“Windows and Yellow Wall, Pena Palace” — Pena Palace windows and yellow walls on a rainy day, Portugal.
The Pena Palace sits on the summit of a ridge above the town of Sintra, a short train ride from Lisbon. From a distance the place seems unreal, given its location, its architecture, and its striking color scheme. Up close the weathering changes the effect a bit, but in a way that only seems to make the place a bit more mysterious.
“Stream and Sandstone Cliff” — Sandstone cliffs at the bend in the canyon of a remote Utah river.
This is a photograph from over a decade ago. (More on how it ended up here today below.) A small group of us spent time photographing in Utah, often in remote places. One day we dropped into a canyon and followed this stream. As so often happens in these narrow, winding canyons, “one good turn led to another,” and we kept going as each bend revealed another interesting section. We finally stopped very close to this scene, made some final photographs, and headed back upstream.
“Fractured Surface” — Fractured dry mud, Death Valley.
Yes, more dried mud! As I have written before, for reasons that still mystify me, this is an irresistible subject for many landscape photographers… and I’m no exception. What explains it? The colors? The contrast with surroundings? The fractal shapes?
“Desert Gold Flowers, Panamint Range Mountains” — The snow-capped Panamint Range rises beyond a field of desert gold wildflowers, Death Valley.
What is the popular image of Death Valley National Park? I’d say that it is some combination of the following: desert, sand dunes, arid, empty. There can be some truth to that though it is not quite so uniform. This photograph is an example — it is not empty and there are no sand dunes. Instead we see flowers stretching off into the far distance.