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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Ridges, Morning Haze

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Desert Ridges, Morning Haze
Desert ridges disappear into distant morning haze.

Desert Ridges, Morning Haze. © Copyright 2022 G Dan Mitchell – all rights reserved.

Desert ridges disappear into distant morning haze.

There is a series of lessons I have learned about photography in Death Valley National Park. They including things like seasonal timing, observations about the light at various times of day, the number of locations and subjects that are a bit off the beaten track, and the importance of spending time “poking around” looking for them. One important element sits at the nexus between the immense scale of the place and the qualities of its atmosphere and light: learning to love blue haze in the atmosphere.

As a photographer who has done a lot of work in places where clear air is common — for example, among high peaks of the Sierra Nevada — the bluish haze that is often visible across the immense distances of Death Valley was initially a challenge. (It still can be at times.) Dealing with this required me to learn some lessons about timing… and that I learn to see the haze as a potential asset rather than just a problem. On this morning I had finished photographing a location in the clear sunrise light. I headed to a elevated location with broader views… and lots of the blue haze obscuring distant features. The intent of this photograph was to work with rather than against that condition, and let it help reveal the scale of the landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Creosote and Dunes, Evening Light

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Creosote and Dunes, Evening Light
Creosote plant in eveing light as wind-blown sand softens the contours of receding dunes.

Creosote and Dunes, Evening Light. © Copyright 2022 G Dan Mitchell – all rights reserved.

Creosote plant in eveing light as wind-blown sand softens the contours of receding dunes.

This is (yet another!) photograph that demonstrates the conjunction of a range of things: planning, good luck, responding quickly to conditions, and more. Regarding the planning, I had made a long drive to a place a mile or so from this spot, where I set up a primitive camp and waited for the late-day light. A lot of good luck was involved — this was my first time at this location, so I had to make some guesses about where to be when the evening light arrived… and the guesses turned out pretty well.

As to conditions, several things were happening here. First, it was extremely windy, so I made some decisions about camera setup to deal with that. I made the exposure during a short interval of less wind. Second, there was only a brief interval when the light acquired the warm, evening color, and then the shadows from a low mountain range to the west “turned out the lights.” If you look closely you can already see some shadows starting to creep into the edges of the frame.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Breakfast, Manhattan, December 2021

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Breakfast, Manhattan, December 2021
Breakfast on the window sill, Manhattan, December 2021.

Breakfast, Manhattan, December 2021. © Copyright 2022 G Dan Mitchell – all rights reserved.

Breakfast on the window sill, Manhattan, December 2021.

On one level this is a photograph of a half-eaten breakfast roll on the paper bag it was packed in, sitting on the window sill of a Manhattan hotel room on a cloudy winter morning. We can look at it as a little still life, I suppose, though perhaps a less appealing one than the traditional images of fruit and such. But there’s a story behind it.

For us a typical Manhattan breakfast might be coffee and pastry picked up somewhere on the street or, if we had the time and inclination, a “real breakfast” with eggs and more in a restaurant somewhere. (We follow a “two-and-a-half-meals-per-day plan when traveling, where the half meal could be morning or midday and is usually espresso plus something small.) But this visit was during the start of the Manhattan holiday omicron surge — what a strange description! — and those crowded little restaurants and shops were not so appealing. Fortunately, the Mille-Feuille Bakery was on the ground level of our hotel, so we’d head down there, pick something up, and return to our room… where the morning ritual was to start the covid rapid test, then sip coffee and eat pastry while the 15 minutes passed.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Wash and Alluvial Fan

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Wash and Alluvial Fan
Morning light on a giant alluvial fan at the base of a desert mountain wash.

Wash and Alluvial Fan. © Copyright 2022 G Dan Mitchell – all rights reserved.

Morning light on a giant alluvial fan at the base of a desert mountain wash.

The immense scale of the Death Valley landscape is one of its most impressive characteristics. I’ve written that it reminds me of places like The Yukon, where features stretch on over great distances, so large that it can be hard to make sense of them. One day I decided to go to a location at one extreme edge of the park. Starting roughly in the middle of the park, the trip took me close to two hours of driving, the last portion on a gravel road. I also contemplated visiting another location at the opposite end of the park — it would have been close to a 100 mile drive in the opposite direction, with more than 40 of it on gravel. Driving direct between these two points might have taken six hours and covered close to 150 miles. From many high places in this park you can look across many tens of miles, often so far that the landscape may simply disappear in the distant haze.

It isn’t just the travel distances that are huge — many of the features of the landscape are so large that they defy an accurate sense of scale. The gravel fan in this photograph, spilling out of a narrow canyon at the base of one of the parks large mountain ranges, is likely about ten miles from my camera position and probably at least 1000 feet above the valley floor. It would take a full day to walk there, with no trail to follow. I made the photograph as the first direct sunlight had worked its way down the face of the mountain range.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.