Images

Wildflower Fields, Carrizo Plain

Wildflower Fields, Carrizo Plain
Yellow and purple wildflowers from plain to hills, Carrizo Hills National Monument

Wildflower Fields, Carrizo Plain. © Copyright 2019 G Dan Mitchell – all rights reserved.

Yellow and purple wildflowers from plain to hills, Carrizo Hills National Monument.

This is a straight up “look at all the flowers!” photograph, made just before the seasonal peak of the bloom in the Carrizo Plain. Something like this happens in many places in California that seem almost desert-like during most of the year. Once winter rains start (and if it isn’t a drought year…) there is sudden appearance of new plant life in the middle of winter, and these dry places start to turn green. The process continues until some point in March, during what I like to call the “impossibly green season,” when whole hillsides become greener than you might imagine. Then there is a brief period in late March and into April, before the grasses again go dormant, when wildflowers may appear in abundance.

If you visited this location during most of the year you would likely describe it as a very dry and hot place, and you might even be tempted to regard it as desert. But when I visited this year and extensive spring bloom was just getting underway. I photographed from just about the lowest point in a wide valley, at the edge of a dense field of yellow flowers. Beyond, the yellow flowers transitioned to equally dense fields of purple flowers. Then the yellow resumed and extend right on up the slopes of the distant mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dusk Dunes

Dusk Dunes
Soft evening light on low sand dunes

Dusk Dunes. © Copyright 2019 G Dan Mitchell – all rights reserved.

Soft evening light on low sand dunes.

Sand dunes are perhaps the most classic “desert” photography subject. For most people, they are their first association with these places, and their dry, bare (or so it seems), and utterly dry features are some combination of beautiful, intriguing, and dangerous. I am certainly not immune to their appeal, and photographing them can be an endlessly challenging activity. One reason is that as photographic subjects they are much more varied than you might initially imagine. While they have their own shapes and colors, these are changed radically by wind, color and intensity of light, and more. They provide one other challenge, too — when I first look at them it always seems like they will be easy to photograph, but they always end up presenting more challenges than I expected.

I love photographing dunes in the marginal light at the start and end of the day, and especially the time right around and just after sunset. At these times the dunes undergo sometimes-astonishing color transformations. The warmer tones, which are sometimes sun-blasted into neutrality during the day, begin to emerge in the softer light. And the dunes pick and reflect a wide variety of colors — blue from darker sky; reds, yellows, and even purple from sunset clouds. I photographed these smaller dune formations from a distance in the early evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Morning, Temblor Range

Morning, Temblor Range
Morning light on spring-green hills of the Temblor Range

Morning, Temblor Range. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning light on spring-green hills of the Temblor Range.

Many landscapes appeal to me, but if you want to see geology laid bare I think the best places are those where few things grow, or at least where the plant life is so small and sparse as to permit a direct view of the land itself — places above timber line or arid places. This location, the Carrizo Plain, is not the driest place in California, but it is hot enough in the warm season to turn the place brown, and there are virtually no trees here.

The geology and geography here are worthy of attention. The most obvious feature is the Temblor Range of mountains lying to the northeast. These mountains mark the mighty San Andreas earthquake fault — its line sit at their base and the effects of its motion may be see in many places. A second feature, at least for me, is the immensity of the landscape. It is one of those places where distances are deceiving, and what looks like a quick jaunt across the valley could add up to nearly ten miles. On the morning I made this photograph the valley had been full of post-rain fog when the first light arrived. As it cleared it left a certain combination of both clarity and softness in the light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Spring Wildflowers

Spring Wildflowers
Bright yellow spring wildflowers carpet the hills of the Carrizo Plain National Monument

Spring Wildflowers. © Copyright 2019 G Dan Mitchell – all rights reserved.

Bright yellow spring wildflowers carpet the hills of the Carrizo Plain National Monument.

As I drove a bit deeper into the Carrizo Plain National Monument last week I encountered this scene along a section of gravel road. These yellow flowers — I believe they are a daisy known as monolopia — covered vast areas from the lowest levels of the plain on up to the slopes of the surrounding mountains. I made the photograph on a somewhat special morning that had begun with thick ground fog. Eventually the fog broke up to leave behind blue sky with scatted fluffy clouds.

These flowers are a very short-lived phenomenon here, and they don’t grow in such abundance every year. This has been a relatively good year for rainfall, and this area was hit by heavy rains from an atmospheric river storm a few weeks earlier. These wildflowers are opportunistic — in bad years they may barely make an appearance, but when the rains do come they make up for lost time and produce brief but astounding displays. (If you were to come back here in a bit more than a month you would find a very dry landscape and very few flowers.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.