back towards our hotel we passed a carousel set up in a square near shops and other upscale amenities, apparently as part of holiday season events. I could not resist making a few photographs of the merry-go-round and its patrons.
Most of my night photographs are as sharply focused as the images I create in the daytime. But sometimes I like to take advantage of the low light levels and play with longer handheld exposures that incorporate motion blur. In cases like this one the blur better suggests the motion in the scene.
“Reflected First Light, Panamint Mountains” — Shallow salt flat water reflects the first light on the Panamint Mountains.
During my late-February visit to Death Valley National Park, I spent two early mornings photographing the Panamint Mountains in the first light, with the salt flats and shallow water in the foreground. The water is not the ephemeral “Lake Manly” phenomenon that we saw in 2024. This is a slow, shallow flow of water that seems to continue all year, regardless of conditions. It is just enough water to produce these reflections.
These days I photograph almost exclusively with a full frame digital system. (Sometimes I use a smaller APS-C system, often for my street and travel photography.) I usually use a pretty straightforward set of lenses that work well for my landscape photography, but occasionally I bring out an adapted medium format zoom lens and mount it using the Mirex tilt/shift adapter — yes, movements with a zoom lens! That was pretty useful for this photograph given the low light and the extreme distance between the foreground and the distant mountains.
“Christmas Vendor, Montpeillier” — A street vendor sells Christmas items on a narrow street with hoiday “cloths’ hung overhead.
Our December visit to Montpellier, France obviously took place during the holiday season. Although it was cold and occasionally rainy while we were there, the streets were often filled with shoppers and others out on the town. The colorful cloths tied to lines spanning the narrow streets were everywhere. I later read that these come out for many holidays and special occasions here.
Along this narrow street a nearby shop had expanded its space outside along the walkway, offering holiday cards and similar items to passers-by. It was daytime when I made the photograph, but this street is so narrow and the buildings so tall, that it felt like twilight on the walkway — except here were lights were turned on.
“Desert Holly, Dry Wash” — A desert holly plant, either dead or dormant, in the middle of a dry wash, Death Valley.
Desert Holly must be one of the must adapted and tenacious plans in Death Valley National Park. It grows in some of the least likely spots — places where there is barely any soil, where the sun bakes the land, and where water is rare. Desert Holly plants can occasionally put out a beautiful cover of pale green leaves, but more often the plant looks dormant or dead, with many dead leaves and very dry branches.
This specimen grew in a desert wash, where water occasionally passes through this very dry area. It has to rely on fairly rare flows of water. Plants grow in much of Death Valley, but few do in this location. While a few further up the wash had green foliage, I saw only dry, desiccated leaves on this one.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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